From School Library Journal
Starred Review. Grade 8 Up—The audacious Jacky Faber is back in L.A. Meyer's fabulous sequel (2004) to
Bloody Jack (2002, both Harcourt). In the first novel, Jacky cut her hair, put on boy's clothes, changed her name to Jack, and signed on as a ship's boy aboard a Royal Navy frigate. Jacky thrived at sea and attained the rank of a midshipman. When the Navy discovered she was a girl, they dumped her, albeit with great pomp and ceremony, in Boston. This sequel begins as Jacky leaves behind her beloved Jaimy, disembarks in Boston—in a dress—to attend The Lawson Peabody School for Fine Young Girls. Jacky soon discovers that fighting pirates was a piece of cake compared to circumnavigating the complexities of becoming a lady. She fails at embroidery, but excels at sneaking out of school and playing her pennywhistle in taverns. Jacky falls short in French, but ably learns to ride astride a glorious stallion and compete in a horse race. Her table manners are deplorable, but her sleuthing abilities are top notch when she uncovers the murder of a former classmate. Finally giving up, Jacky abandons her school, in flames (don't ask), and jumps aboard a whaling ship to make her way back to Jaimy. Katherine Kellgren delivers a stunning performance with a myriad of amazing voices. Her cockney Jacky is just right and makes the story more accessible to listeners who may struggle with the Brit-speak. Loyal, clever, sassy, impudent, and just a little bit naughty, Jacky is a protagonist to admire. Simply delightful.—
Tricia Melgaard, Centennial Middle School, Broken Arrow, OK Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
*Starred Review* Kellgren continues her tour de force portrayal of Mary “Jacky” Faber in this stand-alone sequel to Bloody Jack, a 2008 Odyssey Award Honor title. After it is discovered that Jacky has been disguising herself as a boy, she is forced to leave her shipmates and true love behind to enter the Lawson Peabody School for Young Girls in Boston, plunging her into melodramatic escapades. Mean girls and a malevolent headmistress block her path to becoming a proper lady, while stereotypical characters provide colorful Dickensian subplots involving murder and madness. Kellgren voices Jacky’s Cockney patois with such historical accuracy that listeners are pulled into the early nineteenth century, breathlessly entranced by Jacky’s heart-on-her-sleeve, knife-in-her-bosom exploits. Shifting from Bostonian blue-blooded to boozing Irish accents with ease, Kellgren differentiates each character’s dialect with a skill that reaches the crest of emotion yet never spills into over-the-top exaggeration. Kellgren lyrically provides Jacky’s talent for melody as she effortlessly sings the sea shanties and Irish tunes that heighten the drama and anchor the account in the nautical realm. This masterful production extends the appeal to a wide range of listeners eager for a bloody-good tale. Fans will be happy to know that the next title in the series, Under the Jolly Roger, also read by Kellgren, has recently been released by Listen and Live. Grades 6-9. --Mary Burkey