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Cutting Edges: Contemporary Collage [Hardcover]

Robert Klanten , Hendrik Hellige , James Gallagher
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

February 28, 2011
Collage has an outstanding tradition in the modern visual arts. Influenced by surrealism and Dada as well as constructivism, the technique was firmly established as an art form in the 1920s and 1930s through the work of artists such as John Heartfield, El Lissitzky, and Hannah Hoch. Today, a new generation of young artists and illustrators is rediscovering collage. Cutting Edges is a collection of current artistic work that unites unrelated elements to create something new. Although the artists also use the computer for the purpose of montage, most of the featured collages are made by hand and often include found objects. It is not only the addition of visual elements that is important to the work, but also their deliberate omission, deletion, and destruction. While the combination of very different materials is charmingly reminiscent of the past, the innovative work in Cutting Edges proves that a new era of
collage has begun. Texts by curator Dr. Silke Krohn put this current rediscovery of collage into an art-historical context.

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Cutting Edges: Contemporary Collage + The Modernist + Echoes of the Future
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Product Details

  • Hardcover: 215 pages
  • Publisher: Die Gestalten Verlag (February 28, 2011)
  • Language: English
  • ISBN-10: 3899553381
  • ISBN-13: 978-3899553383
  • Product Dimensions: 9.4 x 0.9 x 11.8 inches
  • Shipping Weight: 3.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #141,425 in Books (See Top 100 in Books)

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34 of 41 people found the following review helpful
2.0 out of 5 stars CUTTING EDGES - sadly only literally July 23, 2011
Format:Hardcover|Amazon Verified Purchase
The Gestalten's new book on collage, Cutting Edges, aims to collect the best of contemporary collage work. What started as research for a show has ended up in a over 200 pages document stuffed to the max with images from a large group of artists.

One wonders, then, why it looks like the work of only a handful of artists. The extremely homogenous look of the included work leads one to think that the selection follows a very limited set of preferences, and/or that it is even commissioned. The fact that a lot of the work is from 2010 suggests it.

Illustration is a more fitting term for this work, as style and trend are more apparent than methodology and, behold - content. Yes, nostalgia is a contemporary concern, but when even the digital collages are saturated with 40s, 50s, 60s and 70s thoughtless nostalgia, it is hardly an expression of our time. There is also an annoyingly large number of work resembling classic collage artists from the past, with no mention why or if that is the intention.

Therefore, sadly, the book's title must be understood only literally. The fetish of yellowed paper, torn edges, black and white images juxtaposed with bright colors, small, absurdist jokes, fancy geometrics and slightly risqué images belittles collage to mere formal exercises for the contemporary designer - and nothing resembling the metaphysical awareness of collage as an actual way to open new doors of visual language, to communicate, to capture something of this time with current means.

Out of the several books on collage that has come out the last few years, this one is remarkably unoriginal. I suggest getting the ones from Thames & Hudson, Black Dog Publishing, or Merrel / New Museum, all named Collage something-or-other, then get the books on the individual artists. Because I have yet to find THE essential book on collage. Maybe Phaidon should step up to the plate and release Vitamin C for collage?
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6 of 8 people found the following review helpful
4.0 out of 5 stars Interesting and relevant May 30, 2011
By Tine
Format:Hardcover|Amazon Verified Purchase
All over a very nice book! + for a great cover and fine paper aswell. Chosing that specific artwork as a book cover is a huge teezer (one of the most interesting in the book in my opinion) - but this book does not follow a specific "style" as you may think from its' wrapping; the book is focusing on contemporary collage and paperworks (professionals) in its' wide sense. An exciting publication that I'm going to look into over and over again.
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