Cuba [Hardcover]

Walker Evans (Author), Judith Keller (Introduction), Andrei Codrescu (Contributor)

Book Description

Publication Date: September 27, 2001

In 1933, Walker Evans traveled to Cuba to take photographs for The Crime of Cuba, a book by the American journalist Carleton Beals. Beals's explicit goal was to expose the corruption of Cuban dictator Gerardo Machado and the long, torturous relationship between the United States and its island neighbor. The photographs Evans made during his visit to Cuba are fascinating for both their subject matter and the evidence they provide of the young photographer's artistic development. Walker Evans: Cuba brings together more than sixty of these images-all from the Getty Museum's extensive holdings of the photographer's work-along with an essay by the noted writer and commentator Andrei Codrescu. Codrescu's spirited text helps to provide a sense of the aesthetic and political forces that were shaping Evans's art in the early 1930s. He argues that Evans's photographs are the work of a young artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Looking closely at individual photographs, Codrescu shows that Evans was just beginning to combine his early, formalist aesthetic with the social concerns that would figure so prominently in his later work. Evans's images and Codrescu's lively, insightful essay provide a compelling study of a major artist at an important juncture in his career.

Editorial Reviews

From Publishers Weekly

In 1933, fledgling photographer Walker Evans was asked to make photographs of Cuban society for radical journalist Carleton Beals's book The Crime of Cuba, an expos‚ about Cuban dictator Gerardo Machado's corruption and Cuba's exploitation by the US. In Walker Evans: Cuba, from the collection at the Getty Museum, the 73 images of people, urban landscapes and Cuban business-as-usual seem influenced by Diego Rivera's politicized content, Hemingway's "stripped down, minimal style" and the "characteristic emptiness" of Eugene Atget's photography, says the Getty's Associate Curator Judith Keller in her introduction. This portrait of pre-Castro Cuba reminds viewers that Cuba has experienced social strife since early on, and that Cuban-U.S. relations have long been problematic. Poet and novelist Andrei Codrescu's essay investigates Evans's artistic and political sensibilities at this early point in his career, and the entrenched complexities of the country he attempted to represent.

Copyright 2001 Cahners Business Information, Inc.

From Booklist

Evans' 1933 Cuban photographs aren't as familiar as those in his famous collaboration with James Agee, Let Us Now Praise Famous Men (1936). Made for a Marxist polemic against the Machado dictatorship, they show, Codrescu says in his appreciative essay, people looking less miserable and downtrodden than the text led readers to expect. Beggars, itinerants, hard laborers, and a peasant family come to Havana--nearly all look self-possessed and strong, if often exhausted. Many middle-class people also show up (you can tell by their shoes, Codrescu observes), and some young women and children are hard to read--they could be prostitutes and street urchins, respectively, or not. There are also sterling pictures of wall paintings, signs, and architectural features, with and without any people in them. Codrescu cogently argues that the Cuban pictures show Evans moving on from preoccupation with the formal beauty of buildings and things and discovering how to make pictures of people that are charged with narrative implications. Printed large in this album, they all look marvelous. Ray Olson
Copyright © American Library Association. All rights reserved

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Product Details

• Hardcover: 96 pages
• Publisher: J. Paul Getty Museum; 1 edition (September 27, 2001)
• Language: English
• ISBN-10: 0892366176
• ISBN-13: 978-0892366170
• Product Dimensions: 11.6 x 10.7 x 0.6 inches
• Shipping Weight: 2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #1,350,232 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

4.0 out of 5 stars Great black and white photos of Cuba in 30s, September 21, 2001

By 

Jose Zalvidar (Pembroke Pines, Fl.) - See all my reviews

This review is from: Cuba (Hardcover)

These black and white photos by the famous documentary photographer, Walker Evans, shows what life in Cuba was like before WWII. He captures everyday life in all of its majesty, his subjects ranging from the downtrodden to the affluent. This is a remarkable book of great interest to students of pre-1959 Cuba.

5 of 5 people found the following review helpful:

5.0 out of 5 stars to unravel Cuba, June 17, 2004

By 

Raquel Carrillo (San Diego,CA) - See all my reviews

This review is from: Cuba (Hardcover)

. I first took a look at the photographs in the book and I guess made a few assumptions about the pictures. Then, I actually took the time to really read the whole thing, then my previous opinions changed. See when a person first looks at photograph they don't see everything. After reading the text I really enjoyed what was said about each photograph. The descriptions took the photographs into a different setting and it broadened my view on matters.
It was interesting how Carlton Beals, the radical journalist would have described some of the photographs. I was surprised how negative Beals wanted everything to be. Evans just allows the audience to have an open mind when viewing his photos, not like Beals who wants to tell you the way he wants things to be. Regardless, people will have their own opinions about certain photos, but that is what makes photography so interesting. The text is not very long, but it goes a long way in giving insight to the status of Cuba in 1933. After reading and looking at this book I have a better understanding of how Walker Evans works his magic. This is a great book to own!!

7 of 9 people found the following review helpful:

5.0 out of 5 stars Matthew D. is in Kansas, not Cuba, December 8, 2005

By 

Kiki de la Vega "Kiki de la Vega" - See all my reviews

This review is from: Cuba (Hardcover)

As an individual who has been present watching countless Cuban young people snorting coke, smoking marijuana, prostituting themselves to tourists to feed their families while eating canned Russian dog food to keep from starving to death, I beg to differ with the basis for his "review". This book simply shows that the Cuban people suffered before the Castrista regime as they certainly continue to suffer today. The book is well done. It is a shame, however, that it was used as a format for Castrista blather and outright lies. I have been there. I have dedicated much of my adult life to the Cuban situation both on the island and in the diaspora and am the mother of two wonderful Cuban-American children whose Cuban family is hungry, NOT ALWAYS SMILING, without healthcare and with a progressively declining level of what was once an excellent educational system. Don't be fooled. If the Cuban people are smiling now, as many were before the revolution, it is because their sense of humor is a part of their resilliance that allows them to survive through one hellish regime after another.