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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Numan at his Very Best, January 18, 2003
I was rather surprised to see only eight reviews of this incredible record, to which I have been very addicted for years! There have been numerous re-releases since the vinyl original. The dynamic contrasts are considerable, with lots of extremely quiet passages, so CD was essential, but an original re-release had omitted "Cry the Clock Said," much to my dismay. Fortunately, later releases include that song along with bonus tracks. I have yet to hear the title track in its entirety, so this review will be of a 1993 Beggar Banquet re-issue. The strong opener, "Slowcar to China" clocks in as one of the longest Numan pieces. It is atmospheric and jazzy, one of his best pieces. "Night Talk" has wonderful rhythms, awesome bass, and soaring synthesizer. The lyrics "Boys like me aren't supposed to cry, but it's so easy to do." Another gem of musical perfection. "A Subway Called 'You'," as the reader may surmise from other customer reviews, is well-liked, and rightly so. It continues in the same vein as the first two: atmospheric, complex rhythms, music that floats in space, beautifully engineered recording. "Cry the Clock Said" is quite simply Numan's most introspective song ever, not to mention beautiful. After a leisurely introduction that features reverberant electric piano, Numan sings cryptic, despondent lyrics, fragmentary, and sufficient to evoke a sense of disappointment and longing. "She's Got Claws" features some of Numan's vicious, somewhat misogynistic humour, accompanied by sly sax and quirky rhythms that go right back to "Cars." "Crash" is even more evocative of "Cars," but Numan's tenor was never so unleashed as here. "Boys Like Me" revisits a theme introduced in "Night Talk," and ends with a woman's ad-lib in spoken Italian. The content is mainly incomprehensible, but obviously sexual, and at the end she asks, innocently, "Is that okay?" "Stories" sounds like a carnival song in slow motion. The woman who sits alone asks, "Isn't it odd? You remind me of songs that I'd rather forget." "My Brother's Time" is much slower and moody, a contrast to the manic "You Are, You Are." The original album ends with a slow march, very much in keeping with the subdued tone overall of this excellent work. Some of the bonus tracks are superb. "Stormtrooper in Drag" is great, with a catchy beat. "Take that smile off your face," Numan sings out. I quite agree with other reviewers that "I Sing Rain" is a real loser, an irritating improvisation that is mercifully short, but so what? I always let it play, and the next song, "Exhibition" more than makes up for it, another gem that has more the sound of Telekon than Dance. "Loves Needs No Disguise" is another excellent bonus track, a rhythmic and melodic song that fits in well with the feel of Dance.
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