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Book Description: A loner in his all-white high school, Chinese-born Xing (pronounced “Shing”) is a wallflower longing for acceptance. His isolation is intensified by his increasingly awkward and undeniable crush on his only friend, the beautiful and brilliant Naomi Lee.
Xing’s quiet adolescent existence is rattled when a series of disappearances rock his high school and fear ripples through the blue collar community in which he lives.
Amidst the chaos surrounding him, only Xing, alone on the sidelines of life, takes notice of some peculiar sightings around town. He begins to investigate with the hope that if he can help put an end to the disappearances, he will finally win the acceptance for which he has longed. However, as Xing draws closer to unveiling the identity of the abductor, he senses a noose of suspicion tightening around his own neck.
While Xing races to solve the mystery and clear his name, Crossing hurtles readers towards a chilling climax.
Andrew Fukuda: I worked for a few years with immigrant teens in Manhattan's Chinatown. What really struck me was how acutely they felt isolated from society at large. Shoved out of the way, really. And they shared a real disenchantment with America. One Sunday, a group of us--we were traveling in upstate New York--decided to attend church. It turned out to be an all-white church and I still remember the cold looks of suspicion and icy stares cast our way throughout the service. Just because we were Chinese, just because we looked different. Those cold stares haunted me for a long time afterward. It got me thinking: what if an immigrant teen had to grow up all alone in this kind of community? And what if something terribly, mysteriously awful started to happen in that community?
The 2007 Virginia Tech massacre at the hands of Seung-Hui Cho added urgency to my writing. I feel that Asian American males have often been dealt an unfair hand by the media, and I was afraid of a backlash, afraid that we might get typecast as raging, hate-filled, gun-toting campus killers. For weeks after, I attacked the manuscript with renewed fervor and purpose, determined to add more dimensionality to Xing's character. Realistic complexity and nuance in characters, after all, kill stereotypes.
Question: In what way is Crossing different from the typical immigrant novel?
Andrew Fukuda: I wanted to depart from what we usually see in immigrant novels: instead of cloying and clichéd scenes of family meals, flowery mother-daughter relationships, and cathartic returns to the motherland, I wanted to layer questions of identity and ethnicity over a thriller plotline. In Crossing, this immigrant theme is propelled forward by the suspense generated in the ever-deepening mystery of the disappearances. This fusion of themes was a blend of my background: as an Asian American I was able to add depth to the ethnic theme; as a criminal prosecutor, I was able to develop nuances in the mystery aspect of the novel.
Question: Did you read much while growing up? Which writers capture your attention and imagination?
Andrew Fukuda: My parents--both university professors--encouraged me and my two brothers to read early on. Books lay everywhere at home. I suppose it was only a matter of time before I became a voracious reader. I was especially drawn to stories dealing with displacement, where characters suddenly find themselves in an alien environment with all previous reference points and cultural markers gone. Early on, that meant reading a lot of Stephen King, Ray Bradbury, and Isaac Asimov. Now it means more Kazuo Ishiguro, Paul Yoon, and, of course, Jhumpa Lahiri. Reading (and rereading) her works is like a religious experience for me.
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Most Helpful Customer Reviews
116 of 120 people found the following review helpful:
5.0 out of 5 stars
Tense engrossing writing + insightful characters = Outstanding novel!,
By
This review is from: Crossing (Paperback)
Customer review from the Amazon Vine™ Program (What's this?)
I selected Crossing because it had a thriller element--a mystery component. I'm not usually big on anything that is teen angsty so felt it was important to point that out up front. I went into it expecting to just tolerate the more lone silent boy who's different than his peers part and hoped that the mystery aspect would carry the novel for me. I'm not too proud to say when I'm wrong and boy was I wrong! I found that the intricate welding of outsider and mystery, written with such a skilled hand, had me trying to understand the former and figure out the latter!
