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Rave Culture and Religion (Routledge Advances in Sociology) Hardcover – December 19, 2003

ISBN-13: 978-0415314497 ISBN-10: 0415314496 Edition: 1st
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Editorial Reviews


"Rave Culture and Religion is a smart book collecting essays many by emerging scholars and graduate students who, in personally experiencing rave culture, find immediate and urgent applicability for the academic theories they are reading. To link rave and religion will hopefully prove shocking enough to the established academic study of religion to open new discussions about religion and popular culture. To link rave and sophisticated academic study will hopefully be shocking enough to a few ravers to lead them to see beyond a simple-minded fuzzy understanding of the power and importance of what they are experiencing." - Professor Sam Gill, University of Colorado at Boulder

About the Author

Graham St John is a Postdoctoral Research Fellow in Interactive Media and Production at the University of Regina, and a Research Associate at the Centre for Critical and Cultural Studies, Universoty of Queensland. His book Technomad: Global Raving Countercultures will be published with Equinox in September 2009. His previous publications include the edited collection Victor Turner and Contemporary Cultural Performance (Berghahn 2008).


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More About the Author

Graham St John (1968) is an Australian anthropologist and scholar of electronic dance music cultures and festivals. He is Executive Editor of the journal Dancecult: Journal of Electronic Dance Music Culture (www.dj.dancecult.net). He has held several research positions - a postdoctoral research fellowship at the University of Queensland's Centre for Critical and Cultural Studies, an SSRC Residential Fellowship at the School for Advanced Research, Santa Fe, New Mexico, and postdoc in Interactive Media and Production at the University of Regina, Saskatchewan. Graham's latest book is Global Tribe: Technology, Spirituality and Psytrance (Equinox, 2012). His previous book is Technomad: Global Raving Countercultures (Equinox, 2009) and he has edited several collections: FreeNRG: Notes From the Edge of the Dance Floor (Commonground, 2001); Rave Culture and Religion (Routledge, 2004); Victor Turner and Contemporary Cultural Performance (Berghahn 2008); and The Local Scenes and Global Culture of Psytrance (Routledge, 2010). His website is: www.edgecentral.net.

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