DAYS TANGIER JOURNAL [Hardcover]

Paul Bowles (Author)

Book Description

Publication Date: July 20, 1998

Between 1987 and 1989, Paul Bowles, at the suggestion of a friend, kept a journal to record the daily events of his life. What emerges is not only just a record of the meals, conversations, and health concerns of the author of The Sheltering Sky but also a fascinating look at an artist at work in a new medium. Characterized by a refreshing informality, clear-sightedness, and passages of exquisite prose, these pages record with equal fascination the behavior of an itinerant spider, a brutal episode of violence in a Tangier marketplace, and the pageantry and excess of Malcolm Forbes's seventieth birthday party. In Days, a master observer of the foreign and obscure turns his attentions toward his own daily existence, giving us a startlingly candid portrait of his life in late twentieth-century Tangier.

--This text refers to the Paperback edition.

Editorial Reviews

About the Author

Paul Bowles was born in Queens, New York, in 1910. He began his travels as a teenager, setting off for Paris, telling no one of his plans. In 1930 he visited Morocco for the first time, with Aaron Copland, with whom he was studying music. His early reputation was as a composer and he wrote the scores for several Tennessee Williams plays. Bowles married the writer Jane Auer in 1938, and after the war the couple settled in Tangier. In Morocco Bowles turned principally to fiction. The Sheltering Sky—inspired by his travels in the Sahara—was a New York Times bestseller in 1950, and has gone on to sell more than 250,000 copies. It was followed by three further novels, numerous short stories, nonfiction, and translations. Bowles died in Tangier in 1999.

--This text refers to the Paperback edition.

Product Details

• Hardcover: 108 pages
• Publisher: The Ecco Press; 1 edition (July 20, 1998)
• Language: English
• ISBN-10: 0880012692
• ISBN-13: 978-0880012690
• Product Dimensions: 9 x 6 x 1 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #2,362,345 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

5.0 out of 5 stars Immediate, comprehensive; interesting portrait of Bowles., October 5, 1999

By A Customer

This review is from: Days: Tangier Journal: 1987-1989 (Paperback)

Paul Bowles has been of interest to me ever since I read THE SHELTERING SKY so many years ago. Now with DAYS: TANGIER JOURNAL, the reader gets a behind-the-scenes of one of the most enigmatic writers of the twentieth century. The landscape and people of Tangier, Morocco are expertly painted in all their mysterious charm as Bowles simultaneously deflates and expands upon his own legend. If you are interested in Bowles, this book is a must read for the insight that it gives, insights not necessarily illuminated upon in the average Bowles biography or documentary. Bowles is self-effacing but his contribution to fiction is huge, and this book is like looking through a door, cracked half-open, at the man himself in all his many facets. Morocco itself also figures large in Bowles' art, and the reader gets a real taste of that exotic locale with all its danger and N. African wonder.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Thank you for the Days, October 30, 2006

By 

ewomack "ewomack" (MN USA) - See all my reviews
(TOP 500 REVIEWER)    (VINE VOICE)   

This review is from: Days: A Tangier Diary (Paperback)

Paul Bowles often claimed that he lacked ambition. So when Daniel Halpern, an editor at Ecco Press, requested that Bowles start keeping a diary, he didn't seem to understand why. "I would have nothing to report", he insisted. Thankfully, he begrudgingly agreed, and "Days" resulted. Bowles recorded scattered entries from August 19, 1987 to September 5th, 1989. Contrary to his expectations, this short book burgeons with interesting slices of his life in Morocco. Everything from the inexplicable behavior of a spider in his room to the arrival of Mick Jagger in Tangier gets filtered through Bowles' unique perspective. Even the most trivial observations have interest in this context.

One of the more fascinating scenes involves the hubub over a package that Bowles receives. He quickly gets called down to the post office and told that he has a "contraband" book. They don't allow him to see it nor to find out who sent it. But from that moment on his mail gets delayed an extra day for security reasons. Some weeks later he finds out that a friend had tried to send him a copy of Salman Rushdie's "The Satanic Verses." Whoops.

Bowles also writes about day trips he takes with friends, journalists seeking interviews, health problems, his frustrations with certain biographers, aging, his friend's behavior during Ramadan, and the culture of Morocco. Many fascinating things happen. One woman finds him by pretending to be his daughter Catherine from Germany. A French journalist asks him "do you like living this way?" Another journalist keeps futilely asking him "why" questions. When Bowles tells her he won't give accurate answers to such questions, she asks "why not?" He also takes umbrage with writers who feel, by the act of writing, that they're "leaving a part of themselves behind." Bowles reflects, "This would have been understandable earlier in the century when it was assumed that life on the planet would continue indefinitely. Now that the prognosis is doubtful, the desire to leave a trace behind seems absurd." Later on he also says, somewhat uncharacteristically, "I was treated like a star and loved it."

During this time Bowles also finds out about Bernardo Bertolucci's intent of filming "The Sheltering Sky." The two meet a few times, but unfortunately the narrative breaks off before filming begins. Bowles actually appeared in the 1990 movie as himself. But, according to some later interviews, he wasn't completely sold on the project. Regardless, his acting career didn't end there. He also appeared in 1995's "Halbmond" as well as some early art films. If only he had written for a few more months.

"Days" remains a unique look at the seventy-something Bowles in Morocco. In it, he never shies away from editorializing, criticizing, or making poignant statements. None of his other writings or interviews provide quite the same perspective or intimacy. Paul Bowles died ten years after completing this mini memoir. He had spent the majority of his life in Tangier. Sadly, his diary seems to end here. Which leaves the only complaint about "Days": it ends far too quick and produces a lingering thirst for more.

2 of 2 people found the following review helpful:

4.0 out of 5 stars Interesting insights into Paul Bowles life, July 27, 2000

By 

M. J. Smith (Seattle, WA USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Days: Tangier Journal: 1987-1989 (Paperback)

I picked this volume up because of the references to the Guatemalan writer Rodrigo Rey Rosa; I am very fond of his work. I found items of far greater interest in the day to day activities of Paul Bowles. The challenges of censored mail, time disconnects (e.g. cafe closed when filming is supposed occuring), of ill-tempered fasters during Ramadan, and business concerns (copyrights, translators, contracts ...) make for interesting observations in the hand of Paul Bowles. If you have any interest in Bowles, Mrabet or Rosa, this book is worth your time.