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Crossing the Equator: New and Selected Poems 1972-2004
 
 
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Crossing the Equator: New and Selected Poems 1972-2004 [Hardcover]

Nicholas Christopher (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

April 5, 2004
Since his poetry began appearing in the New Yorker when he was in his early twenties, Nicholas Christopher has been praised as one of America's most important poets by such literary talents as John Ashbery, Charles Simic, James Merrill, and Anthony Hecht, among others. Crossing the Equator collects Christopher's best work from the past three decades and includes a section of new poems that are among his finest. Exploring with equal brilliance the labyrinths of history and the human heart, the jagged magic of urban life and the illuminations of travel, the luminous and transformative voice of Crossing the Equator puts on display Christopher's dazzling power and myriad depths.


Cold missiles and a rain
of embers accompany the men
who slide like shadows into the city
faces mud-smeared
stones for teeth no eyes

who slit the throats of everyone
they encounter until breaking down
my door they drag me into the darkness
that floods the corridor
and lock me in an icy chamber
-from "The Last Hours of Laódikê, Sister of Hektor"





Editorial Reviews

From The New Yorker

"14 rue Serpentine: A Paris Notebook," one of the new poems with which Christopher begins this three-decade retrospective, assumes what has become the poet's signature form: episodic narrative achieved by means of short scenes, as in an art film, with swift cuts and special effects. Christopher, who is also the author of four novels and a study of film noir, is an enjoyably indulgent director: "You're dreaming of the velodrome / the rings of Saturn spinning / with riders who blur away / like those fast-motion films / of flowers blossoming and dying." He asserts, "Sometimes it's not hours but years that pass in a single day," and that is precisely the sensation induced by this dreamlike and highly visual collection, where punctuation is often scarce and the plausible—a girl in a yellow bikini drinking Campari, say—can quickly turn surreal.
Copyright © 2005 The New Yorker

Review

“14 rue Serpentine: A Paris Notebook,” one of the new poems with which Christopher begins this three-decade retrospective, assumes what has become the poet’s signature form: episodic narrative achieved by means of short scenes, as in an art film, with swift cuts and special effects. Christopher, who is also the author of four novels and a study of film noir, is an enjoyably indulgent director: “You’re dreaming of the velodrome / the rings of Saturn spinning / with riders who blur away / like those fast-motion films / of flowers blossoming and dying.” He asserts, “Sometimes it’s not hours but years that pass in a single day,” and that is precisely the sensation induced by this dreamlike and highly visual collection, where punctuation is often scarce and the plausible—a girl in a yellow bikini drinking Campari, say—can quickly turn surreal. (The New Yorker )

Product Details

  • Hardcover: 240 pages
  • Publisher: Houghton Mifflin Harcourt; 1 edition (April 5, 2004)
  • Language: English
  • ISBN-10: 0151010951
  • ISBN-13: 978-0151010950
  • Product Dimensions: 8.5 x 5.5 x 0.9 inches
  • Shipping Weight: 13.1 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,655,737 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
5.0 out of 5 stars A beautiful book., April 20, 2004
By A Customer
This review is from: Crossing the Equator: New and Selected Poems 1972-2004 (Hardcover)
Someone recently told me he didn't like poetry because it was too hard to read and not passionate. I pointed him to Crossing the Equator and said, "This book, and this poet, will change your mind." The book collects the best of Christopher's very rich and varied body of poetry and as such, it is a treasure trove. Each vivid sexy poem is a jewel in whose facets you will see a great deal -- even if you don't usually read poetry.
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