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Da Bologna: Madrigali E Cacce

Jacopo da Bologna , La Reverdie Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)

Price: $18.98 & FREE Shipping on orders over $35. Details
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. In su' be' fiori 2:39$0.99  Buy MP3 
listen  2. Posando sopra un'acqua 4:59$0.99  Buy MP3 
listen  3. Lo lume vostro 4:05$0.99  Buy MP3 
listen  4. Un bel sparver 3:11$0.99  Buy MP3 
listen  5. In verde prato 2:56$0.99  Buy MP3 
listen  6. Quando veg'io 2:41$0.99  Buy MP3 
listen  7. Vestise la cornachia 2:25$0.99  Buy MP3 
listen  8. O dolce apress'un bel perlaro 3:24$0.99  Buy MP3 
listen  9. Io me sun un che (version for chamber ensemble) 2:27$0.99  Buy MP3 
listen10. Io me sun un che 3:04$0.99  Buy MP3 
listen11. Per sparverare 4:01$0.99  Buy MP3 
listen12. Osellecto selvaggio per stagione 2:43$0.99  Buy MP3 
listen13. Si come al canto 3:40$0.99  Buy MP3 
listen14. Straccias'i panni 3:15$0.99  Buy MP3 
listen15. Aquila altera - Creatura gentile - Uccel di Dio 2:34$0.99  Buy MP3 
listen16. Tanto soavemente 2:01$0.99  Buy MP3 
listen17. Sotto l'imperio del possente prince 3:38$0.99  Buy MP3 
listen18. Fenice fu' e vissi 2:24$0.99  Buy MP3 
listen19. I' senti' za' l'arco 3:09$0.99  Buy MP3 

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Frequently Bought Together

Da Bologna: Madrigali E Cacce + Ensemble Project Ars Nova
Price for both: $35.04

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  • Ensemble Project Ars Nova $16.06

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Product Details

  • Performer: La Reverdie
  • Composer: Jacopo da Bologna
  • Audio CD (May 21, 2009)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Arcana Records
  • ASIN: B000A7XJLK
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #459,741 in Music (See Top 100 in Music)

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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
5.0 out of 5 stars Before the Invasion of the "Frankly Phlegmatic" ... November 11, 2010
Format:Audio CD|Verified Purchase
... check that! "Franco-Flemish" (but actually Burgundian) polyphonists of the 15th C, the city-states of northern Italy sustained a thriving distinctive musical culture, evolved from the Ars Nova of France but livelier, less arcane, more sensual than its French models. The Trecento (1300s) Italian composers used a 'black' notation system that would not survive the importation, by Dufay and others, of the northern "white" note system. The miniscule surviving repertoire, surely less than half a percent of what was lost, is found in a handful of manuscripts, particularly the elaborately illuminated Squarcialupi Codex. The words they set were primarily in vernacular Italian, and the themes of their texts were love, the pleasures of the senses, and the virtues of their patrons. Their instruments, which we know almost exclusively from iconography, were small and sweet: recorder flutes, portative organs, rebecs and vielles (bowed strings), small harps and lutes played with plectra, and hand-held percussion. Nearly all their pieces were in two or three parts, with a 'tenor' of long notes embellished by flamboyantly racing upper voices, composed in 'fixed' forms, the madrigale and the caccia. The aesthetic appeal of this music is rhythmic and melodic (horizontal) rather than harmonic (vertical). Without implying any derivation or influence, I'd say Trecento music appeals to the same sensibilities as Persian and Indian classical. Improvisation must have been a constant feature of Trecento performance; what we find in the Squarcialupi and other codices seems to represent an impulse among the Italians to archive their achievements and bequeath their memory to future generations. Read more ›
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