Customer Reviews

DC Noir (Akashic Noir)

5 star:		(3)
4 star:		(2)
3 star:		(1)
2 star:		(3)
1 star:		(0)

 

 

I felt a strong sense of recognition in reading these stories of the underside of life in Washington D.C. "D.C. Noir" is an anthology of sixteen new stories by as many authors chosen and edited by the noted author of crime and detective novels, George Pelecanos. Pelecanos also contributed one of the stories to this collection.

There is an astonishing sense of place in this collection for a city in which I have lived and walked for many years. I live near a large thoroughfare, Georgia Avenue, which stretches from downtown Washington into Silver Spring, Maryland and beyond. Georgia Avenue is a forbidding street of small shops, liquor stores and bars, eateries and gas stations that appears perpetually in need of renewal. The Walter Reed Military Hospital is located on the upper end of Georgia Avenue with, about one mile north, a small shopping mall, apartments, and several liquor stores on the border with Maryland.

Richard Curry's story, "The Names of the Lost" describes this portion of Georgia Avenue, the stores, the residents, the apartments, the library, and the bus routes with great immediacy. The story involves a confrontation between an aging Holocaust survivor, and proprietor of a liquor store, and a young thug. I felt I knew the steet, the scene, the places, and the people as I read. Another fine story, "The Light and the Dark" by Robert Wisdom describes the community of Petworth, a bit further to the South (in the direction of downtown D.C.) on Georgia Avenue. I again felt a sense of recognition and understanding in seeing the street and landmark names of places I know, where I have walked on occasion and ridden through countless times.

I felt this recognition of place in several other stories. Jennifer Howard's "East of the Sun" describes the community near Pennsylvania and Potomac Ave, S.E., an uptempo and rather treacherous neighborhood where I also lived and walked for many years. Jim Patton's story of D.C.'s Chinatown and its environs, "Capital of the World" is highly realistic in its depiction of bars and streets in this downtown yet secretive portion of the Capital City. Ruben Casteneda's "Coyote Hunt" describes the Adams Morgan community along sixteenth street and the diversity created by its recent influx of Hispanic immigrants. Laura Lippman's story, "A.R.M and the Woman", unlike most of its companions describes an incident in the lives of upscale residents of Chevy Chase N.W. with characteristic and believable portraits of both people and place. David Slater's story "Stuffed", describes Thomas Circle, around 14th Street, for many years the center of D.C. red-light district and now becoming a trendy neighborhood in transition.

There are a number of stories of parts of the city I don't know as well but which are highly descriptive, tough, and convincing. Jim Beane's "Jeanette" which takes place in a part of town known as Deanwood, has mean, sharply portrayed characters and is among the best of these. Lester Irby's "God don't like ugly" with its picture of local dives and clubs, also has a strong sense of realism and faithfulness to its subject. Pelecanos's story "The Confidential Informant" and a story by Quentin Peterson, "Cold as Ice" also describe well the places, streets, and persons of D.C.'s world of gangs, drugs, and shootings.

There are two stories which deal with the political life of the Nation's capital: James Grady's "The Bottom Line" and Jim Fusilli's "The Dupe". These are good well-paced stories but I found them of less interest than the stories set in the local neighborhoods of Washington D.C., among people and places that tourists rarely see.

The anthology includes brief biographical notes of each of the authors, whose backgrounds are as diverse and varied as the city celebrated in their stories. This is a book for walkers on city streets and for those who like fast-paced stories with a sense of urban place and life.

Robin Friedman

I completely enjoyed this book. I grew up in the DC area and recognized all of the neighborhoods in which the stories took place. I gave the book to my native Baltimore friend and she loved it too. The stories, while very dark, were well written and riveting. Now my friend and I are dying to get Baltimore Noir. That will be tomorrow at the panel discussion at the Pratt Library. Buy these Noir books, you won't be sorry!

This Washington, D.C. entry in Akashic Books' series of city-specific crime anthologies could have no better editor than the George Pelecanos, author of 13 crime novels set in and around the nation's capital. And for the most part, the stories here mimic Pelecanos' M.O. by ignoring the corridors of power one sees on TV, and taking one into the neighborhoods, history, and lives of D.C.'s true residents. The stories are loosely grouped into four sections.

The first section, "D.C. Uncovered", is probably the best, featuring three excellent stories. Pelecanos leads off with a great portrait of a Park View hustler helping the police as "The Confidential Informant." Kenji Jasper turns the clock back to 1993 in "First", an excellent economical tale of boys trying to be hoodlums back when "D.C." meant "Dodge City". Jim Patton's "Capital of the World" finds a moonlighting cop in one Chinatown's rapidly disappearing seedy nightspots and mixes him up with a Moldovan sex slave, however the story's a little too much of a message about human trafficking to be truly effective. Probably the best story in the whole book is Richard Currey's "The Names of the Lost", about a Holocaust survivor who owns a Georgia liquor store and his confrontation with a young thug in 1968. Like the best of Pelecanos' work, the story paints a vivid picture of the neighborhood and its social history, all while packing a nice melancholy punch.

