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16 of 16 people found the following review helpful:
5.0 out of 5 stars Bach and Baroque dance, April 30, 2002
By A Customer
This book is a must for all serious performers of Bach's music. It is the only book that details not only of most of the dances that appear in Bach's works, but provides a fundamental vocabulary for a discussion of rhythm. After that has been provided, dances are discussed with clarity and precision, with a wealth of original sources for the reader. There is nothing on the market like it.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Dance rhythms and Bach's music, August 21, 2006
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This book provides a fine survey of the rhythms associated with the most prevalant Baroque dances. Although stylized dance pieces and other instrumental works beyond the dance hall might not strictly follow the rhythm of the original dance, this book provides a solid grounding for any person interested in the topic and wishing to flexibly apply dance rhythms to their own interpretations of Bach's music. Thus, this book is important to any performers serious about playing Baroque music and especially Bach's.

I recommend the book for its information but also because it is so easy to read.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Now all we need, May 23, 2008
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Very well reseacrhed, clearly written and well organized. All we need now is an accompanying DVD that demonstrates the dances in period costume and with a reasonable company of dancers.
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6 of 8 people found the following review helpful:
4.0 out of 5 stars Interesting background for musicians, but be careful, April 11, 2005
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frankp93 "frankp93" (Connecticut United States) - See all my reviews
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It certainly broadens one's knowledge and appreciation to study the physical dances that so much of Bach's instrumental music was based on. But there's a difference between music written to literally accompany dance and music stylized in the form of dances, meant primarily for listening. Bach did not play Saturday night dance gigs in Leipsig nor did Chopin play his waltzes in Parisian ballrooms. Tempos (and flexibility within those tempos) need not be based on realistic assumptions of how people may have actually danced bourees and minuets. There were enough differences in style among Italian, French and German strains of late Baroque music (and dance) that one should be cautious about any definitive rules here. That being said, the book is well written, illustrated and an interesting read.
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3 of 5 people found the following review helpful:
5.0 out of 5 stars Dance and the Music of J.S. Bach, Expanded Ed., January 4, 2007
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Only book of its kind - especially for the serious musician and performer.
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Dance and the Music of J.S. Bach (Music: Scholarship and Performance)
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