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Crucifixion
 
 

Crucifixion

John Stainer Audio CD
2.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Audio CD (February 20, 1996)
  • Label: Claremont (Saf)
  • ASIN: B0000049JX
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #940,464 in Music (See Top 100 in Music)

 
1. The Crucifixion, for tenor, bass, chorus & organ: And they came to a place named Gethsemane
2. The Crucifixion, for tenor, bass, chorus & organ: And they laid their hands on Him
3. The Crucifixion, for tenor, bass, chorus & organ: Processional to Calvary
4. The Crucifixion, for tenor, bass, chorus & organ: Swing wide the gates
5. The Crucifixion, for tenor, bass, chorus & organ: How sweet is the grace
6. The Crucifixion, for tenor, bass, chorus & organ: And when they were come. Cross of Jesus
7. The Crucifixion, for tenor, bass, chorus & organ: King ever glorious
8. The Crucifixion, for tenor, bass, chorus & organ: And as Moses... God so loved the world
9. The Crucifixion, for tenor, bass, chorus & organ: Father forgive them. So thou liftest thy divine petition
10. The Crucifixion, for tenor, bass, chorus & organ: Jesus the Crucified. And one of the malefactors
11. The Crucifixion, for tenor, bass, chorus & organ: When Jesus therefore saw his mother
12. The Crucifixion, for tenor, bass, chorus & organ: Is it nothing to you?
13. The Crucifixion, for tenor, bass, chorus & organ: After this Jesus knowing. All for Jesus
14. O Song Divine
15. The Holy City, sacred ballad for voice & piano (or orchestra and chorus, ad lib)
16. The Star of Bethlehem, ballad for voice & piano
17. How Lovely Are Thy Dwellings

 

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Average Customer Review
2.0 out of 5 stars (1 customer review)
 
 
 
 
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Most Helpful Customer Reviews

2 of 8 people found the following review helpful:
2.0 out of 5 stars Rigid, Wooden Performance, August 25, 2000
By 
Daniel G. Berk (West Bloomfield, Michigan) - See all my reviews
This review is from: Crucifixion (Audio CD)
For a recording made in 1929, the sound on the first seven parts of The Crucifixion (the balance of the recording was made in the early 30's) is remarkably good, and with noted Metropolitan Opera baritone, Lawrence Tibbett, as soloist, I looked forward to a very interesting recording. However, the performance seemed very rigid, very wooden, very stilted. It lacked the lyrical, ethereal quality, which I enjoy and have come to expect in church compositions. This made it difficult to listen to this CD and virtually impossible to enjoy it.
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