Customer Reviews

Daddy Long Legs

5 star:		(5)
4 star:		(5)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Daddy Long Legs is a wonderful example of Mary Pickford's talent for portraying adolescent girls even when she herself was much older. She was 26 when the film was made in 1919, but she is convincing even when she plays a 12-year-old orphan and is quite captivating when she grows up to go to college. Pickford may have gone on playing the teenager a little too long. Some of her later films stretch credibility too much, but this is not the case here. Interestingly this DVD includes a Biograph short from 1910, What the Daisy Said, where 17-year-old Mary appears to be older than in many of her later roles. Ironically, at this time she wanted to appear older than she was and it has been said that one of the reasons why she left Biograph was that Griffith would not allow her to develop into full adult roles.

Daddy Long Legs starts as a sort of exposé of an orphanage. There is one particularly gruesome scene of Mary being deliberately burned on a stove as a punishment. The picture gets redder and redder to emphasise the pain and the heat. But the story also has moments of fine comedy to counterbalance the more serious elements. Pickford makes a fine comic drunk and a scene where she pretends to be strangled with her own arm is as good a piece of comic ingenuity as I have seen. When she leaves the orphanage the film becomes a delightful romance. This love story keeps the viewer guessing, and shows the many faces of love, the joy as well as the despair. It is wholly believable.

The picture quality of this film is almost perfect. There is some occasional fading of the image and brief moments of apparent damage, but overall the restoration is extremely good. The picture is tinted and uses a number of colours to accompany the variations in the settings and the moods of the scenes. The titles are especially noteworthy as many of them include drawings which along with the words comment on the action. The chamber music for this film fits in well with the action. It is well played and includes some fine themes.

As I mentioned this DVD contains a Biograph short. It is about 12 minutes long and is very welcome as an additional feature. I've only seen about 10 of the hundreds of films Griffith made at Biograph and on the whole find them difficult to appreciate. These early shorts are possibly the hardest of films for the modern viewer to grasp. Nevertheless, a film like What the Daisy Said is intriguing and in a curious way entertaining. It makes me want to find out more about this period of filmmaking. Someone should bring out a series of DVD's featuring Biograph shorts.

'Daddy Long Legs' is a beautifully crafted film in which Pickford's character, Judy Abbott, grows up. Pickford plays the role of an abandoned child who pits her wits against a child who is born with a silver spoon in her mouth, Angelina.
As a child in an orphanage, the unloved, unwanted Judy skillfully and hilariously outwits both the orphanage mistress and Angelina, by inciting the inmates to rebel against their diet of prunes, stealing Angelina's doll and by delivering it minus an arm to a dying child.
Despite the film's hilarity, it makes a genuine statement about social acceptability. As an orphan, Judy is neither worthy of Angelina's company nor is she her social equal. Even the young Angelina looks down her nose at Judy who wears the orphanage gingham with dignity.
Years later, as a young woman at college, sponsored by a much older gentleman, Judy again meets Angelina who treats her as inferior and lacking social connections. Later, Judy's writing finally enables her to socialise with the wealthy but when this breakthrough occurs, she is mindful of her origins and cannot bring herself initially to wed into the snobbish families she encounters.
Judy arrives at a decision involving which beau to accept after heartfelt thought and agonising. Then a well hidden secret is disclosed, to Judy's embarrassment.
The ending is happy and satisfying. Any Pickford fan would enjoy this film. It is intellectual as well as entertaining and is delightfully photographed.

I don't know anything about the DVD version, but for those of you who read the item below and said to yourself, "Well, I don't know if I should risk getting the tape," my copy turned out to be fine. Pickford is hilarious--It's a great movie for anyone who wants to make converts to her. The home movie and newsreel footage is interesting, too. It dates from the late teens through to the mid-twenties. Fairbanks, Chaplin, and the Gish sisters appear. Definitely worth the money!

A baby is found in a trashcan, wrapped in newspapers, and grows up to be Mary Pickford.
The baby, as was probably common for all post-Oliver Twist melodramas, is haphazardly named by the stern mistress of the orphanage after riffling through a phone books and surveying a clump of headstones.
The silent DADDY-LONG-LEGS is two movies delicately joined. The first follows the fortunes of young Jerusha `Judy' Abbott (Pickford) in the orphanage. From the second half comes the title of the film. A wealthy benefactor wishes to send Pickford to college, and, importantly, maintain his anonymity. The only glimpse she catches of him is his tall shadow. Hence Daddy-Long-Legs.
There's a welcome dose of comedy in the first half. Melodramas set in orphanages, especially silent ones, can be pretty rough going. Fortunately this one only kills one child and burns one thieving hand. It could be worse. The movie offsets the heavy stuff with an amusing scene with an inebriated dog and a cute look at the headquarters of Dan Cupid, un-LTD, replete with a gaggle of winged and diaper-clad toddlers intent on throwing or two at pretty Miss Pickford. The second half is a tale of love finding the delicate heroine with a terrible secret.
I enjoyed DADDY-LONG-LEGS quite a bit. Whatever made Mary Pickford "America's Sweetheart" almost a hundred years ago still works today. Watching the movie took a little bit of adjustment, though. The orphanage melodrama was about as thick as Queen Victoria's girdle, and title cards saying "Why did she raise her hair and lengthen her skirts?" confused a bit more than they enlightened. The social stigma associated with being an orphan seems dated, as well.
The other film on this disk also features Mary Pickford. WHAT THE DAISY SAID was directed by D.W. Griffith in 1910 and is a very short take on two sisters (Pickford and Gertrude Robinson) being seduced by a gigolo of a palm-reading Gypsy. The moral seems to be to trust flowers more than men who wrap their heads in handkerchiefs.

