From Publishers Weekly
Conversations, most of them between an American writer living in London and his English mistress, make up what PW called "a clever comedy of manners that segues--as is the author's wont--into a disquisition on the distinction between literature and life."
Copyright 1990 Reed Business Information, Inc.
From Library Journal
Philip, a successful, middle-aged, and highly opinionated Jewish-American novelist, moves to a small flat in London to work on his new book. He begins seeing a married Englishwoman in his spare time, and soon he has filled a notebook with their pre- and post-coital conversations. When he publishes this document as a novel, his indignant mistress accuses him of deceiving both her and his public. The book ends with Philip's impassioned defense of self-referential fiction. The issue, however, is not self-referential fiction in general but simply Roth's own peculiar version of it, which consists mostly of unabashed editorializing through the mouthpiece of Philip. A textbook example of the novel as soapbox, Deception will appeal only to Roth's most steadfast supporters. Previewed in Prepub Alert, LJ 1/90. --Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1990 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.