Review
A stunner & a delight, a heady dose of pure oxygen. --Ron Silliman
Quite possibly the purest poetry I have read in ages, by which I mean that it really is poetry, happening on the page, as close to unaware of itself as I can imagine a poet ever approaching. --Charles Alexander
Coalescing here is OHaras *you go on your nerve,* Williams typewriter attached to the desk, swung up at a moments lull or notice, Apollinaire and Lucky Pierre Albert-Birots insistence on immediacy and coterie, Dadas disclosing enclosures of silliness and goof. And, with that breath and the hand-sized page, Olsons bodily poetics, Duncans open field. All that ladled over the oldest and commonest of forms of the European tradition. Formidable! --Noted poet
About the Author
Laynie Browne is the recipient of the 2007 National Poetry Series award (chosen by Alice Notley) and the author of five full-length poetry collections. Most recent are Drawing of a Swan Before Memory (2005, University of Georgia Press, winner of the Contemporary Poetry Series), and Mermaid's Purse (Spuytenduyvil, 2005). Forthcoming is Original Presence, from Shivistan Books (2006). Her other collections are Pollen Memory (2003, Tender Buttons), The Agency of Wind (Avec Books, 1999), and Rebecca Letters (Kelsey Street, 1996). She is also the author of Acts of Levitation, a novel (2002, Spuytenduyvil). Recent chapbooks include The Desires of Letters (gong editions, 2005), Webs of Agriope (Phylum Press, 2005) and a collaboration with Lee Ann Brown titled Nascent Toolbox (The Owl Press, 2004).