Customer Reviews

Cuban Blood

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..."As you write," he said, "you'll see that time is running out."

Lensed in the Dominican Republic Gerard was denied authorization to film in Cuba but that didn't stop him because he managed to bring in a mellow and naturalistic cinematography through out this entire film. On the first couple of scenes I had to double check the DVD jacket on this film because the opening scene brought to mind "Cinema Paradiso"(which is a fantastic film by the way). In fact, this film is filled with references to classic films: The Roulette Wheel (Casablanca), "chicken clucking" (Rebel Without a Cause), references to Bunuel, "Touch of Evil"; you'll find more. The homeless man (George Stanford Brown) is a reference to Cuban folklore which often uses a black man as a type of Greek chorus.

What this film really is the culmination of a dream. Gerard's wish to honor his family and medium of film that he has loved all of his life. This is the true story of Juan Gerard and all the people in it are real, as are the events depicted. Gerard is actually an architect and engineer (and passionate film lover) but his dream was to make this movie. He and his wife decided to live that dream and Harvey Keitel became an "angel" who believed in Gerard and agreed to produce and star in it. Keitel holds the screen powerfully as the mysterious and secretive grandfather "Che". Brown and Keitel are the only Americans in the cast. Iben Hjejle and Gael Garcia Bernal offer strong support in their key roles. I must say that the first half of the film suffers from stiff delivery of lines, and some overreacting, but stay with it. The last half is much better as the events of the revolution combine for the bittersweet and honest climax.

"Cuban Blood" is sincere first effort of Juan Gerard and one of those films that I wouldn't mine watching again.

I have to admit I had no expectations for this movie. It surprised me. Well paced, interesting enough characters an overall feel good flick if thats possible with a backdrop like the cuban revolution.

I have to admit I had no expectations for this movie. It surprised me. Well paced, interesting enough characters an overall feel good flick if thats possible with a backdrop like the cuban revolution.

CUBAN BLOOD, a direct to DVD little film, has a long history. Shot in the year 2000 in the Dominican Republic as the first film for director/writer Juan Gerard (with writing assistance from Letvia Arza-Goderich) the film began as a 3 1/2 epic about the small town of Holguín, Cuba in the year 1958, a place where the Bautista/Castro clash was not as evident as in Havana. Originally named DREAMING OF JULIA (referencing both the sole entertainment for the little town - a movie house - as well as the sole Americana Julia who plays a significant pivotal role in the story), the film was next called CUBA LIBRE and finally titled (rather inappropriately CUBAN BLOOD. Juan Gerard has yet to make another film and one can understand why.

Holguín is a pretty, peaceful town whose patriarch is Che (Harvey Keitel - and the Che is an old grandfather, not the revolutionary), married to Beta (the very talented and dignified Mexican actress Diana Bracho), who are the beloved grandparents of the little boy (Andhy Méndez) whose story this film is as narrated by off screen mature Tony Planas. The impending revolution results in a loss of power for the town and the story is a simple coming to grips with the changes that are to be inevitable. The boy meets the Americana Julia (Iben Hjejle) who befriends him; he struggles with the town youths who mimic him as a chicken; he dotes on movies he watches with his grandmother Beta; he falls in love with the older Carmen (Farah Alfonseca) who in turn is in love with a quiet revolutionary sympathizer Ricky (Gael García Bernal in his second film after his debut in AMORES PERROS); he learns of Che's infidelity to Beta; and he watches the town and his family disperse with the coming of Fidel Castro's revolution. Seeing the events of 1958 through the eyes of a child is enchanting and for the most part makes for a sweet, though saccharine, film.

Cinematographer Kramer Morgenthau takes terrific advantage of the 'year without electricity' motif and makes most of the film shot at night with candles and lanterns creating a storybook loveliness that heightens the romantic aspect of this film. Perhaps in the original 3 1/2 hour version there were better character developments - especially in the case of Gael García Bernal's very small but pivotal role, and in the use of Georg Stanford Brown as a Greek Chorus 'Black Bum' who seems to be placed to make the events unfold with some sense of order.

The supporting cast includes some strong actors: Gabino Diego, Cecilia Suárez, Aline Küppenheim, Daniel Lugo, etc whose roles were no doubt better fleshed out in the original. But it is clearly the influence of Harvey Keitel that helped Juan Gerard make this film happen. It has moments but it too often falls into the novella melodrama realm to make it work for audiences trying to figure out whether this is an historic drama or a Cuban version of 'Cinema Paradiso'-type Italian films. Grady Harp, January 07

I have no idea why Harvey Keitel and Gael Garcia Bernal would involve themselves in this taudry but blatent 'Cinema Paridiso' rip-off; but one, sadly, that lacks the charm and sofistication of that amazing Italian film. The child actors are precocious and unendearing, and the performances provided by the remaining adult cast are forced and uninspired. You can almost read the apathy (or shame?) on Mr. Keitel's face. Dreadful.

this was better than expected - honestly, i bought it for gael garcia bernal and because i love any latin american themed movies so i had no expectation of the film

Remember that TV show, "The Wonder Years"? Well, this is the Cuban version and Winnie is now Carmen. The only possible explanation for Harvey Keitel's presence is the kid who stars in it is Keitel's grandson or Keitel's daughter made him do it because her husband wrote or produced it.