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Determined to thwart this, in the 1950s Christie wrote CURTAIN. Once more Poroit and his faithful Captain Hastings return to the great country estate of Styles, the location of Christie's first novel and Poroit's first appearance, THE MYSTERIOUS AFFAIR AT STYLES. But time has wrought many changes. Styles has been sold and converted to a second-rate guest house. Captain Hastings is in mourning for his much loved and recently deceased wife. And Poroit... is dying.
But although his body is failing, Poroit's little gray cells remain as sharp as ever, and he is once more on the trail of a killer--indeed, the perfect killer, one completely unlike any he has pursued before. A killer who now resides at Styles and who is coiled to strike again. But can Poroit defeat this killer before mortality rings down the curtian on his fabulous career? Stylistically, CURTAIN belongs to the great Christie novels of the 1940s and 1950s, and in terms of plot it is easily among her most remarkable achievements, easily ranking with such celebrated twists as those found in THE MURDER OF ROGER ACKROYD and A MURDER IS ANNOUNCED. The writing is strong, the characterizations are vivid, and when the solution unfolds one is left with a startled gasp.
I do not recommend CURTAIN for those new to Christie's novels. It is indeed Hercule Poroit's last case, and it really should be read as such. But for those who have followed Poroit through a number of adventures, it is a truly satisfying conclusion to a long and brilliant career.
--GFT (Amazon.com Reviewer)--
Although Curtain was written during the London blitz in the early years of World War II, it never got published until 1975. The reason being that in this book the famous detective Hercule Poirot concludes his wonderful career. Agatha Christie wanted Poirot not to survive his creator. Therefore she finished his career by writing Curtain and locked the manuscript in a bank vault. Dame Agatha Christie died on January 12, 1976, one year later than her most famous creation.
Curtain is a vintage Christie. The plot is ingenious and seems totally committed to putting the reader on the wrong track. Although the actual motive and operation procedure of the murderer are quite dubious and unbelievable¸ there is only one word that can truly describe the denouement: sublime. In a few lines Poirot explains how the unsuspicious reader probably missed five smartly interwoven clues. When you read these lines you can only but hit yourself on the head for being so short-sighted, exactly the same feeling reflected by Captain Hastings at the end of the book.
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