From Publishers Weekly
Cooper (Ballpark; Country Fair) again simply and effectively zeroes in on a pastime to which youngsters are likely to be favorably disposed. Here he ushers readers into the studio of a dance company, where a choreographer teaches a new dance to the troupe members. They diligently "rehearse until their arms and legs remember the steps." As Cooper chronicles the painstaking process of preparing for a performance, the spontaneous, lyrical narrative makes each scene easy to visualize (e.g., "The dancers play with the music, reaching out as if to catch the notes as they rise and fall around the studio"). He portrays the dancers, constantly in motion, as diminutive, abstract shapes in spare yet energetic watercolor and pencil art. The book's inventive design features cleverly configured type that intermittently mimics the dancers' movements as it gracefully winds and bends across the pages. The tale ends just as the curtain goes up on opening night, emphasizing the meticulous rehearsal process rather than the performance. Cooper's illuminating depiction of the many steps leading up to the grand event are deserving of enthusiastic applause. Ages 4-up.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Gr 3-5-From rehearsals and choreography to opening-night preparations, Cooper presents a no-frills treatment of dance. His spare pencil-and-watercolor illustrations amid lots of white space suggest the hastily rendered sketches of an unobtrusive observer. These minimalist images are strewn with tiny scribbled notes, such as "hands on hips" and "sweat," that draw attention to the poses of the featureless figures. The text wanders through these illustrations, sometimes requiring readers to turn the book around, which doesn't always work. It suits the subject for readers to stand on their heads periodically to follow the story, but it might not suit the readers themselves. Contortions notwithstanding, Dance successfully provides inquisitive children with a believable vicarious experience. Virginia Schomp's If You Were a Ballet Dancer (Benchmark, 1997) informs while Bill T. Jones and Susan Kuklin's Dance (Hyperion, 1998) inspires, but Cooper's book simply shows the process from his presumed vantage point as a layman. Readers looking for step-by-step instruction or education in either the text or graphics will be disappointed, but fans of Cooper's art and narration won't be.
Catherine Threadgill, DeKalb County Public Library, Atlanta, GA
Copyright 2001 Cahners Business Information, Inc.