Customer Reviews

THE DOOMSTERS

5 star:		(3)
4 star:		(4)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

In some ways The Doomsters is a typical Lew Archer thriller: it involves a missing suspected murderer, family strife, and mysterious deaths in the distant past. This time, Archer falls in love and self-interest actually hinders him from being the moral center of the novel. What keeps the pace of the novel flowing is the theme of a man condemned by society and Archer's efforts to prove his innocence. There is also plenty of bloodshed, betrayals, and enough plot twists to keep the conclusion a surprise. In spite of the tragic turn the story takes there is the redemption for Archer who makes up for his own dreadful mistake in the past. It explains a great deal about Archer, his motivation and his maturity which grows in later Ross Macdonald novels.

I was in a St. Louis indie bookstore today and was delighted that one of the other customers was looking for anything by Ross MacDonald. MacDonald, who died in 1983, would probably be proud that his Lew Archer is being re-published and re-discovered by old and new fans alike. The man was a master storyteller and his prose is as striking as when he was writing in his prime in the 1950s.

The Doomsters, originally published in 1958, is no exception. Its lyrical prose should be considered the epitome of character development and imagery. This is probably the definitive Archer book and readers learn more about Lew and what makes him the man he becomes in later novels.

The novel opens with a pounding on the door at the crack of dawn--and takes off from there. An escapee from a mental institution, clad in "the kind of clothes they give you to wear in prison" has landed on Archer's doorstep on the advice of a fellow escapee, Tom Rica, whom Lew had helped years earlier. Carl Hallman wants Lew to investigate the death of his father, a powerful Senator from California. Carl is sure that the attending physician, Dr. Grantland, killed him, but he needs Lew's help to prove it.

Never one to turn down a chance to be nosey, Lew drives Carl to the family estate in the little town of Purissima. There resides Carl's brother Jerry and Jerry's wife Zinnie. Met by a deputy sheriff, Carl runs away from Lew and becomes the subject of an intense manhunt. More bodies start popping up, specifically Jerry's. Then Lew learns that there are some unanswered questions about Carl's wife Mildred, the Senator's death, and the even death of Carl's mother three years before.

Lew has a knack for uncovering buried secrets, and those secrets rise to the top in The Doomsters. Striking, unconventional PI prose and the ability to layer story lines make Ross MacDonald one of the greatest crime writers of the twentieth century.

Armchair Interviews agrees.

Most detectives in fiction are stoic people who never seem to have a past of their own, at least not one that ever gets talked about much. In this novel, Ross MacDonald changes all that. His ace private eye Lew Archer is not only delving into the pasts of the characters he's investigating, trying to get to the bottom of a murder, but before it's all over he's forced to face his own past as well. Tom Rica, a heroin addict he had tried to help a few years earlier and then dismissed when his help wasn't working, reappears in his life and tells Archer that the murder of Alicia Hallman was not committed by her daughter-in-law Mildred, but by Dr. Grantland - something Rica had tried to tell him years ago, but Archer wouldn't listen. Lew Archer doesn't track down bad guys from the point of view of a removed third party - he becomes one of them. In his own way, he contributed to the death of Hallman. Guilt is an important element in the story, some of it misapplied, and Archer is forced to share in it. It's a brilliant concept, and MacDonald develops it well. This, I believe, is the first Archer novel that deserves the appellation "masterpiece."

Ross Macdonald is a greatly underrated writer and this is a greatly underrated book. Of all his books this one is my favorite. MacDonald had a Ph.D in English and it shows in the way he pulls off an amazing technical feat. The book takes place in real time except for the last few pages when he switches to a flashback and then a flashback within the flashback. The effect is amazing and the writing is sad, poignant and incredibly moving, as Archer catalogs his regrets. It also contains one of my favorite lines, when Archer says that an emotion "Fell through me like a feather in a vacuum." It's a shame that the book has been ghettoized as "genre fiction" as I believe that you rarely see great writing like this anywhere these days.

I don't know why the heck it took me so long to discover Ross MacDonald and Lew Archer, but I'm glad I have at last. This is the first Archer novel I recall reading, and it is a good one. The characters are each well fleshed out, and while the story ends with a couple of them facing rough challenges, there remains some hope.

It starts with a man's leaving a mental hospital and hiring Archer to find out who murdered his father. The man appears paranoid, accusing his brother and sister-in-law and a local doctor of railroading him into the mental hospital and being implicated in his father's murder. A somewhat dubious Archer follows up on the case, although he's been assaulted by his client. Murder occurs, apparantly by his client, and Archer pursues a convoluted trail, untangling some of the knots in the stories he's told. The alert reader will spot the true killer, but might miss many of the details. Nevertheless, it's a satisfying read.

The Doomsters starts off with private eye Lew Archer being paid an early morning visit by an escaped mental patient named Carl Hallman. Archer notices that Carl is deeply troubled and confused yet surprisingly well spoken. It appears that Carl's father, a very prosperous former state senator died 6 months earlier. The death certificate says it was a heart attack. But Carl has his doubts.

As Archer is drawn into the case, he gets to meet the members of Carl's very dysfunctional family. There's his beautiful, long suffering wife, Mildred. His not so brotherly brother, Jerry. And his seductive sister-in-law, Zinnie. Rounding out the cast of characters are a shady MD and a pot-bellied sheriff for whom Archer takes an immediate dislike.

The Doomsters is a skillfully told story of greed and betrayal. Carl Hallman is a victim. That much is clear from the very first chapter. But the full extent of his victimization only comes out at the book's surprising conclusion.

With great dialogue, vividly descriptive prose and a fast paced narrative that unfolds smoothly, this novel is a real treat. Do yourself a favor and read it.

The Lew Archer series by Ross MacDonald have been described by The New York Times " the finest series of detective novels ever written by an American". This is as per the back cover of my edition , this is accurate and would probably apply to any country not just the U S A.

Archer is the ultra cynical private eye who keeps on believing that human nature can't be as bad as he sees it and continually gets disappointed.

"The Doomsters " starts with Archer being woken by an escapee from a mental hospital who claims to have been committed so as to deprive him of his inheritance.

Our 'knight' Archer becomes involved trying to solve several historic deaths and a few recent ones connected with this one family.

Along the way he encounters several layers of evil involving everyone in the story. MacDonald writes so well about the weakness's of humans, his writing is much more than hard boiled detective fiction.

There is some Archer back story in this story that I haven't encountered in the other novels in the series that I have read.

This story is not as good as "The Chill" but then again nothing is, but it's a good murder mystery and a fine way to spend a Sunday on the couch.

I am a long time fan of Ross Macdonald, and especially the Lew Archer stories. I have read all the novels at least twice. I agree with the idea that these are "the best series of mystery novels ever written by an American," and I would even drop the word "mystery" from that. They transcend the mystery genre into real literature.

The early novels have the flavor of a 1940s pulp fiction hard-boiled detective yarn. But Ross Macdonald matured out of that and came into his own by the mid 1950s. The novels became more serious somehow, without being dry or preachy. Quite the contrary.

All that said, I must say that this one, the Doomsters, is probably my least favorite of all the serious novels. There are too many murders. It tries too hard to be deep and reflective. It is too talky. Unlike the others, it is not a "page turner."

I certainly would not want someone to start the series with the Doomsters. What then? I suggest the Zebra Striped Hearse. Then maybe the Dalton Case, eventually leading up to the really superb ones, like Sleeping Beauty.