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This last installment of Rod McLeish's three-part series on the history of the Hermitage is in some ways the most fascinating. The economic, political, and social pressures of a dissatisfied peasant class (descendants of serfs emancipated only 80 years before), World War I, and a disintegrating imperial power structure lead to the abdication of Nicholas II. His family was arrested and moved out of the Hermitage where they had lived in St. Petersburg, replaced by the ministers of the provisional government. Soon thereafter, the Bolsheviks stormed the Hermitage and arrested the provisional government--and the Soviet Union was born. McLeish offers an interesting contradiction in Communist attitudes toward art: Lenin felt that art should play a role in a socialist society; Stalin "could not have cared less" about art, says McLeish, even selling off valuable items for a fraction of their worth to buy farming equipment and food. Equally as dangerous to the Hermitage's priceless collections was World War II itself--the entire contents of the museum were packed in crates and sent by train--two of the three trains managed to leave the city before the Germans lay siege--to secret locations in the Urals. This six-day evacuation of thousands of paintings, sculptures, and jewels was one of the largest art-preservation actions in history. McLeish uses the Hermitage as a stage to present Russia's 20th-century history--more specifically the history of St. Petersburg, turned Petrograd, turned Leningrad--alternating impressive paintings and architecture with video and photography from the area. Students of both history and art will indeed find McLeish's documentary informative and enthralling.
--Erik Macki
Product Description
In this moving final program, vintage film footage illustrating the horrors of revolution and war plays counterpoint to the breathtaking works of Matisse, Renoir, and Picasso. When Nicholas II succumbed to the people's revolution, and Lenin rose to power, the Hermitage became the world's largest museum, increased by thousands of works previously held in private collections. Its status was then greatly diminished when Stalin succeeded Lenin and sold many of the museum's irreplaceable treasures for cash. Yet, the museum survived Stalin, as well as World War II, when two-thirds of its collection was transported safely out of Leningrad before the Nazi siege.
From Czars to Commissars eloquently chronicles this incredible institution's triumphs over cataclysmic world events, even the dramatic fall of communism.