| ||||||||||||||
|
"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
Product Details
Would you like to update product info or give feedback on images? |
Cyclo is a survey of a society in decay, in which conventional plotting gives way to a series of enigmatic episodes and haunting observations. There are two main characters: Cyclo (Le Van Loc) is a poor urban teenager who scratches out a living operating a bicycle taxi in the murderous city traffic; the Poet (Hong Kong star Tony Leung) is the son of an upper-class family who has depressively drifted into pimping and fencing--wartime rackets still thriving in the new Vietnam.
Images of appalling violence are played against backgrounds of banal, everyday bustle--a buzzing flow of meaningless, insectlike activity. Hung's vision may be dispiritingly bleak, but his filmmaking is vivid and inventive. Each shot is distinguished by a particular quality of lighting, framing, or texture that lifts it out of the ordinary and into the realm of the strange, ravishing, and insinuating. --Dave Kehr
Unbeknown to the Cyclo, his older sister (the exquisite star of THE SCENT OF GREEN PAPAYA) has also been mesmerized by the brooding Poet and turns to prostitution to please him. Director Tran Anh Hung, whose brilliant debut THE SCENT OF GREEN PAPAYA established him as a master visualist, fuses the neorealist style of THE BICYCLE THIEF with the kinetic energy of TAXI DRIVER in this gritty tale of innocence lost in the urban jungle of Vietnam.
If you are familiar with popular cinema from Asia, you know the system's are not like American movies. Often certain popular actors are routinely coupled. I find this habit refreshing, especially here. In some ways, the more films you see the more shades there are to an actors ability in the big picture. On a small scale, the film makers bank on the public seeing more films since certain famous pairings generate the feeling that the actors are like your old friends. If you don't feel manipulated by this tactic, it can be the cinematic equivalent of a fun time at an amusement park, when you're with your way-out-of-town friends, always taking different rides.
Furthermore, as far as East Asian Cinema goes, in my experience, as with all world cinema, you don't know what's it's all about until it's over. This film, like much of world cinema, is not trying to spoonfeed you. This movie gets 'heavy'. But if you stay with it, the whole of the film and the story within are very gratifying.
As far as my criteria for a good flick goes, this one meets my standard for world cinema, and far surpasses American commercial films. The editing is seemless. The actors are fluid and charismatic as always (Remember, old friends are we). The cinematography is stunning. The script has a definite feeling of realism. These characters say what they really would say (and maintain appropriate silences too), not that I know what a struggling Vietnamese escort or cabbie would say. But, dig this, a good story like this feels real, draws you in, shows you things you never saw woven into a story that holds you 'til the credits, and stays with you after, spinning in your mind in true 'twist-a plot' fashion, ya? If you let yourself into the world of these characters, alternate possibilities will come to mind when it's through.
Aside: Those of you who love Hong Kong film will enjoy seeing Tony Leung here - very believable and adorable! Secondly, and most important, DON'T EAT PORK BEFORE YOU SEE THIS MOVIE!!!! Nuff said.
I won't ruin the story by divulging any specific special parts or attributes of the film. My (somewhat pompous) point is, I saw the movie... The movie was good.
|