Cryptonomicon [Paperback]

Neal Stephenson (Author)

Book Description

Publication Date: May 4, 2000

Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that have shaped the past century. Weaving together the cracking of the Axis codes during WWII and the quest to establish a free South East Asian 'data haven' for digital information in the present, Cryptonomicon explores themes of power, information, secrecy and war in the twentieth century in a gripping and page-turning thriller.

Editorial Reviews

Amazon.com Review

Neal Stephenson enjoys cult status among science fiction fans and techie types thanks to Snow Crash, which so completely redefined conventional notions of the high-tech future that it became a self-fulfilling prophecy. But if his cyberpunk classic was big, Cryptonomicon is huge... gargantuan... massive, not just in size (a hefty 918 pages including appendices) but in scope and appeal. It's the hip, readable heir to Gravity's Rainbow and the Illuminatus trilogy. And it's only the first of a proposed series--for more information, read our interview with Stephenson.

Cryptonomicon zooms all over the world, careening conspiratorially back and forth between two time periods--World War II and the present. Our 1940s heroes are the brilliant mathematician Lawrence Waterhouse, cryptanalyst extraordinaire, and gung ho, morphine-addicted marine Bobby Shaftoe. They're part of Detachment 2702, an Allied group trying to break Axis communication codes while simultaneously preventing the enemy from figuring out that their codes have been broken. Their job boils down to layer upon layer of deception. Dr. Alan Turing is also a member of 2702, and he explains the unit's strange workings to Waterhouse. "When we want to sink a convoy, we send out an observation plane first.... Of course, to observe is not its real duty--we already know exactly where the convoy is. Its real duty is to be observed.... Then, when we come round and sink them, the Germans will not find it suspicious."

All of this secrecy resonates in the present-day story line, in which the grandchildren of the WWII heroes--inimitable programming geek Randy Waterhouse and the lovely and powerful Amy Shaftoe--team up to help create an offshore data haven in Southeast Asia and maybe uncover some gold once destined for Nazi coffers. To top off the paranoiac tone of the book, the mysterious Enoch Root, key member of Detachment 2702 and the Societas Eruditorum, pops up with an unbreakable encryption scheme left over from WWII to befuddle the 1990s protagonists with conspiratorial ties.

Cryptonomicon is vintage Stephenson from start to finish: short on plot, but long on detail so precise it's exhausting. Every page has a math problem, a quotable in-joke, an amazing idea, or a bit of sharp prose. Cryptonomicon is also packed with truly weird characters, funky tech, and crypto--all the crypto you'll ever need, in fact, not to mention all the computer jargon of the moment. A word to the wise: if you read this book in one sitting, you may die of information overload (and starvation). --Therese Littleton --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Computer expert Randy Waterhouse spearheads a movement to create a safe haven for data in a world where information equals power and big business and government seek to control the flow of knowledge. His ambitions collide with a top-secret conspiracy with links to the encryption wars of World War II and his grandfather's work in preventing the Nazis from discovering that the Allies had cracked their supposedly unbreakable Enigma code. The author of Snow Crash (LJ 4/1/92) focuses his eclectic vision on a story of epic proportions, encompassing both the beginnings of information technology in the 1940s and the blossoming of the present cybertech revolution. Stephenson's freewheeling prose and ironic voice lend a sense of familiarity to a story that transcends the genre and demands a wide readership among fans of technothrillers as well as a general audience. Highly recommended.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 918 pages
• Publisher: Random House (May 4, 2000)
• Language: English
• ISBN-10: 0099410672
• ISBN-13: 978-0099410676
• Product Dimensions: 5.2 x 1.9 x 7.8 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.1 out of 5 stars  See all reviews (906 customer reviews)
• Amazon Best Sellers Rank: #1,810,905 in Books (See Top 100 in Books)

More About the Author

Neal Town Stephenson (born October 31, 1959) is an American writer, known for his speculative fiction works, which have been variously categorized science fiction, historical fiction, maximalism, cyberpunk, and postcyberpunk. Stephenson explores areas such as mathematics, cryptography, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and has worked part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system.
Born in Fort Meade, Maryland (home of the NSA and the National Cryptologic Museum) Stephenson came from a family comprising engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor; his mother worked in a biochemistry laboratory, while her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University. He first specialized in physics, then switched to geography after he found that it would allow him to spend more time on the university mainframe. He graduated in 1981 with a B.A. in Geography and a minor in physics. Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.
Neal Stephenson is the author of the three-volume historical epic "The Baroque Cycle" (Quicksilver, The Confusion, and The System of the World) and the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.

