| |||||||||||||||||||||
Frequently Bought Together
Product Details
Would you like to update product info or give feedback on images?
|
Editorial Reviews
Amazon.com
America's pastime gets a Faustian twist in this 1958 studio musical, which recounts the ballpark bargain struck by an aging Washington Senators fan obsessed with helping his team trump the Yanks. With echoes of the real-life 1919 Shoeless Joe Jackson scandal, and tart observations on the tradeoffs between youth and experience, Damn Yankees fuses a classic dramatic dilemma with musical comedy to often charming effect.
In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout.
Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Customer Reviews
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
59 of 63 people found the following review helpful:
4.0 out of 5 stars
Fine Showcase for a Terrific Gwen Verdon,
By
This review is from: Damn Yankees (DVD)
Joe Hardy is a fanatic, middle-aged Washington Senators baseball fan who makes a pact with the devil. In exchange for his soul (although there is a small escape clause). he'll become a 22-year-old savior of the Senators, the greatest long ball hitter in history, and he'll lead the team to a pennant. Later, young Hardy shows signs of yearning for the wife he left behind, so the Devil sends in Lola, his vamp supreme. But thanks to Joe's integrity, the escape clause, and after a number of song and dance numbers, things are put right for both Joe and the Senators.
The movie is an almost exact replica of the 1956 Broadway hit. Tab Hunter moved in as the young Joe, but everyone else reprised their stage roles -- and that's the reason to see or buy the DVD. Ray Walston plays Applegate, the devil, with barely contained glee. He's sly, unethical, untrustworthy and very funny. Best of all Gwen Verdon plays Lola, and she hits a home run with every number. She was a great dancer and a magnetic stage presence. I saw her do her stuff on stage once and it's a great memory. She had her big break in Can Can in 1954, then starred in three more shows during the Fifties. She won a Tony for each. She married Bob Fosse, retired, had a daughter, divorced Fosse. In 1966 she starred in Sweet Charity. And at 50, in 1975, she starred in Chicago. Believe me, she hadn't lost a thing. She was not the starlet type. She had a grainy, slightly smoky voice, and a personality that could range from gamin to raunchy. She could bring innocence to the most suggestive lyrics. As you can tell, I'm a fan. The score for Damn Yankees is, in my view, better than average but not a classic. It includes "Whatever Lola Wants," "Two Lost Souls" and "Heart." Fosse did the choreography and dances with Verdon in one number, "Who's Got the Pain." It's a clever, fast routine and is a great showcase for them both.
16 of 16 people found the following review helpful:
4.0 out of 5 stars
Nice preservation of the Broadway show,
By
This review is from: Damn Yankees (DVD)
When Warners brought Adler and Ross's "Pajama Game" and "Damn Yankees" to the screen, they make a wise choice: they brought most of the shows' original Broadway casts with them, substituting just two photogenic major studio contract players (Doris Day for Janis Paige in "Game" and Tab Hunter for Stephen Douglass in "Yankees") in leading roles. In Day's case it was probably an improvement; Hunter's not great but he's no embarrassment. Stanley Donen (on loan from MGM?) teamed up with the great stage director George Abbott for the films, and (thankfully!) Bob Fosse restaged his original dance numbers. Naturally there had to be some cuts - risque material ("The Game" in "Yankees", "Think of the Time I Save" in "Pajama") was excised - and the shows were tightened. But the spirits of the original shows were better captured than in most Hollywood transfers. The new DVD of "Yankees" arrived today and it's regrettable that there are no bonuses and there's no stereo track (unlike MGM and Fox, Warners apparently didn't believe much in multichannel recording at the time). But the show, though a little dated, is still great fun. Anyone who knows Ray Walston merely from "My Favorite Martian" is due for a special treat. Vernon, whose Hollywood career during her musical prime was far too brief, is ALWAYS a treat, and Lola was one of her signature roles. The Warnercolor transfer looks pretty good for a film nearly 50 years old. I remember Warnercolor veering a little to the dark side of the color palette but that seems to have been compensated for here.
30 of 35 people found the following review helpful:
5.0 out of 5 stars
A darling show,
By
This review is from: Damn Yankees (DVD)
Tab Hunter was as good as any and everyone else in the picture. I liked him. I never saw the show, but I've had the OBC album for years. Three songs were left out and one added (at least it isn't on the cast album, and is a bloodless little thing and is used inexplicably instead of "A Man Doesn't Know" to end the show). The other 2 left out are "Near to You" and "The Game." Maybe "The Game" was meant to be in the movie but the censors got cold feet, because the tune is in the overture/credits. It's a darling cute song and I wish they'd left it in. As near as I could tell, only one song got cleaned up and that was "A Little Brains - A Little Talent." One word (boffola) was changed to something strange, and a few lines were changed. "You've seen the sign that says George Washington once slept here. Well though nobody spied him, guess who was beside him." What they changed it too was just as risque, just more subtle. "When they turned the lamps on, guess who was with Samson." I swore that if they destroyed this Adler/Ross treasure like they did Pajama Game with their puritanical fantacism, I would return the movie (I rented it to watch and kept the one I bought the day it was released unopened). I'll keep it. Changing "bofola" is just pointless, and the rhyme lamps on/Samson is so clever, it's as good as what it replaced. I'd like it if they'd left both in. The dancing was good, the songs were good, the acting was good, the plot had enough kinks in it to keep it interesting and it was just long enough. If you like musicals, I recommend it. And I repeat in flagrant defiance of all other reviewers including Amazon's sarcastic, caustic professional, Tab Hunter did just fine. I personally dislike Ray Walston, but he was a biggie in his time. And Gwen Verdon was a dream. Finally, Edith Bunker deserved bigger billing!
Share your thoughts with other customers: Create your own review
|
|
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Look for Similar Items by Category
Look for Similar Items by Subject
|
