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The Cut of Women's Clothes: 1600-1930
 
 
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The Cut of Women's Clothes: 1600-1930 [Hardcover]

Norah Waugh (Author)
4.3 out of 5 stars  See all reviews (10 customer reviews)

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Book Description

0878300260 978-0878300266 January 7, 1987
Each period in the history of costume has produced its own characteristic line and silhouette, derived from a cut and construction which varies considerably from age to age. Here are patterns taken from actual dresses, many of them rare museum specimens, illustrated by sketches of the dresses. There are notes on the production of women's dress, with references to early technical books and journals, together with diagrams from some of them. Numerous illustrations show the dresses as worn complete with their hairstyles, jewelry, decorations and accessories.

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The Cut of Women's Clothes: 1600-1930 + The Cut of Men's Clothes: 1600-1900 + Corsets and Crinolines
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Editorial Reviews

Review

Most useful. . . Recommended. -- Times Education Supplement
Serious and beautifully illustrated. -- Observer
A definitive work. . . Highly recommended. -- Library Journal
Rewarding to anyone interested in the history of women as people. -- Christian Science Monitor
The method is impeccable, the presentation flawless and the information fascinating. The scaled cutting diagrams are readily useable. -- Educational Theatre Journal
For more than 30 years Norah Waugh lectured and taught practical work in the Theatre Department of the Central School of Art and Design, London . . . Words cannot describe the completeness of this text. 75 cutting diagrams, 54 tailors' patterns and 71 plates of illustrations are so well aligned and explained that accuracy of both historical choice and technical construction can readily be achieved . . . A necessity for costume departments, its inclusion of delightful comments by `contemporary sources' makes the book pleasant reading for anyone. -- Choice: Books for College Libraries
When did long and slender replace static curves? Why didn't France ever adopt the mantua, which was all the rage in Spain? What impact did `ready-made' have on fashion? What did the growing independence of women in the late 1800s and beyond have on women's, and men's dress?. -- News Advocate

Product Details

  • Hardcover: 394 pages
  • Publisher: Routledge (January 7, 1987)
  • Language: English
  • ISBN-10: 0878300260
  • ISBN-13: 978-0878300266
  • Product Dimensions: 11.1 x 8.4 x 1.2 inches
  • Shipping Weight: 3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #747,698 in Books (See Top 100 in Books)

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Customer Reviews

10 Reviews
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 (2)
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Average Customer Review
4.3 out of 5 stars (10 customer reviews)
 
 
 
 
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74 of 76 people found the following review helpful:
5.0 out of 5 stars If I had to rescue one book..., December 18, 1999
By 
This review is from: The Cut of Women's Clothes: 1600-1930 (Hardcover)
...from my library if my house were on fire, it would be this one.

I didn't know what "bombazine" was until I read its Glossary; I had never heard of Lucile until I turned to Diagram 67; I had never seen the accounts of Poiret and Lucile claiming to have both abolished the corset until I read the Quotations from Contemporary sources. Reading Jane Austen's descriptions of what her modiste planned for her next gown is amusing, as well as the anecdotes involving long trains.

This book is about more than the cut of women's clothes; it is an exegesis of costume history as seen through the eyes of its wearers and makers. It exalts the humble professions of seamstresses and patternmakers, and inspires modern designers through a scholarly reverence for technique.

I have graded up several of the patterns to usable working specs, but I don't recommend this to the casual sewer; one must have a solid background in pattern drafting to attempt this. (Although the Vionnet "flapper" dress is a good project for the beginner.) If you're a hard-core pattern collector and enthusiast, you need this book. If you're looking for EZ instructions for a period costume, buy a Folkwear pattern.

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26 of 27 people found the following review helpful:
2.0 out of 5 stars Nice to Have book rather than a Must Have, March 8, 2006
This review is from: The Cut of Women's Clothes: 1600-1930 (Hardcover)
From a broad perspective this book is helpful in delineating the various periods of costume. The patterns are useful, but not plentiful.

However, the book has several shortcomings. Firstly it is printed on very cheap paper (this is a reprint version) and the black and white pictures/prints of paintings are very murky and badly reproduced on even thinner cheaper paper than the text.

The content of the book is fine for beginners but clearly the book has not been updated to reflect recent study on costume. The writing style is in the form of an endless stream of tit-bit information patched together making this book a boring read. Furthermore, the book is padded out with period quotations about costume, mainly in the form of inventory lists of costume. This adds little to the understanding of costume and the book should have been more tightly edited. Finally there are just not enough patterns in this book to make it a "must have" title - the patterns are not drawn on a grid so inaccuracies are inevitable. Anyone looking to find a variety of patterns for the period 1600 to about 1850 are going to be disappointed, but admittedly the period 1850 to 1930 is better covered by the book in terms of pattern variety. I will probably donate this book to my local library as it is not a keeper for me. Readers wanting up to date costume information are better served by acquiring texts from the various costume institutes in England.
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18 of 19 people found the following review helpful:
5.0 out of 5 stars Excellent reference book for the professional or student., July 22, 1999
By A Customer
This review is from: The Cut of Women's Clothes: 1600-1930 (Hardcover)
This is the definitive period costume book for historical patterns. Perfect companion book to The Cut of Men's, and Corsets and Crinolines, all by the same author. This book is not meant for beginners, but is an extremely useful tool in a university or college with a theatre or opera program. Worth the cost if you are serious about sewing and theatre, or historic reproduction.
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Inside This Book (learn more)
First Sentence:
Women's fashions of the last years of Queen Elizabeth's reign continued to be worn for a time after James I came to the throne; yet during the first quarter of the seventeenth century there came a period of transition bringing with it a gradual elimination of the earlier extravagances. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
robe battante, boned lining, corselet skirt, foundation skirt, large panier, double box pleats, round robe, evening bodices, trained skirt, hip darts, skirt fullness, bodice lining, waist fullness, stiff muslin, bodice seams, matching petticoat, side gores, centre front, chemise dress, back fullness, front darts, back pleats, lacing holes, inverted pleats, back side seams
Key Phrases - Capitalized Phrases (CAPs): (learn more)
London Museum, Contemporary Sources, Practical Guide, Lady's Magazine, French Court, Gallery of English Costume, Description des Arts, Haute Couture, Seventeenth-century Dress Production, Chic Parisien, Modernen Bekleidungskunst, The Gentleman's Magazine of Fashion, Centre de Documentation du Costume, Construction of Eighteenth-century Dresses, Hanover Square, Leeds City Art Galleries, Libro de Geometrica Practica, Maison Gagelin, Mme Vionnet, Traca Juaan de Alcega, Twentieth-century Dress Production
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