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Dada: Art and Anti-Art (World of Art)
 
 
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Dada: Art and Anti-Art (World of Art) [Paperback]

Hans Richter (Author)
4.7 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

World of Art May 17, 1997

"One of the best documents on this extraordinary movement."—The Sunday Times

‘Where and how Dada began is almost as difficult to determine as Homer’s birthplace’, writes Hans Richter, the artist and film-maker closely associated with this radical and transforming movement from its earliest days. Here he records and traces Dada’s history, from its inception in about 1916 in wartime Zurich, to its collapse in Paris in 1922 when many of its members were to join the Surrealist movement, down to the present day when its spirit re-emerged first in the 1960s with, for example, Pop Art.

This absorbing eye witness narrative is greatly enlivened by extensive use of Dada documents, illustrations and a variety of texts by fellow Dadaists. It is a unique document of the movement, whether in Zurich, Berlin, Hanover, Paris or New York. The complex relationships and contributions of, among others, Hugo Ball, Tristan Tzara, Picabia, Arp, Schwitters, Hausmann, Duchamp, Ernst and Man Ray, are vividly brought to life. 179 Illustrations, 8 in color


Editorial Reviews

Language Notes

Text: English (translation)
Original Language: German

About the Author

Hans Richter, who died in 1976, was well known as both a painter and a filmmaker. It was while he lived in Zurich from 1916 to 1920 that he started the Dada movement with Hugo Ball, Tristan Tzara, and others.

Product Details

  • Paperback: 248 pages
  • Publisher: Thames & Hudson (May 17, 1997)
  • Language: English
  • ISBN-10: 0500200394
  • ISBN-13: 978-0500200391
  • Product Dimensions: 8.3 x 6 x 0.8 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #279,648 in Books (See Top 100 in Books)

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Customer Reviews

9 Reviews
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Average Customer Review
4.7 out of 5 stars (9 customer reviews)
 
 
 
 
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16 of 16 people found the following review helpful:
4.0 out of 5 stars Memoir by a member of the Zurich Dada movement on Dada, March 9, 1999
By A Customer
This review is from: Dada: Art and Anti-Art (World of Art) (Paperback)
I personally found this text fascinating. Historical memoir by Hans Richter with great photos. Has personality and, of course, bias; but Richter shows restraint and moderation in his commentary. Is part of a wonderful series on art, with many plates of pictures, journal covers, poems, and photos. Probably not too terribly interesting if you are not intruiged by Dada, its "philosophy", its members, and its movement; but its definately readable if you need to do some research. Highly recommended.
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14 of 15 people found the following review helpful:
4.0 out of 5 stars You Are There, August 28, 2001
This review is from: Dada: Art and Anti-Art (World of Art) (Paperback)
Hans Richter lived on the fringes of Zurich's Dada movement, and here offers a personal narrative of the Dada movement and its eventual successor, Surrealism. This was the first book I'd ever read on Dada and I found it quite sufficient -- all the personalities are introduced, and their motivations and how they came together are revealed. Richter is best in the earliest sections, while discussing the birth of the influential Cabaret Voltaire and how the First World War helped amplify Dada's influence in Europe. The book peters out a bit in later chapters, but is still a detailed look at the subject. If you are simply seeking an understanding of the movement, this book is a fast and entertaining read.
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9 of 12 people found the following review helpful:
5.0 out of 5 stars dada, where art thou?, March 26, 2001
By 
"ateliermp" (New York, New York) - See all my reviews
This review is from: Dada: Art and Anti-Art (World of Art) (Paperback)
In the interest of re-appropriating dada, read this book on the origins of the movement in Zurich at the Cabaret Voltaire. The Hanover period is less than compelling except for the brilliant Kurt Schwitters. His attempt to gatecrash the Club in Zurich led to marginal friendships with the progenitors - he was perceived as too bourgeois - and Schwitters went on to non-fame in exile in Britain, snubbed by the international art intelligentsia, which still denigrates his late work. Most interesting role? Hugo Ball, the impresario of the Cabaret Voltaire who championed the idea of the gesamtkunstwerk (total work of art) then dropped out to live in the Ticino in Tolstoi-esque self-induced poverty. Greatest sub-narrative? The battle for the ownership of dada by the hangers-on.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
phonetic poem, abstract poetry, balance between heaven
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Max Ernst, New York, Cabaret Voltaire, Man Ray, Marcel Duchamp, Berlin Dada, Anna Blume, Francis Picabia, Hans Arp, Kurt Schwitters, George Grosz, Raoul Hausmann, Hugo Ball, Paris Dada, Andre Breton, Sophie Taeuber, Hannah Hoech, Hans Richter, Herr Ephraim, Courrier Dada, Gabrielle Buffet, Zurich Dada, Arthur Cravan, Pop Art, Richard Huelsenbeck
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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