In this, one of her best films, Pickford plays an orphan who becomes the beneficiary of a mysterious man whom she comes to call her "Daddy Long Legs." This movie is very charming, and Pickford's performance in the lead role of a young girl who gradually becomes a young woman is very believable, much more so than her performances in some of her later films. Unlike the movie itself, unfortunately, the quality of the DVD transfer is poor--the background in many scenes often appears to be a jumble of little gray squares. The foreground is indistinct and fuzzy, lacking the smoothness and sharp details of a good film to video (disc) transfer. In a good many scenes the picture is like something one might see when attempting to view a very detailed photograph on a low-resolution computer screen. I'm not sure if the VHS version of this movie is this way, but I dropped a star from the rating of this version because of the poor picture quality.

This turns out to be a very charming movie with a splendid performance by Mary Pickford which proves why she was one of the biggest stars of the silent era. The film alternates between comedy and drama working well in the latter category but excelling in the first. Beautifully photographed and directed it's a highly entertaining movie which makes you forget that you are watching a silent film because you get involved in the story right away. Also the acting is very understated and natural so that you really believe in the characters. Unlike many early movies where you have to watch them from a historical perspective to enjoy them this should work for a modern audience just as well.

The transfer to DVD is excellent in my opinion. It contains a chamber score by Maria Newman which is superior to most scores you will hear on videos for silent films even though it is not in the same league as Carl Davis' scores for the British channel 4 silent movie series (some of which are available on video in the U.S. e.g. The Big Parade).

The DVD also contains a short by D.W. Griffith which is entertaining in its way although it can hardly be considered one of his best works.

Very enjoyable movie Mary was at her best, and always makes me laugh.The movie was in realy good condition.I would incourage every one to see.

Mary Pickford (1892-1979) is generally considered the first mass media star. Although she trained for and worked on the stage, about 1910 she began to work in silent films, and soon emerged as an audience favorite. Over the course of her career she made over fifty feature films and countless shorts. Throughout most of her career, Pickford specialized in playing children and teenage girls,a nd she would remain popular in these roles well into her thirties. Her divorce from husband Douglas Fairbanks, the arrival of sound, and alcoholism put an end to her career by 1933--but her sharp business dealings not only paved the way for actor-producers, but left her extraordinarily wealthy to the end of her life.

WHAT THE DAISY SAID is a fifteen minute short dating from Pickford's earliest work around 1910. Directed by D.W. Griffith, the simple story finds two rather silly girls (Mary Pickford and Gertrude Robinson) playing "he loves me, he loves me not" with daisies plucked from a field and rejecting the local boys in favor of an exotic gypsy, who romances first one and then the other. When his perfidy is uncovered, the gypsy is run out of town, and Mary decides that a local boy may not be as exotic but he is certainly more dependable. The short is a flyweight, interesting only because Griffith directed it and Pickford appeared in it, amusing but not really indicative of the powers of either artist.

DADDY-LONG-LEGS, however, is a feature film, and it dates from 1919, when Pickford was easily one of the greatest stars on the screen. The film is directed by Marshall Neiland, who had previously directed Pickford in several extremely successful films, including REBECCA OF SUNNYBROOK FARM and THE LITTLE PRINCESS. Although Pickford was actually about twenty-seven years old when the film was made, it presents her as a much-abused child who keeps her sense of humor and love for others even as she suffers through considerable cruelty at a harsh orphanage. She is eventually recognized as particularly intelligent, and an unknown benefactor sends her to college. Although the benefactor wishes to remain anonymous, she writes to him frequently, addressing him as "Daddy Long Legs" due to the brief, long-legged shadow she saw of him while still at the orphanage. Over the years he becomes enchanted with her letters and, although both must endure the usual complications, they eventually meet, his true identity is revealed, and in spite of the difference in their years they fall in love.

DADDY-LONG-LEGS is in some ways an unusual Pickford film, for although it first presents her as a child it also allows her to mature into a young woman. But the film is inconsistent in these two parts: as a child at the orphanage, Pickford is distinctly bumptious and ill-educated, more good humored and kind than intelligent; as a teenager and young woman in college, however, she is suddenly presented as smart and talented, and she becomes the author of a popular book. The division is more than a little jolting, but Pickford carries both well, in spite of the fact that the second half drags a bit. The prints on this DVD are very good instead of flawless--few silent films are. If you are interested in Mary Pickford, this is not a bad place to start; established fans, however, will no doubt favor other titles such as POLLYANNA, LITTLE LORD FAUNTLEROY, and perhaps most famous in quality, SPARROWS.

GFT, Amazon Reviewer
In Memory of Webster Armstrong

Daddy Long-Legs shows Mary Pickford at her comedic best. She goes from playing a young girl to a college graduate and is convincing throughout. A funny, touching film.

This has to be about my Favorite Pickford film. It stands the test of time. It shows the full gammut of emotions from slap stick comedy to heart felt tragedy. From her as the Child with nothing who had spunk and courage to her blossoming into a beautiful women and her mentor falling in love with her which concluded to the ultimate happy ending.
This is a must for all Pickford fans. it is sweet with out being overly so. it is a true fantasy that all will love.
A most Charming movie. A classic for all time!