Customer Reviews

Most Helpful Customer Reviews

224 of 242 people found the following review helpful:

5.0 out of 5 stars Hacker's delight - others will enjoy it too, February 15, 2000

By 

Michael Nahas (New York, NY USA) - See all my reviews
(REAL NAME)   

This review is from: Cryptonomicon (Hardcover)

Stephenson's writing style is unique: flippant, indulgent and fun. He doesn't mind pausing for 2 or even 5 pages to set up the perfect metaphor. You won't see a highly delinieated plot but a playful flow from scene to scene through the book. I found the characters interesting, the story worthwhile, and the writing amazing.

I love it whole heartedly, but I'm a Computer Scientist. I understand the programs, the math, and the cryptography which comes up from time to time. People totally unfamiliar with it will find these sections boring, possibly pompous. I think you can skip over these without losing the story.

Even though the writing style is usually light-hearted, Stephenson does tackle big topics. A major focus is on the role of money in a society. He also looks at anticipation being more enjoyable than the actual event, especially in relationships.

If you're a hacker - buy it without thought. If you're not a hacker - stop by a brick-and-mortar store, read a few pages, and, if you like what you see, take a chance. Truly, I can't think of a book I enjoyed more. Besides, if you read it you'll find out what the phrase "the most cigarettes" means. :)

45 of 45 people found the following review helpful:

4.0 out of 5 stars Not Just For Cyberpunk Fans, April 29, 2000

By 

Paul C. Roethele (Ohio) - See all my reviews
(REAL NAME)   

This review is from: Cryptonomicon (Hardcover)

Neal Stephenson's latest book, Cryptonomicon, will appeal to a wider fan base that his previous novels. Having read all of Stephenson's previous novels (with the exception of the elusive The Big U) I was surprised to find this book lacking in ultra-futuristic technology, and presented as more of a straight war story/business suspense novel. As usual, Stephenson's character development and prose is amazing, and if you work in high-tech or mathematics you will instantly realize how well Stephenson knows the personalities of these people. As with Snow Crash, the book takes a while to get up to speed, but once it does you'll find yourself not wanting to put it down. As other reviewers have mentioned, there are many potentionally confusing plot twists, so the reader must pay close attention at times or risk getting lost. Stephenson also gives a thorough grounding in the mathematics of cryptography, although the pages of formulas and explanations can thankfully be skimmed by the mathematically-challenged (like myself) without losing the story. The book also doesn't fall apart towards the end as many thought Snow Crash did - in fact, at one point you will smack your forehead when you realize how everything fits together, and you can't wait to see how it ends. Overall, an excellent read.

129 of 140 people found the following review helpful:

4.0 out of 5 stars A joy to read. . ., August 7, 2002

By 

Nathan (Wilmington, DE United States) - See all my reviews

This review is from: Cryptonomicon (Hardcover)

Going in to CRYPTONOMICON, I had absolutely no idea what to expect. I'd never read anything by Neal Stephenson, nor had I read any blurbs or reviews of the book. However, it had appeared on enough "Best Book" lists that I decided to give it a try. And boy am I glad I did.

This novel is fun, huge, funny, rambling, witty, and sprawling. It is clever, engaging, and well-paced. It is full of quirky, eccentric, immensely likeable characters, crazy, interesting ideas, and amusing, often hilarious, looks at various situations including, but not limited to, mathematics, life, how to eat Cap'n Crunch properly, the purpose of beards, and well, just about anything else you can think of. Obviously, then, this book is not for everyone. Those who like tight, meticulously pared-down straightforward stories may not be able to get into this one.

For me, though, as you may have guessed from the title of the review, this book was an absolute joy to read. The books chapters cycled between four main characters, and every time I finished a chapter I found myself in an awkward position: I didn't want to go on, because I wanted to keep reading about the character I'd been following. However, by the end of the first paragraph of the next chapter, I'd be feeling the same way about the next character in the cycle. It was an odd feeling, and a tribute to the skill with which Stephenson created these characters that each of them was so completely engaging.

In addition to the main characters, the settings and situations were vivid and well-drawn. Despite this books immensity and its tendency to ramble at length about inanity, it never got boring, and always retained its charm. Stephenson provides us with a very amusing outlook on life.

However, this book is not without flaws, the two biggest of which have been noted in previous reviews:

1) Women. There are no really well-developed female characters. Most of the women have virtually no "screen time" at all, and the one who does have quite a bit of time is not fully realized as a character. It would have been very helpful to have gotten inside her head once in a while.

2) The ending. This book kind of just ends, without resolving properly. It feels like it just cuts off, and that was kind of unsatisfactory. Randy's story deserved at least another chapter or an epilogue of some sort to tie-up the plot. Alas, Stephenson, at the end, couldn't deliver.

So, as I've said, this book is delightfully readable, and if not for the sudden ending, would easily have garnered a 5/5 rating. I'm definitely looking forward to the next CRYPTONOMICON book (which, if I'm not mistaken, is intended to stand alone; it will not be a sequel, per se).