Culture and Imperialism [Paperback]

Edward W. Said (Author)

Book Description

Publication Date: May 31, 1994

A landmark work from the intellectually auspicious author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. "Said is a brilliant . . . scholar, aesthete and political activist."--Washington Post Book World.

Editorial Reviews

Amazon.com Review

Edward Said makes one of the strongest cases ever for the aphorism, "the pen is mightier than the sword." This is a brilliant work of literary criticism that essentially becomes political science. Culture and Imperialism demonstrates that Western imperialism's most effective tools for dominating other cultures have been literary in nature as much as political and economic. He traces the themes of 19th- and 20th-century Western fiction and contemporary mass media as weapons of conquest and also brilliantly analyzes the rise of oppositional indigenous voices in the literatures of the "colonies." Said would argue that it's no mere coincidence that it was a Victorian Englishman, Edward G. Bulwer-Lytton, who coined the phrase "the pen is mightier . . ." Very highly recommended for anyone who wants to understand how cultures are dominated by words, as well as how cultures can be liberated by resuscitating old voices or creating new voices for new times.

From Publishers Weekly

The author of Orientalism examines the interrelationship of Occidental literature and imperialism from the 17th century to the Gulf war.
Copyright 1994 Reed Business Information, Inc.

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Product Details

• Paperback: 380 pages
• Publisher: Vintage (May 31, 1994)
• Language: English
• ISBN-10: 0679750541
• ISBN-13: 978-0679750543
• Product Dimensions: 5.2 x 0.9 x 8 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.6 out of 5 stars  See all reviews (25 customer reviews)
• Amazon Best Sellers Rank: #16,677 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

55 of 60 people found the following review helpful:

4.0 out of 5 stars An engaging, but not entirely successful, literary study, July 16, 2001

By A Customer

This review is from: Culture and Imperialism (Paperback)

....

So, what is this book about? Well, contrary to what some of the "reviews" below assume, it's not about contemporary Middle East politics, or media coverage thereof, or anything even remotely like that. It's about literature-- European literature to be specific.

Essentially, Said proposes to look at what he calls "Imperialism" in European literature. (Although the title is "Culture and Imperialism" and while he does discuss one opera, he's not really concerned with culture or art, more broadly. He's really talking about literature here-- and especially novels. In truth, "Literature and Imperialism" would be a more accurate title.

So, what is imperialism, as Said uses it here? It is, he explains, an ideology-- a set of assumptions-- that justifies, supports, and legitimates the conquest, control, and domination of lands that are inhabited by other people, who speak different languages and have other traditions. Imperialism, as an ideology, is thus distinct from "Colonialism", which is the actual, real, activity of conquering, controling, and domination other lands and people. Imperialism is, Said might say, the intellectual/cultural/ideological base that makes an otherwise morally dubious project of colonialism (conquering and ruling over others) seem acceptable, even justifiable.

Essentially, Said traces the role that imperialism (as defineed above) plays in a host of European literary works, focussing on the past two centuries. After his theoretical/methodological introduction, each chapter is devoted to the discussion of a single literary work (or in some cases, multiple works by the same author), illuminating its imperialist qualities. In doing so, he chooses only truly great literary works by the biggest and best names, and he also leaves a side a fewer mediocre authors who might have been obvious targets (like Kipling). Said's reason for doing this, I believe, is twofold: First, I think, is the simple fact that he, like all true lovers of literature, prefers to discuss works that are truly great on their own right, rather than ones that are merely mediocre but happen to prove his point. Secondly, Said wants to show that the imperialist ideologies he's talking about weren't just a peripheral sidenote in European culture-- but that they were part and parcel of its finest artistic achievements. He does this, not as some of his critics might suppose, to indict European culture or to question the greatness of any of these texts. Quite the contrary, I think, Said is concerned with showing how important and central this subject is to the history of European literature.

The only problem is that a lot of the individual chapters (which are more or less case studies of specific works/authors) seem unsuccessful. Obviously this is not the case in his chapters on Conrad, or on Verdi's "Aida", both of which have clear and undeniable imperial/colonial elements to them. However, his discussion of Jane Austin's works (for example), seems quite unconvincing. Yes, there is the brief moment in one novel where the family patriarch announces that he is leaving to look after some of the family's "sugar interests" in the Caribbean.... but that's the closest one can get to an "imperialist moment" in Austin. Said does, of course, acknowledge that it's not much-- and he does show how the father's absence enables many of the other events in the novel to transpire-- but it seems a bit forced. Even the chapter on Verdi falls short a couple of times because Said seems to ignore the fact that, in many ways, Aida was an explicitly *anti-colonialist* opera that was most often interpreted as a quasi allegory *criticizing* Italian intervention in East Africa. (Paul Robinson actually has a great chapter on this subject in his book, "Opera and Ideas").

Still, in spite of its faults, and in spite of the fact that it doesn't establish its claim that "imperialism is the central theme" of European literature in the 19th century, "Culture and Imperialism" is a worthwile book to read. While Said may overstate his case, he's definitely on to something important, and at the very least, he offers new and fresh perspectives of many great literary works that, in the end, go to show just how wonderfully complex, insightful, and meaningful those works are, both in and of themselves, and to the history of literature and ideas as a whole. (Oh yes, I suppose I should add that, in contrast to many contemporary literary critics, Said can write well, and clearly. Additionally, he's even retreated from the Foucauldian basis of some of his earlier work, and "Culture and Imperialism" has very much the feel of a good ol' fashioned piece of literary criticism, rather than something that bows to the current thoretical academic trends). Highly recommended.

49 of 56 people found the following review helpful:

5.0 out of 5 stars Art and Colonialism, October 10, 2001

By 

Micheline Gros-Jean (Miami, FL USA) - See all my reviews

This review is from: Culture and Imperialism (Paperback)

This work is one of Edward Said's best , in fact, Culture and Imperialism is better than Orientalism. The overarching theme is the interconnection between culture and society be it in the past or the present. His aim is not to disparage the West but to show how one's identity is more or less determined by one's relationship with the Other ( the third world). His obeservations on this relationship, the other and the west is quite enlightening. Contrary to what have been written, this is not an apologia for Islamicism ( Islamic Fundamentalists), he is indeed critical of fundamentalists of any stripe. Said is a secularist so it would be nonsensical for him to support a fundamentalist government. While he is critical of the West(rightfully so), he does acknowledge the undemocratic nature of Middle Eastern governments. His love for liberty and justice convinces the reader that he is sincere in his condemnation of Islamicism. This book is needed to be read carefully but once you're done reading you'll be glad to have done so.
[....]

21 of 26 people found the following review helpful:

5.0 out of 5 stars A riveting book by a learned man....., August 23, 2000

By 

J. Michael Showalter (Nashville, TN United States) - See all my reviews
(VINE VOICE)   

This review is from: Culture and Imperialism (Paperback)

In this book, Edward Said (also author of the classic Orientalism) shows the broad grasp of imperialism (i.e. the possession of one culture/group fo people by another) through analysis of 'Western' authors and texts. First, this book differs from most, if not all other major 'revisionist' kinds of texts because its author never sets aside the value of reading anything: Said uses his erudition in order to illustrate the plight of the oppressed, as opposed to many others, who view erudition, developed through culture, as a device that can only bind one more into a group of people. Whereas others read stories of Conrad and see mainly a story of the white upper class, Said reads between the lines and shows Conrad's implications toward other people.

I guess that explanation was relatively unclear: I don't have the book in front of me. This is an important book for any person who wishes to consider themself either educated or worldly to read. Setting aside that it is brilliant for what it is about, just having the oppurtunity to read the words of its author would provide value enough.