The second section is "Streets and Alleys", which starts with former Washington Post editor Jennifer Howard's "East of the Sun." Set in a part of Capitol Hill that has been rapidly gentrifying over the last decade (and is home to Howard), it's a rather awkward story about a white family and their interaction with the local drug dealer. Novelist Robert Andrews contributes "Solomon's Alley", an excellent little piece set in Georgetown which encompasses a homeless man, a Nigerian sidewalk vendor, and some nasty Somalis. TV and film actor Robert Wisdom's "The Light and the Dark" visits the Petworth neighborhood in the 1950s, where he grew up amidst other Caribbean immigrants in his parents' rooming house. Baltimore's doyenne of crime writing, Laura Lippman, contributes"A.R.M. and the Woman." This rather ordinary "black widow" tale serves mostly to showcase the wealthy world of the city's upper NW.

Next is the "Cops and Robbers" section, led off by ex-DC cop Quintin Peterson's effective, if somewhat pulpy, procedural exploration of witness intimidation in "Cold As Ice." Lester Irby spent the last of his 30 years in federal prisons writing "God Don't Like Ugly," an extremely pulpy 1970-set story about drug dealers, a woman in their midst, and all the angles. Former Washington Post crime reporter Reuben Castaneda uses the 1991 Mt. Pleasant Riots (between Latino immigrants and the police) as the backdrop for a murder. The 1968 riots hover in the background of Jim Beane's "Jeanette", a fairly typical femme fatale-driven story about a young man trying to meet his woman's expectations.

"The Hill and The Edge" rounds things off, starting with James ("Three Days of the Condor") Grady's "The Bottom Line." While the story does a workmanlike job of getting into Capitol Hill corruption, staffers, and lobbyists, this is an aspect of the city that has been covered to death, and the story doesn't add much one's understanding of the city. David Slater's "Stiffed" follows a cook/bartender as he endures a crappy day at a Thomas Circle dive only to end it in a very satisfying manner. "Noir Soul" writer Norman Kelley contributes "The Messenger of Soulville", a somewhat clunky '60s-set story involving a local record mogul, the Mafia, and the Nation of Islam. The book ends with Jim Fussilli's disappointing excursion into the K St. machine of lobbyists, journalists, and politicians in "The Dupe."

Overall, definitely worth reading if you're interested in an alternative view of the nation's capital.

Granted, this isn't the kind of fiction I usually read. I prefer classic literature. But I was given this book by a friend because I love film noir and live in DC. It's a very uneven collection of stories. Some are well-written, a few are terrible, and most are mediocre. The most evident problems were cliche plot devices and characters, implausible character motivations, and a lack of insightful or meaningful themes. A few of the stories make good use of DC as a location, but many of them could have been located in any city. The best that I could say about this collection is that it afforded me an opportunity to explore a variety of writing styles and approaches to the noir literary genre.

When you've had enough of your guidebook and the evening news, pick up this collection of stories for a different take on the nation's capital.

One in a series of noir short story anthologies by Akashic Books, DC Noir offers a mini education in the neighborhoods, histories, tensions and daily tragedies that make up this much talked about but little known city. The stories deal with the DC that falls in the shadows of the monuments - the hookers and desperate housewives, the thugs and the insane, the teenage punks and Holocaust survivors.

The writing was of generally high quality, though uneven and generic in places. Stories of note are "The Confidential Informant" by George Pelecanos; "First" by Kenji Jasper; "The Names of the Lost" by Richard Currey; "East of the Sun" by Jennifer Howard; David Slater's "Stiffed"; Lester Irby's "God Don't Like Ugly"; and Ruben Casteneda's "Coyote Hunt".

I am a native of the Washington area, I was born and raised here my whole life. I recently picked this book up at the Fairfax County Public Library and from the minute I began reading I could hardly put it down, I'm going to buy it now, it's that good. Be forewarned, the stories are very dark, but absolutely amazing. The contributing authors are all either local or spent a significant portion of their lives in this area so the local color and voice of the distinct neighborhoods in the District are all captured in the printed word very nicely. And even if you are not local to the Washington area, you can still enjoy this book, it is a fantastic read for anyone. Being a MA graduate of the English department at George Mason University, I could write indefinitely about the works contained herein, but, I fear there would not be enough room in this review. :-) But that said, read this book, you will not be disappointed.

A couple of good stories, a couple of mediocre stories, and the rest are not worth reading. Give this book a Pasadena.

but I found this book fairly ordinary. I liked a few of the stories but most seemed too short and didn't really grab me at all. George Pelecanos wrote the best story by far (not uncommon for him, one of the most talented writers out there).

I am not a fan of short stories to begin with so maybe my preconceived notions of what to expect (disappointment) coloured my viewpoint.

Another winner in the Akashic Noir series. Folks generally think of monuments and the White House when they hear the letters "D.C.". But most are unaware of the violent slum that makes up 90% of our nations' capitol. This book serves as a good primer for that.