From Publishers Weekly
Expanding on a single paragraph in Plutarch's life of Caesar, first-time author Panella imagines a turning point in the ambitious but untested young Julius Caesar's life in this vivid short novel, complete with swashbuckling action and classical allusions. The historical record preserves a brief account of the episode: captured by Sicilian pirates as he attempted to fell strife-torn Rome under the dictatorship of Cornelius Sulla, the 25-year-old Caesar vowed to decimate his captors once he escaped. In Panella's account of Caesar's youthful adventure, the already dramatic facts are elaborated upon in blazing detail, with flashes back to Caesar's early career on Rome's violent political scene. Caesar, as Panella tells it, both openly scorned and fascinated his captors, setting the exorbitantly high price of his own ransom, reciting his poetry to them, joining in their banquets and athletic contests and then returning with a fleet to demolish them. Against the factual backdrop of the Republic's colossal heroes and its violent fall, Panella creates a colorful fictional personage in the character of one-handed pirate chief Vatinio, nicknamed Cutter. Cutter's progress from sailor and soldier to gladiator and pirate in the shadow of Pompey the Great's imperial conquests make the pirate chief and Caesar "brothers in history," as the latter finally admits. Taking its cues from Colleen McCullough's energetic Roman chronicles, though narrowing the focus, Panella's opus matches the film Gladiator in its vigorous, viscerally affecting depiction of ancient Rome. (Sept.)
Copyright 2000 Reed Business Information, Inc.
Taking a little-known event in Julius Caesar's life (a kidnapping by pirates at age 25), Panella crafts an alternately rousing and touching adventure tale that offers an intriguing glimpse into the future dictator's psyche. During his monthlong captivity, Caesar finds himself in a crash course on political maneuvering, manipulating both his captors, who would as soon sell him into slavery, and his countrymen, who aren't necessarily eager to pay his ransom. He forges a tentative friendship with the pirates' leader, the one-armed Cutter, a survivalist bent on exacting revenge for the cruelty by which his forearm was removed. In intertwining both men's stories, Panella offers a panoramic view of Rome. His story winds from the battlefront to the gladiators' ring and spares no grisly detail. Heads and limbs are lopped off with aplomb, and the mechanics of crucifixion are vividly depicted. Throughout, Panella honors the sparse prose of the ancient epic, and this stirring account should be of interest to readers with even a passing interest in ancient history.
Brendan DowlingCopyright © American Library Association. All rights reserved