The writing is beguiling. Xing Xu is one of only two Chinese students in a local all white high school. To say his life has been a bit tragic is probably an understatement. Xing and his parents immigrated to the USA illegally. His father, an artist, hawks his skills to tourists in the big city. After one such trip to the city Xing's father is killed. His mother ends up taking two jobs to make ends meet and falls into deep depression over her husbands death. Xing and his mom live in the same house but interact in a wooden and lifeless way merely exchanging casual greetings and non heartfelt appearing platitudes. To assist with money they take in boarders and their latest is an older lady who doesn't leave the house much. She and Xing develop an interesting nearly familial relationship as he entrusts her with his feelings. At school Xing lives for the moments he spends with his friend Naomi Lee. Naomi is also a transplant from China. It would appear Naomi is bound for greatness - a superb intellect and porcelain beauty, Xing dreads the day she realizes her gifts and goes off with someone else. In spite of his best efforts to convince himself otherwise his love is unrequited. Xing seldom interacts with others including teachers or students and is often the choice for being picked on which earns him many bruises. This year in school there is a very odd new girl named Jan. Jan lives out in the woods with her father. Xing also has a secret talent and, in a moment of emotion, tries out for the school play. The music teacher, a Juliard has been, sees his gifts and encourages him. Although he is only the understudy Xing starts to come out of his shell a little bit - feeling as if there is something in him that is special. When the first boy turns up dead it shocks the community, when the second one dissappears it mobilizes them into fear and action. Xing, always the outsider, notices more than others. Who is the person in the red jacket and why does he watch? Where are the bodies of the boys? Are they dead? Who will be next? So why did I use the word beguiling? A look at any dictionary will point out that to beguile can mean any of the following: mislead or delude, to take away from by deceiving, to charm or divert and to pass time pleasantly. I found these on dictionary dot com. I use the word because this book is ALL of those meanings. Throughout you are never quite sure of the exact turpitude of Xing. He's sympathetic but does not envoke sympathy. He encompasses a lot of characteristics that other teens have being a bit selfish at times and self serving. I was constantly left with the idea there was more -- more to the story, more to the character -- like I'd just started peeling an onion and was having hard time seeing to finish it on account of misty eyes. This is not to say, in any way, that the book was lacking. It is this drive to know more, to see another layer, to peel away the skin -- that kept me glued to the pages. Several of the characters invoke thoughts of the second defintion of beguile which is to take away from by deceiving. Without spoiling the ending you start to wonder who is being decived and who is doing the deceiving when things consistently start adding up. I found the writing to be sparse but not missing anything. There are not a lot of extra flowery words floating about. It accomplished the task without distracting me or giving me too much (or too little) information. A high compliment to Mr. Fukuda's talent. Finally to pass time pleasantly -- this is certainly how I felt reading this book. I did not resent a single minute of the effort and, while not always pleasant in content, the mesmerizing writing kept me one hundred percent invested until I reached the ending. Speaking of the ending I'm still not sure what to make of it. The book could have formally ended about 20 pages before it did and I would have been fine with that. I won't spoil it but the ending left me gasping and rethinking the entire book and my understanding. Completely worth your dollars. I highly recommend this gem!
22 of 23 people found the following review helpful:
3.0 out of 5 stars
Difficult to Rate...,
By Warnie B. (Plano, Texas United States) - See all my reviews
This review is from: Crossing (Paperback)
I feel pretty conflicted about this one.
I really loved some of Fukuda's descriptions of Xing's surroundings. The absolutely gorgeous cover art perfectly illustrates the atmosphere of this book--the quiet, melancholy COLD of it, and that's what initially attracted me to it. There's some real beauty here. There's also some real ugliness, and I guess that is what I had trouble with. Somehow a lot of it ended up feeling...unbelievable, or too convenient, or...just too extreme. It brought me out of the story several times, thinking, "Wait...what? Really?" And I never really figured out certain characters' motivations. And Xing himself...mostly I could relate to the things he thought and felt. Some of his actions made me dislike him a little, but they felt realistic to me at the same time. But every now and then something he would say would just seem...very out of character, and, again, brought me out of the story. The way he reacts to people always seems to be the way most likely to get him in trouble, but he's not consistent. In one instance he might be belligereant or antagonistic, almost cocky; in another, it's like he's paralyzed with fear and can't make himself speak at all. I felt like I never really got a good handle on who he is, because he never seemed fully formed somehow. That said, I like the story Fukuda tells here, about a boy caught within a prison of circumstance, personal tragedy and low self-esteem. And I felt the ending fit. It's a very short book though, and I guess I wish maybe there was a little more to it--not that it needs more words, but maybe just better words in places. It's definitely a haunting story though, and one that will stick with me.
20 of 21 people found the following review helpful:
5.0 out of 5 stars
Well done!,
By
This review is from: Crossing (Paperback)
Customer review from the Amazon Vine™ Program (What's this?)
I really hope this book and its author get the recognition they deserve. There are so many components that make this novel so compelling. Written in first person from the Xing's perspective, he narrates his life as an outcast freshman and his struggles with isolation as the only Chinese boy in an all white school. As he is agonizing over the death of his father, being bullied, and unrequited love, boys at his school start disappearing. The murders, a new girl at school, Xing's rediscovered talent (singing), his relationships and other threads are woven together so effectively. But beneath it all is the constant reminder that he is different and doesn't fit in. This racism becomes even more prevalent as the conclusion forces him to decide whether or not to concede to the preconceptions made about him.
This novel was so well written and original. The teenage angst was delivered skillfully and the author captures so many powerful emotions: terror, joy and acceptance, humiliation, resignation, and anger. I don't want to expound too much on the plot because I want other readers to be as surprised as I was. Like I said, I hope Crossing receives the praise it is worthy of.
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