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Crossing Over:  Where Art and Science Meet
 
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Crossing Over: Where Art and Science Meet [Illustrated] [Paperback]

Stephen Jay Gould (Author), Rosamond Wolff Purcell (Photographer), Lynne Amft (Designer)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

November 14, 2000
Crossing Over, the latest of three collaborations between scholar Stephen Jay Gould and artist Rosamond Wolff Purcell, brings together thought-provoking essays and uncannily beautiful photographs to disprove the popular notion that art and science exist in an antagonistic relationship. The essays and photographs collected here present art and science in conversation, rather than in opposition. As Gould writes in his preface, although the two disciplines may usually communicate in different dialects, when juxtaposed they strikingly reflect upon and enhance one another. Working together, Purcell's photographs and Gould's scientific musings speak to us about ourselves and our world in a hybrid language richer than either could command on its own.

In an essay on individuality, for instance, Gould looks through the lens of evolutionary theory to address the controversial issue of cloning and the often misguided fears it evokes. As a society that exalts the concept of the individual, Gould argues, we sometimes fail to recognize that clones walk among us. Identical twins represent "the greatest of all challenges to our concept of individuality." Rosamond Purcell's photograph depicting the famous Siamese conjoined twins Eng and Chang conveys an eerie feeling that cannot be captured in words.

Through its unique combination of words and photographs, Crossing Over prompts us to ponder not only the basis of the false dichotomy between art and science, but also the distinction of mind and nature, and of all humanly imposed categories of order. Gould and Purcell's work convinces the reader that a provocative interplay between art and science is not only possible, but inevitable and necessary as well.

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Editorial Reviews

From the Inside Flap

Crossing Over, the latest of three collaborations between scholar Stephen Jay Gould and artist Rosamond Wolff Purcell, brings together thought-provoking essays and uncannily beautiful photographs to disprove the popular notion that art and science exist in an antagonistic relationship. The essays and photographs collected here present art and science in conversation, rather than in opposition. As Gould writes in his preface, although the two disciplines may usually communicate in different dialects, when juxtaposed they strikingly reflect upon and enhance one another. Working together, Purcell's photographs and Gould's scientific musings speak to us about ourselves and our world in a hybrid language richer than either could command on its own.

In an essay on individuality, for instance, Gould looks through the lens of evolutionary theory to address the controversial issue of cloning and the often misguided fears it evokes. As a society that exalts the concept of the individual, Gould argues, we sometimes fail to recognize that clones walk among us. Identical twins represent "the greatest of all challenges to our concept of individuality." Rosamond Purcell's photograph depicting the famous Siamese conjoined twins Eng and Chang conveys an eerie feeling that cannot be captured in words.

Through its unique combination of words and photographs, Crossing Over prompts us to ponder not only the basis of the false dichotomy between art and science, but also the distinction of mind and nature, and of all humanly imposed categories of order. Gould and Purcell's work convinces the reader that a provocative interplay between art and science is not only possible, but inevitable and necessary as well.

From the Back Cover

Praise for Stephen Jay Gould and Rosamond Purcell

"Macabre yet serenely beautiful, [the photographs] are like paintings Vermeer might have made after rummaging through a natural-history museum's basement."
-- Newsweek, on Finders, Keepers

"A fascinating combination of art, science, and philosophy."
-- Philadelphia Daily News, on Illuminations

Praise for Stephen Jay Gould

"Vintage Gould: stimulating, erudite, and eminently enjoyable."
-- Kirkus Reviews, on The Lying Stones of Marrakech

"No one has written of our illusions about progress in nature with more wit
and learning than Stephen Jay Gould."
-- Oliver Sachs, on Full House

Praise for Rosamond Purcell

"Purcell's work brings to mind . . . the boxes of Joseph Cornell, the illustrations of Maurice Sendak, the drawings of Edward Burne-Jones."
-- Janet Malcolm, The New Yorker, on A Matter of Time

"Perceptive thoughts and fabulous photographs of a personal and provocative
cabinet of curiosities."
Ricky Jay, Vanity Fair, on Special Cases

Product Details

  • Paperback: 159 pages
  • Publisher: Three Rivers Press; 1 edition (November 14, 2000)
  • Language: English
  • ISBN-10: 060980586X
  • ISBN-13: 978-0609805862
  • Product Dimensions: 10.9 x 8.5 x 0.5 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,280,408 in Books (See Top 100 in Books)

More About the Author

Stephen Jay Gould (1941-2002) was the Alexander Agassiz Professor of Zoology and Professor of Geology at Harvard University. He published over twenty books, received the National Book and National Book Critics Circle Awards, and a MacArthur Fellowship.

 

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3 of 3 people found the following review helpful:
5.0 out of 5 stars The Inimitable Stephen Gould, April 24, 2008
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This review is from: Crossing Over: Where Art and Science Meet (Paperback)
What a jewel! I have read all the essays and most of the other works of Gould but this one, while not the deepest or most technical (in fact it is the lightest of all) - is wondrous. The use of art, the meaning and methods and techniques of art, to explain natural selection and the workings of our universe, was ingeniuous.

So many times, scientists (Dawkins, etc) shortchange the artistic side of mankind and this is tragic. This side, much more than our intellectual or specifically, scientific, side is what sets us apart as a species. Our ability to rearrange reality and create new forms and pictures and songs and foods that heighten the senses allows us to respond deeply to these external stimuli. In a way, that is what Gould attempts to do on an intellectual level as he discusses symmetry, layers, size, proportion and other mundane ideas presented in a curiously spectacular but low-keyed fashion.

The photographs or paintings or drawings fit almost seamlessly with the prose, illustrating the short, intended point. These do not approach the length or depth of the articles yet they are just as effective, maybe more so. Once again, Gould mixes the human, the personal, with the scientific and the artisitc to produce a unified message. My grade - A
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