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Dance Away Paperback – May 22, 1991


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Product Details

  • Age Range: 4 - 8 years
  • Grade Level: Preschool - 3
  • Lexile Measure: 850L (What's this?)
  • Paperback: 32 pages
  • Publisher: Greenwillow Books; Reprint edition (May 22, 1991)
  • Language: English
  • ISBN-10: 0688104835
  • ISBN-13: 978-0688104832
  • Product Dimensions: 9.8 x 8 inches
  • Shipping Weight: 4.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #645,057 in Books (See Top 100 in Books)

Editorial Reviews

From the Publisher

"A light-footed rabbit... alienates his less interested companions until they become the principle ingredients for a hungry fox's supper.... Irresistible." --Horn Book. --This text refers to an out of print or unavailable edition of this title.

About the Author

George Shannon is a popular storyteller and former children's librarian whose many notable picture books include Tomorrow's Alphabet, Lizard's Guest, and White Is for Blueberry. Tippy-Toe Chick, Go!, illustrated by Laura Dronzek, was named a Charlotte Zolotow Award Honor Book. George Shannon lives on Bainbridge Island, Washington.



In His Own Words...

"Jose Aruego’s books for young readers have earned the applause of critics, teachers, librarians, and parents -- as well as the affection of children everywhere. Mr. Aruego’s comic animals are immediately recognizable as they cavort through clear, vibrant landscapes, carrying out the action that the simple text has set in motion. It is a style one reviewer has termed “illustrative mime.”

"Jose Aruego was born in the Philippines, where he studied law and became a member of the Bar. But after practicing briefly, he decided to come to the United States to study graphic arts and advertising at Parsons School of Design in New York City. After graduation, he worked in adver-tising before taking up the demanding job of cartooning for The Saturday Evening Post, The New Yorker, Look, and other magazines. “Every Wednesday I would go to the cartoon editor with fifteen or sixteen drawings in hand, from which he might select one for publication. The tension was terrible, because selling cartoons was howI made my living. But I learned a lot from the rejected work, so it wasn’t a waste.

"The sink-or-swim experience of drawing cartoons was how I learned to make the most of a small amount of space.” Both abilities have helped him in his career as a children’s book author and illustrator, which he began with the publication of The King and His Friends in 1969.

"Although he is known for his amusing characters, Jose Aruego takes writing and drawing for chil-dren very seriously. After more than three dozen books he feels he is still learning his craft and getting to know his audience. “Each project teaches me something new and makes mea better artist. Each book brings me closer to children.” From the popularity and appeal of Jose Aruego's books, it is obvious that he has both the artistic skill and the imagination to reach the world of children. His work has a distinctive rhythm, and his humorous animal characters have a gaiety and playfulness that children adore.

"I have found from making appearances at schools that when kids draw for themselves, most of them like to make funny pictures. SoI show them how to draw an alligator. It’s a simple drawing and the teachers tell me that after my visit, Aruego alligators show up all over the school.”



As a team, Ariane Dewey and Jose Aruego have illustrated over sixty children's books, including Little Louie the Baby Bloomer and Leo the Late Bloomer. She lives in New York City.

In Her Own Words...

"My very first memory is of dark blue walls and off-white trim. My mother confirms this unusual baby-girl’s-room color scheme in the house where I lived until age one. Possibly this is why one of my favorite colors is darkish blue-jean blue. The other is brilliant orange.

"As a child I pored over Chicago’s Shedd Aquarium catalog of exotically colored fish that seemed too gaudy to be real. My mother and I looked through art books and then sketched portraits of each other or painted watercolors of the armloads of wildflowers we picked. We still love to discuss the subtle juxtapositions of the colorful scenes and objects around us.

"Art was the most enjoyable part of school. I liked to squish gobs of finger paint on wet paper, or to write, illustrate, and bind stories into books, or, best of all, to paint stage sets for the school plays. I began to look at whatever I saw in terms of which medium—oil, pastel, collage, watercolor—would best catch the mood and texture before me. At Sarah Lawrence College I majored in painting and sculpture. After graduation I couldn't find an auto body shop willing to lend me space to work on welded sculptures. So I got a job with an industrial design firm doing picture research, among other more mundane tasks, and later became an art editor for a textbook publisher.

"Soon after that I began writing and illustrating books for children with Jose Aruego, whimsical books with his clever lines and my vivid colors. Jose draws and I paint. We have illustrated some sixty books together, some of which we have also written. Critics have been kind, but, more important, children have been enthusiastic both in the United States and in the many foreign countries where our books have been published.

"My fingers finally became itchy to do my own drawings, so I started by retelling and illustrating the stories I loved best as a child. A mini-series of regional American tall tales enabled me to indulge my sense of the absurd. These heros and heroines are offbeat, upbeat, irreverent, hilarious, and a lot of fun to draw. Since I also love research, I delight in taking on nonfiction subjects and handling them with fantasy. Color is the basis of my art, while writing and drawing help to describe my colorful visions.

"Whatever the subject, I want my readers to stretch their imaginations, to see with their minds’ eyes what happens between one picture and the next. I want to make them explore and smile.

"I live in New York City with my husband, Claus Dannasch."


More About the Author

It feels as though I have always been wrapped in stories and books. My parents read to me, and I in turn read to younger brothers. Family economics meant we couldn't own many books, but going to the library was as common as going to the market. I still have the books I received as gifts. They include two "Little Golden Books" that were savored in childhood, and have served as talisman ever since. THE BUNNY BOOK by Patsy and Richard Scarry (1955) and RABBIT AND HIS FRIENDS by Richard Scarry (1953).

Like all children I created stories as part of play. And, like some children, I was soon identified as one who "days dreams too much." I began writing stories when they were given as assignments in elementary school. By seventh grade I was writing even when there was no assignment. My dream of making books became so vivid, I submitted my first "formal" picture book manuscript to a publisher when I was sixteen. Eleven more years of school, work, reading, writing and luck finally brought about LIZARD'S SONG, my first children's book to be accepted.

Looking back, it seems especially appropriate that LIZARD'S SONG was my first book. Even though I had been writing for years, I always felt everyone else's life held better ideas for stories than mine did. I thought there was nothing about me that was interesting enough to make a good story. But I finally learned what Lizard teaches Bear. My best stories come when I tell or sing about what makes my home. What I love. What I fear. Things that have happened to me, and things I hope will happen. Things I like about me. Things I dislike about me. Things I understand, and things that still confuse me. So even though I am not a lizard, squirrel, chicken or rabbit, when you read my books you'll find little bits of what my heart calls home.

Picture books have been my professional focus now for 40 years. Reading them. Writing them. Sharing them with children. Teaching workshops and classes on writing them. Oh yes, and buying them. Lots of them. And now, blogging about them, and helping other writers.

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Most Helpful Customer Reviews

4 of 4 people found the following review helpful By N. S. Johnson on March 9, 2000
Format: Paperback
This book is one of my children's favorites. I have read it so many times I could quote it by heart. The pictures by Jose Aruego are funny, colorful and full of whimsey. Highly recommended for children of all ages.
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1 of 1 people found the following review helpful By Amazon Customer on February 2, 2009
Format: Paperback
This has been my favorite book for 25 of my 26 years.
I can quote the whole thing by heart- left two three skip, right two three skip!
I can't wait to read it to my own children, it's just wonderful.
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By J. McDonald on July 8, 2009
Format: Paperback
My daughter and I love this book. My mom or someone must have read it to me when I was little too because I can remember the sing-songy-ness about it. :) A fun read for all ages. I highly recommend this book for any young reader's collection.
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