Winter Driving Best Books of the Month Valentine's Day Shop Learn more nav_sap_SWP_6M_fly_beacon King Bose SoundLink AE All-New Amazon Fire TV Luxury Beauty Valentine's Day Cards Amazon Gift Card Offer chiraq chiraq chiraq  Amazon Echo All-New Fire Kindle Paperwhite Prime Exclusive Savings in Video Games Shop Now SnS
Listen for $0.00 with
Join Amazon Prime now
You get unlimited access to over a million songs, curated playlists, and ad-free stations with Amazon Prime.


June 11, 2013 | Format: MP3

Join Amazon Prime to get unlimited streaming of this album.
$9.99 to buy
Song Title
Popularity Prime  
Digital Booklet: Damage
Your Amazon Music account is currently associated with a different marketplace. To enjoy Prime Music, go to Your Music Library and transfer your account to (US).

Product Details

  • Original Release Date: June 7, 2013
  • Release Date: June 11, 2013
  • Label: RCA Records Label
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 37:46
  • Genres:
  • ASIN: B00D3YX6Q0
  • Average Customer Review: 4.1 out of 5 stars 58 customer reviews
  • Amazon Best Sellers Rank: #39,687 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Top Customer Reviews

Format: Audio CD
So I want to give the album 4 stars based on the quality of the songs, but a 3.5 or less for the mixing. There's something off about it. There's not the characteristic "brightness" found on most J.E.W. albums. The levels seem off, especially the vocals. I had to strain to hear them, turning up the volume to compensate which of course spoils the songs because then everything else is too loud. There's a muddy quality to the mix which makes it difficult to pick everything apart. Listen to the production on Futures or Chase this Light compared to this album and you'll see what I mean.

The songs are somewhat more accessible than those on Invented and have more of a classic J.E.W. sound to them. This is one of the things I like about this band: they typically crank out consistency. Some may knock them for not evolving their sound enough, but I like to know what I'm getting and with J.E.W. you get straightforward, no-gimmick, sing-along pop rock. I will say that though I do enjoy the songs, I'm not yet sure whether there are any classics here. Repeated listens will tell.

Overall, it grabs me more than Invented did at first. Again, time will tell whether my attention span will wane as sometimes the subtler stuff grows on you more in the long run. But for now, I'd place this alongside Chase this Light at the mid to low end of their material. Not amazing, but definitely solid. It probably strikes a balance between Chase this Light and Invented.
1 Comment 6 of 6 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: MP3 Music
Jimmy Eat World's Damage (2013) outshines much of the work the band has committed to record since 2004's Futures. It's been, what now, a dozen years since the band broke through to the radio with "The Middle"? Damage is a consistent record that any fan of the band ought to have in their collection. This album feels like a band that is comfortable with their sound -- there's not much invention here, and instead, these 10 songs feel like a band that is familiar with what they do simply trying to refine the formula and make the best record they can. The effort definitely pays off, and the result is that Damage is a musically pleasant and lyrically biting record.

Frontman Jim Adkins has described Damage as "an adult breakup album" -- and the description fits perfectly. Damage feels like a concept record in many ways, and the central conceit is a complicated, messy doomed relationship told in first-person. So what's with the qualifier? What makes this "adult"? The lyrics here are beyond simple "boy misses girls" tropes, and instead, Adkins explores the bitterness, resentment, denial, jealousy, and longing that comes with failed relationships. The lyrics are nuanced, and importantly, they feel personal and immediate. 2010's Invented was inspired by Adkins creating stories for random photographs -- and while this mental exercise did spark some notable flares of imagination, it was hit and miss. Damage is much more consistent and heartfelt.

But what about the music? Well, the music here is good. Damage is the best record musically since Futures. While there doesn't seem to be any stand out hit single, like "The Middle" or "Pain", all of these songs are enjoyable and pleasant to hear. Like with typical J.E.W.
Read more ›
1 Comment 14 of 17 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD Verified Purchase
One would think that nearly 20 (!) years into their professional career, Arizona's Jimmy Eat World would have either gotten sick of or moved away entirely from writing odes for the broken hearted. One would be wrong in assuming such a thing, and would be even more surprised that their eighth studio offering, "Damage," sounds just about as fresh and inspiring as their classic work. Returning to their indie roots, "Damage" finds the group collaborating with the great Alain Johannes (Queens of the Stone Age) to create an undeniably moving and inspired piece that will have your heart aching while keeping your toes tapping.

The main theme of the album is heartache, and nobody does it better than Jimmy Eat World's singer/guitarist Jim Adkins. Each of "Damages" ten tracks ooze with yearning, disappointment, bittersweet goodbyes and, most imporantly, hooks. From the opening of "Appreciation" to the title track and "I Will Steal You Back," the band strikes radio-gold without even breaking a sweat. At this point, their business is break-up songs that get wedged inside your head and business is good. Deeper cuts such as "Please Say No" and "How'd You Have Me" contain airier, more mature compositions while Adkins places the proverbial blame on himself rather than his partner. Truly, they set out to make a break-up album for adults and by all accounts succeeded. Those counting on another "The Middle" might be pleased to find "No, Never" to be similarly catchy and infectious while "Byebyelove" is perhaps the best Weezer song that Weezer never wrote. The album caps off with the tear-jerking "You Were Good," a lo-fi little ditty that proves that sometimes presenting a song in its rawest form is the best presentation possible.

The production job by Johannes is big but organic.
Read more ›
Comment 4 of 4 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
I've been listening to Jimmy Eat World since Clarity came out in 1999, me being 15 years old. Hooked ever since. Don't get me wrong, they've had their ups and downs for sure, but I've always been impressed that they have managed to make each record unique. In my opinion, Damage stands in a league of its own, far from any other JEW recording. Not that it's better necessarily, just different.

1. Appreciation (10/10) - An amazing opener that sets the tone for the whole record and really sucks you in immediately.

2. Damage (10/10) - Excellent follow up track to the opener. Further sets the direction of where this record is going; somebody's relationship is falling apart, and it's going to hurt. I would have made this the lead single, hands down.

3. Lean (3/10) - Easily my least favorite song on the record. Verse, chorus, verse chorus, etc... It has a decent pace to it, but is easily forgettable and not a strongpoint in my opinion.

4. Book of Love (6/10) - It's a solid acoustic track and furthers the story that is Damage along. Not a stand out track, but good.

5. I Will Steal You Back (9/10) - Damage's lead single. Great performance and JEW catchy as ever.

6. Please Say No (8/10) - I initially did not like this track at all. I found it to be a generic crap attempt at a ballad, which is frustrating becauseI know darn well JEW are capable of making an epic ballad. Then around my 4th listen, it hit me. The lyrics of this song perfectly capture someone in that moment; when you know your current relationship is failing miserably... and somehow you find yourself alone with the one that got away. Musically, I feel it could have gone in a better direction, but lyrically, it's Jimmy Eat World perfection.

Read more ›
Comment 3 of 4 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews

What Other Items Do Customers Buy After Viewing This Item?