Customer Reviews

DV 101: A Hands-On Guide for Business, Government and Educators

5 star:		(6)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

I'm not a pro videographer -- I got this book to help me take better video at my church, and at home and on some ocassional business videos. I thought I needed separate books on lighting, audio and how to shoot and edit the video itself, but this book tells me what I need to know with screenshots and illustrations that make it easy to understand. The first chapter in particular, "mastering the video shoot" illustrates some common techniques - where to place the camera, where to place the subject in the camera - that have improved my videos immensely. Highly recommended.

Libraries need to interview and archive footage from their interesting seniors, scouts need to capture their jamborees, and coaches need to focus on what is going right (and wrong) with their team. The list goes on forever, and all those volunteers out there doing the heavy lifting need to read this book, mark the pages and follow the steps! Jan Orzer's book is really saving me from a lot of errors, steering me in the right direction and giving me the confidence to try. If I follow the directions that he illustrates so well (and humorously) I expect to produce video that teaches, entertains and maybe even inspires the viewer. I have never taken a formal course and am finding my way as an amateur, but so far, with Jan's help, I am getting there with better results than I deserve to have, so this book is very good value, and I highly recommend it.

This book is addressed to the absolute beginner who has to produce some kind of video. He generally assumes:

that the reader is in business, government or education, perhaps where the video department got shut down for cost savings.
that you are operating by yourself. You are the camera operator, the actor, the director, etc.
that you are using only one camera
that you are going to edit the production digitally
and of course you want professional looking results.

That's a fair number of assumptions, but with today's low cost but very good equipment and software, not unreasonable expectations. This book does not review cameras, or software, or DVD authoring programs. It is written pretty general in nature.

But then to accompany the book there are a series of workbooks that do discuss the use of the most common software packages: Adobe Premiere Pro, Adobe Encore DVD, Apple Final Cut Express, DVD Studio Pro, and Pinnacle Studio.

This book will not make you a professional ready to go compete with Industrial Light and Magic, but it'll get you through the process of your first video.

I had to read this book as part of a multimedia course that I took. The information for me as an IT educator was just what I needed. Jan takes the time to explain things in a level that we all can grasp. His pictures also are extremely helpful in reinforcing the concepts. He also adds humor (self-deprecating at times) which I enjoyed. I can appreciate that after going through a list of codecs. As a fellow college instructor I would love to take one of his face-to-face classes!

DV 101 is an easy book to get your arms around, whether you're a video newbie, or someone looking for a refresher course. The downloadable supplementary workbooks carry on the tradition of feeding you just the information you need, and nothing more. Corporate budgets being what they are today, chances are your department will not have funding for a large production staffed with pro videographers. I think you will find DV 101 an indispensable guide to real-world techniques that work without breaking the bank. From a business user's perspective, I can say Jan Ozer's book provides the information you'll need to produce respectable results that will delight both your target audience and your CFO.

July 2008
I originally reviewed this book in August 2005. Three years later I'm still turning to it for information. Still up to date, still usefull and still recommended.


August 2005
I've just read this book and found it to be a great resouce. In the introduction the author wrote that his " ... main aim was to provide a book that would help a complete novice shoot, edit, and output high-quality video ...." Ozer's intended audience is the person who has been given the responisibilty of creating instructional, training and corporate videos and needs to quickly learn how to do it. This is not a book for the person who wants a full time career in video, but rather for the worker who finds that this has been added to his or her job tasks. It may be a HR person who needs to make a video explaining new company policies, a teacher who needs to shoot a lecture, or a salesperson who needs to "interview" an engineer about the latest and greatest widget he's going to sell. While Ozer does not cover shooting weddings, news gathering, or documentaries, the techniques and methods learnt here can be used in making those as well as videos for family and friends.

Ozer makes four basic assumptions about the reader:
* They are working alone.
* They have only one camcorder.
* They are editing digitally.
* They are producing for professional distribution.

The three shooting scenarios covered are:
*Executive Briefing - a single person, facing the camera delivering a message to an audience.
*Interview - asking questions of one person.
*Discussion / Training - asking questions of two or more people who may be interacting with each other.

The first section of the book covers capturing audio and video, and lighting. Realizing that the reader may not have the budget of a major television network, he confines his discussion of these things to finding inexpensive solutions.

His next section covers workflow, editing and converting dv video to streaming video and DVDs. The book is not tied to one specific editing program or operating system. Specific instructions for different editors for each chapter can be downloaed from the author's web site. I found his discussion on choosing codecs for publishing to DVD or the web the best I've read. For once I have a roadmap to follow that I can understand.

Finally he covers distribution by using video in presentations, streaming and using closed captions. For those in education there is a great introduction to creating closed-caption text and why it's different from simply adding sub-titles.

It gives you practical information on such things as shot lists, lighting, audio and how to shoot an interview when you are both the interviewer and camerperson. This is a book about shooting in the field, not in the studio.

Highly recommended.