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Most Helpful Customer Reviews
19 of 19 people found the following review helpful:
3.0 out of 5 stars
This book celebrates the passion and sensuality of Cuba but.,
By
This review is from: Cuba: Island at a Crossroad (Hardcover)
Cuba is a visual delight and, with more than 100 color photographs, David Alan Harvey shows you why. Combine Harvey's images of life in Cuba with Elizabeth Newhouse's terse yet thorough style and you have a perfect match for this book. I have recently visited Cuba and found that Harvey's photography captures the essence of Cuba's greatest resource - the Cuban people. Strong and proud, though materialistically impoverished, the people of Cuba are rich in relationships, music, dance and defiance. Harvey, a photographer for National Geographic, has spent the last 20 years photographing Latin America and is skilled at capturing people in their everyday environment. Newhouse's chapter on the turbulent history of Cuba is excellent. Without pulling any punches about the glaring deficiencies of Castro's totalitarian Communist government, she writes with objectivity about life in Cuba and she is able to show, with sensitivity to the culture, the strength found in the people of Cuba. "But above all Cuba is music," Newhouse writes, "expressing Cubans' intense joy in life, sensuality and machismo. Garcia Marquez calls Cuba 'the most dance oriented society on earth. And that Fidel Castro is the only Cuban who can't dance, should have warned the people about him from the start.'" The downside of this book is the publisher/printer's very poor reproduction of Harvey's photos. Almost all of the photos are too dark and thus rob the effect that David Harvey intended. Considering that National Geographic is distinguished for its stunning photography, I called the publisher and asked about this blunder and was told that the printer, not the photographer, was culpable. This book celebrates the passion, color and sensuality of the Cuban people, and, even with the gray backdrop of Communism framing their existence, and the deficiency in the photo reproduction, the Cubans are still able to shine through the gloom and darkness. Recommended.
12 of 12 people found the following review helpful:
4.0 out of 5 stars
A Modern-Day Henri Cartier-Bresson,
By A Customer
This review is from: Cuba: Island at a Crossroad (Hardcover)
David Allen Harvey is a veteran National Georgraphic photographer. His style reminds my of one of the most significant photographers of the 20th century, Henri Cartier-Bresson, who photographed exclusively in duotone. But Harvey's photos are in glorious color, and are striking for their lack of artificial style. I have not been to Cuba, but having studied Harvey's deceptively simple photos, I feel I have gotten as close as I can legally, given US restrictions. And the book makes me want to go I do not believe, as other reviewers say, Harvey is exploiting anyone. Like the best Geographic photographers, he simply took pictures of things as they are, not as he wishes they were. I do not believe he glorifies poverty by any means -- quite the contrary. Harvey's pictures do reveal an impoverished culture -- a proud one -- struggling to keep up with the rest of us. I strongly recommend the book.
9 of 9 people found the following review helpful:
5.0 out of 5 stars
A sublime work by a master photojournalist,
By
This review is from: Cuba: Island at a Crossroad (Hardcover)
David Alan Harvey, long one of the most outstanding photographers at an outstanding publication, National Geographic, has produced that captures well the beauty, spirit, and reality of life in Cuba. Harvey's masterful compositions with his trademark use of strong, vibrant color remind one of Alex Webb's photographs of Haiti and the tropics. I suspect that those who complain about "dark pictures" have missed the point; the photographer seems to deliberately have exposed for the highlights, leaving his shadow areas to fall to blackness and lending the subjects in his photos a timeless anonymity. And the harsh reviews that Harvey has "misunderstood" Cuba seem to be misguided on the part of some reviewers. I guess they'd rather deny that the poverty reflected in some of his photographs actually exists, and bash him for merely bringing a non-Cuban perspective to the land they love with rose-tinted vision, rather than address the actual points his work raises.
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