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15 of 17 people found the following review helpful:
5.0 out of 5 stars
Ironic, melancholic, bitter humanism, March 26, 1999
This review is from: The Culture of Lies: Antipolitical Essays (Post-Communist Cultural Studies) (Paperback)
Although it has taken the English translation of this collection of essays a few years to come into print (it was first published in Dutch),this is a highly relevant, illuminating, and moving book. Most of the essays were written between '92 and '94, with more recent postscripts. With rare clarity and complexity of thought, gift of articulation, emotional courage and absence of pretence or squeamishness, Ugresic has carried out a highly accessible investigation into the Yugoslav war, the demise of communist Europe, the East-West polarity, the ambiguities of exile. With references to other East European writers and thinkers (Milan Kundera, Miroslav Krleja, Danilo Kis, Josiph Brodsky), she explores the tyranny of the new constructs of national identity in the Balkan states, the enforced collective amnesia of the former Yugoslavs, the many traumas of their history, as well as the common psycho-cultural lanscape of the 'Eastern block'. There are many deeply moving episodes and revealing insights here, delivered in the familiar 'Central European' style of ironic, melancholic, bitter humanism. Vaguely reminiscent of Milan Kundera, only better because of the lack of smugness and the final doubting humility of someone who has felt intense pain and articulated the nature of this pain.
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18 of 24 people found the following review helpful:
5.0 out of 5 stars
Sadly accurate, March 7, 2000
This review is from: The Culture of Lies: Antipolitical Essays (Post-Communist Cultural Studies) (Paperback)
Dubravka Ugresic is perhaps less well-known in the English-speaking world than the other Croatian "dissident" writer Slavenka Drakulic, which is unfortunate. Both Ugresic's essays and especially fiction are far superior to that of Drakulic. "Culture of Lies" includes the author's observations of Croatian society and politics of the last ten years, both of which have been none too kind to her (indeed, while achieving great acclaim in other European countries, she was branded a "traitor" and worse by Croatian politicians and the pro-regime press for her uncompromising criticism of Croatian nationalism, etc.). In this book, Ugresic shows the many ways in which nationalism imbued all levels of society in Croatia, making people increasingly hostile to different views and people who were/are "different." Her particular area of interest is the way this was reflected in the behavior of intellectuals, who-at least one would like to think-are not supposed to be as susceptible to the appeal of God-and-country patriotism and nationalistic kitsch. Her description of an incident in a Zagreb tram, in which a young man accosts and beats an old destitute drunken man, is particularly vivid and sadly indicative. In fact, this whole section of the book, called "Souvenirs from Paradise" is an excellent collection of impressions and observations of the underside of Croatian life. Despite the recent sweeping political changes in Croatia, many of the negative aspects of society in this country as described by Ugresic are still here, and they will haunt this country for some time to come.
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3 of 6 people found the following review helpful:
5.0 out of 5 stars
Excilent help to understand how wars could be started, August 23, 1999
By A Customer
This review is from: The Culture of Lies: Antipolitical Essays (Post-Communist Cultural Studies) (Paperback)
It tells truth of thousends of people manipulated with mass media on Balkans. If you want an expert book on how wars started in ex-yugoslavia you should read this one.
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