In this book, Mark Jancovich concentrates on the works of three leading American writers - Robert Penn Warren, John Crowe Ransom and Allen Tate - in order to examine the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy in the late 1930s and 1940s. This critical movement managed to transform the teaching and study of English through a series of essays published in journals such as the Southern Review and the Kenyon Review. Jancovich argues that the New Criticism was not an example of bourgeois individualism, as previously held, but that it sprang from a critique of modern capitalist society developed by pre-capitalist classes within the American South. In the process, he clarifies the distinctions between the aims of these three Southern poets from those of the next 'generation' of New Critics such as Cleanth Brooks, Warren and Welleck, and Wimsatt and Beardsley. He also claims that the failure on the part of most contemporary critics to identify the movement's ideological origins and aims has usually meant that these critics continue to operate within the very professional terms of reference established through the New Critical transformations of the academy.
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Book Description
In this book Mark Jancovich examines the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy, through the works of three leading American writers, Robert Penn Warren, John Crowe Ransom and Allen Tate.
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First Sentence:
In his book, After the New Criticism, Frank Lentricchia attempts to counter 'two misleading perspectives' which may be suggested by his book's title. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
asocial formalism, alienated activities, hovering fly, scientific positivism, new criticism, figurative aspects, aesthetic activity, aesthetic way Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Criticism, New Critics, New Critical, Kenyon Review, Civil War, Southern Review, Allen Tate, Congress of Cultural Freedom, Original Sin, Understanding Poetry, John Crowe Ransom, Stalinized Marxism, Take My Stand, Major Buchan, Robert Penn Warren, World War, Cleanth Brooks, New Deal, New England, Raymond Williams, Reactionary Essays, Soviet Union, The Worlds Body, United States, Kenyon College New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
In his book, After the New Criticism, Frank Lentricchia attempts to counter 'two misleading perspectives' which may be suggested by his book's title. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
asocial formalism, alienated activities, hovering fly, scientific positivism, new criticism, figurative aspects, aesthetic activity, aesthetic way Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Criticism, New Critics, New Critical, Kenyon Review, Civil War, Southern Review, Allen Tate, Congress of Cultural Freedom, Original Sin, Understanding Poetry, John Crowe Ransom, Stalinized Marxism, Take My Stand, Major Buchan, Robert Penn Warren, World War, Cleanth Brooks, New Deal, New England, Raymond Williams, Reactionary Essays, Soviet Union, The Worlds Body, United States, Kenyon College New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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This book cites 100
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21
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- Essays of Four Decades by Allen Tate on 11 pages
- Understanding Fiction (3rd Edition) by Cleanth Brooks on 5 pages
- Allen Tate by Ferman Bishop on 4 pages
- Donald Davidson : An Essay and a Bibliography by Thomas D. Young on 4 pages
- Band of Angels (Voices of the South) by Robert Penn Warren on 4 pages
See all 100 books this book cites
- Formalist Criticism and Reader-Response Theory by Todd F. Davis in Back Matter (1), and Back Matter (2)
- Formalist Criticism and Reader-Response Theory by Todd F. Davis in Back Matter (1), and Back Matter (2)
- Historicizing Lifestyle: Mediating Taste, Consumption And Identity from the 1900s to 1970s by David Bell in Front Matter, and page 87
- American Cold War Culture by Douglas Field on page 182, and Back Matter
- The Art of Twentieth-Century American Poetry: Modernism and After (Blackwell Introductions to Literature) by Charles Altieri in Back Matter (1), and Back Matter (2)
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