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| 1. Wildest Dreams |
| 2. Rainmaker |
| 3. No More Lies |
| 4. Montsigur |
| 5. Dance of Death |
| 6. Gates of Tomorrow |
| 7. New Frontier |
| 8. Paschendale |
| 9. Face in the Sand |
| 10. Age of Innocence |
| 11. Journeyman |
This album is just fantastic. No, really. Expanding upon the more elaborate arrangements of "Brave New World", adding in a bit of the harder feel of the oldschool stuff, and throwing a few surprises our way, "Dance of Death" proves to be a very strong release. It's one of their most diverse and musically ambitious albums to date. Why didn't it register with me before? Well, I really have no idea. I suppose the album is one you've just got to become acquainted with. You're not going to just pop it in, and form an opinion right away. It's gotta sink in a bit, and sink in it did.
The great songs abound. "Rainmaker" and "Wildest Dreams" are fast-paced and melodic, with the kind of vigor that the band hasn't exhibited in years. "Montsegur" has a killer riff, and a performance from Bruce that proves he's still got it. "New Frontier" has a sort of "Somewhere in Time" feel, with a great chorus. There are also a wealth of great epics here, such as "No More Lies", "Pashendale", "Face in the Sand", and the title track. Some of these songs were the ones that took a few listens to get into, but when they finally hit me, they hit hard. My favorite from the album is probably "Age of Innocence". Featuring a brutal staccato riff on the verses, and an overwhelmingly catchy melodic chorus, this is one of their best songs to date. The politically oriented lyrics are also a bit of a departure from their usual lyrical arsenal. The album ends on a great note with the acoustic "Journeyman".
This album as a whole is difficult to describe, because there's just so much cool stuff going on. The guitar work is excellent (as usual), and there's even the occasional string section here and there to enhance the killer melodies. This is the first time the band has used actual strings (until now, they were done on a keyboard), and they really work well. I would actually like to see them go into an even more symphonic direction on subsequent releases. Might not get the best reaction from the purists, but I think it'd be great.
If there's one thing I can complain about here, it's that the production is a bit weak. While it does give the album a rawer, more oldschool feel (as opposed to the more slick and lush arrangements of BNW), it also leaves some of the music a bit pushed back in the mix. Nicko really doesn't stand out like he should. On BNW, he was brought much further up into the mix, and it was easier to focus on what he was doing, but you've really gotta strain a bit more to make out the intricacies of his drumming. Steve's bass doesn't stand out quite as much either (although, admittedly, his basslines have been better). I'm hoping that maybe they'll remix this album some day, but I kinda doubt it.
Anyway, despite taking some time to appreciate, this is a great new release from the kings of metal. Not many bands that have been around for 20 years or more are still making music this good, so it's a real relief to still have Maiden in the business. I caught them on their last tour, and it was possibly the best show I've ever seen. The youthful exuberance that these guys display in their mid to late 40's is just amazing. I have the feeling these guys still have a few good years ahead of them.
I highly recommend this to all of the fans. It may take a few spins, but it's worth the effort.
Not to mention DVD.
So I bought Dance of Death with great expectations -- especially I had just seen Maiden blow away a sold-out audience in Detroit a month prior to its release.
Sadly, Dance of Death is only marginally better than Brave New World. And maybe not even better. Maybe just about as good.
What disappointed me about Dance of Death was its dearth of originality. Many of the songs reminded me of songs from Brave New World. (I dare any fan to deny that.) Or, worse, Virtual XI and X Factor. There's still a lot of repetition of verses going on, bad habits from the Blaze Bayley days, I'm afraid.
What saves this album, in my opinion (surely not its cheesy cover art -- where's Derek Riggs when you need him?), is the fact that it is, after all, Iron Maiden. And the classic line-up (plus one!) of Iron Maiden at that.
Nobody writes music like Iron Maiden. Nobody sounds like Bruce Dickinson. Nobody plays bass like Steve Harris. Nobody showboats like Janick Gers. Nobody has the speed and melody of Dave Murray or Adrian Smith. Even when they seem to parody themselves, Iron Maiden is still light years beyond most bands today.
And maybe that's why I've been harder on Dance of Death than I probably should have been. This is Iron Maiden, for Pete's sake! I've heard what they're capable of. They blow the roof off concert venues when they tour. And their back catalog of music still electrifies me some 15-20 years on.
That said, I must confess that "Wildest Dreams" was a blast to see performed live. And "Paschendale" is a fascinating epic of a song. "No More Lies" suffers from Brave New Worldism, sounding too much like an outtake from the previous album. But "Monstesegur" rocks and "Gates of Tomorrow" features a cool intro riff.
Every track has something of value in it. It's just that, taken as a whole, Dance of Death doesn't surprise and delight like it could have.
Still...
This is Iron Maiden. So you have to buy it, anyway. It's required. Eddie says so.
Furthermore, Brave New World was a great step in the right direction. The band acually did push the envelope and try to cover some new ground. While some fans were pleased by it, those Powerslave-era fans kept complaining. So here we have a new record that picks up where BNW left off. Apart from the first two songs, the record contains quite a fe 7+ minute songs. "Wildest Dreams", while not as good as BNW's "Wickerman", opens the album with total energy and this is continued on the second track "Rainmaker". Both below the 4-minute mark still manage to set the mood. With songs like "No More Lies", "Dance of Death" and "Paschendale" we get our old Maiden with their traditional riffs, rich melodies, long but, in my opinion, fitting guitar solos from Gers, Smith and Murray as well as galloping bass lines from Mr Harris. Nicko has always done a great job in Maiden. His drumming is good. I know he's done better before but give these guys a break. They're aging. Still they're pulling it off. They're no longer in their 30's.
The sound on Dance of Death is crystal clear, just the way a Maiden album should sound. Kevin Shirley's done an awesome job as a producer. Bruce is as good as always. I know there are nitpickers out there waiting for the guy to accidentally not be able to hit the highest of notes, but no, not on Dance of Death. Cause he pulls it off. He's just one of a kind, a real frontman and the perfect singer for Iron Maiden. I am personally proud to have supported this band ever since I started listening to music at the age of 12, and I will continue to do so forever. Maiden makes me proud to be a fan of Heavy Metal. Period.