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Rave Culture and Religion (Routledge Advances in Sociology)
 
 

Rave Culture and Religion (Routledge Advances in Sociology) [Hardcover]

Graham St John (Editor)

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Book Description

0415314496 978-0415314497 December 19, 2003 1
The collection provides insights on developments in post-traditional religiosity (especially 'New Age' and 'Neo-Paganism') through studies of rave's Gnostic narratives of ascensionism and re-enchantment, explorations of the embodied spirituality and millennialist predispositions of dance culture, and investigations of transnational digital-art countercultures manifesting at geographic locations as diverse as Goa, India, and Nevada's Burning Man festival. Contributors examine raving as a new religious or revitalization movement; a powerful locus of sacrifice and transgression; a lived bodily experience; a practice comparable with world entheogenic rituals; and as evidencing a new Orientalism. Rave Culture and Religion will be essential reading for advanced students and academics in the fields of sociology, cultural studies and religious studies.

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Editorial Reviews

Review

"Rave Culture and Religion is a smart book collecting essays many by emerging scholars and graduate students who, in personally experiencing rave culture, find immediate and urgent applicability for the academic theories they are reading. To link rave and religion will hopefully prove shocking enough to the established academic study of religion to open new discussions about religion and popular culture. To link rave and sophisticated academic study will hopefully be shocking enough to a few ravers to lead them to see beyond a simple-minded fuzzy understanding of the power and importance of what they are experiencing." - Professor Sam Gill, University of Colorado at Boulder

About the Author

Graham St John is a Postdoctoral Research Fellow in Interactive Media and Production at the University of Regina, and a Research Associate at the Centre for Critical and Cultural Studies, Universoty of Queensland. His book Technomad: Global Raving Countercultures will be published with Equinox in September 2009. His previous publications include the edited collection Victor Turner and Contemporary Cultural Performance (Berghahn 2008).


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More About the Author

Graham St John (1968) is an Australian anthropologist of alternative and electronic dance music cultures and Executive Editor of the journal Dancecult (www.dj.dancecult.net). He has held several research positions - a postdoctoral research fellowship at the University of Queensland's Centre for Critical and Cultural Studies, an SSRC Residential Fellowship at the School for Advanced Research, Santa Fe, New Mexico, and postdoc in Interactive Media and Production at the University of Regina, Saskatchewan. Graham's latest book is Technomad: Global Raving Countercultures (Equinox, 2009). He has edited several collections including FreeNRG: Notes From the Edge of the Dance Floor (Commonground, 2001), Rave Culture and Religion (Routledge, 2004), Victor Turner and Contemporary Cultural Performance (Berghahn 2008), and The Local Scenes and Global Culture of Psytrance (Routledge, 2010). He is currently completing a book on psytrance called Global Tribe: Technology, Spirituality and Psytrance (Equinox).

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
contemporary youth culture, club cultures, dance underground, ritual studies, ontological anarchy, dance ecstasis, rave imaginary, psychedelic communitas, trance transmission, rave environment, rave context, technology goddess, global countercultures, rave experience, rave studies, underground dance music, rave participants, sociocultural revitalization, rave community, neural tuning, spiritual hedonism, garage events, gamelan angklung, psychedelic parties, trance parties
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Burning Man, San Francisco, New Age, Victor Turner, Edge of the Dance Floor, Serpent's Tail, University of Chicago Press, Common Ground, Generation Ecstasy, Altered State, Popular Music, University of California Press, Cambridge University Press, Emile Durkheim, South Africa, Fraser Clark, North America, Cornell University Press, The Barasana, Energy Flash, Saskia Fotofolk, Ray Castle, The Ritual Process, Polity Press
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