Product Details

• Actors: Miranda Richardson, Rupert Everett, Ian Holm, Stratford Johns, Joanne Whalley
• Directors: Mike Newell
• Writers: Shelagh Delaney
• Producers: Paul Cowan, Roger Randall-Cutler
• Format: NTSC
• Rated: R (Restricted)
• Studio: Warner Home Video
• Run Time: 102 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (20 customer reviews)
• ASIN: 6302035279
• Amazon Best Sellers Rank: #184,435 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

On July 13, 1955, Ruth Ellis became the last woman to be hanged in England. With a smart, tough little script by Shelagh Delaney, Mike Newell's noir-ish film is a dissection of the human frustration and complex class issues surrounding her crime. Miranda Richardson, looking like some delicious, chilled confection, plays Ellis, the hostess to a "glorified brothel" who plans for a better life with her young son until she meets David Blakely (a young, gorgeous Rupert Everett), the wealthy ne'er-do-well whose fitful attentions chip away her armor. Their vicious attraction and its constant tug-of-war lose some dramatic pull as the story heads toward its inevitable climax, but Richardson's performance holds your attention. She plays the entire film in a kind of stunned ardor, a feisty little animal caught in the headlights of Everett's sullen magnetism. By the time she's plugging bullets into his body, she's already hit you a few time with her heated, fatal despair. --Steve Wiecking

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars A Disturbing Movie With Extraordinary Acting, July 5, 2005

By 

C. O. DeRiemer (San Antonio, Texas, USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   

This review is from: Dance with a Stranger (DVD)

Ruth Ellis (Miranda Richardson) was a night club hostess in one of London's private clubs. It was a Spring evening in 1954 when David Blakely (Rupert Everett) walked in with some friends. Little more than a year later, Ruth Ellis was hanged for the murder of Blakely. The movie tells the compelling, tawdry, almost inevitable story of what happened.

Ellis was divorced and living with her young son above the club she helped manage. She bleached her hair, knew how to keep men laughing and buying, and was definitely not part of the upper class system. Blakely was a race car driver, wealthy, young, selfish, had the right friends, and had never had to face any real responsibility in his life. With some mixture of lust and need, the two of them instantly became entangled in each others' lives. "Where do you live?" he asks her. "Over the shop," she says. "Can I take you home tonight?" "Yes." Their affair follows a pattern. First lust, then tears, abuse, his forgetting her for a while, her desperation, and lust again. She has one friend, Desmond Cussen (Ian Holm). Cussen loves her but is the type of man who can't quite get up the nerve to kiss her, much less invite her to bed. He trails after her and tries to pick up the pieces. Cussen knows the kind of man Blakely is. "Why can't you leave him alone," he once shouts at Ellis. "He's so involved with himself he can't think of anything else." The results are predictable. Ellis slides further into misery and fixation the more Blakely takes her for granted and forgets about her at times. One night she takes a pistol, follows him to a pub, and when he leaves she carefully puts two bullets in his chest.

The trial was a great event in Britain. It had everything: sex, the class system, a tawdry affair. The legal system couldn't deal with her fast enough. The trial started June 20, 1955. She was hanged July 13. Ruth Ellis was the last woman hanged by the British.

The movie is excellent and the performances are extraordinary. Rupert Everett was 26 when he made the film. He's perfect as the product of a privileged system, so selfish as to be cowardly, so self involved that he misses entirely what he is doing to Ellis, or even care if he did realize. Miranda Richardson at 27 carries the movie. Her performance made her a star. I can't describe what she does except that every word she says and every step she takes just rings true. She is utterly mesmerizing.

This is, in my view, one of the movies that can probably be called great. You'll be thinking about it for some time. The DVD picture looks fine. The only extra is an alternate ending, which is disposable.

12 of 12 people found the following review helpful:

5.0 out of 5 stars A Cinematic Masterpiece You must See, July 17, 2003

By 

Milo "gjm" (Eastern Canada) - See all my reviews

This review is from: Dance with a Stranger (DVD)

If there is one problem with Dance With a Stranger it has to be that inevitably one becomes so mesmerized with the performance of Miranda Richardson there is a danger of missing the other performances. The nuances of her character's brittle emotions are perfectly pitched with the arch of penciled eyebrows, the tightening of blood-red lips, and the lisp of her tense voice. A total victim of her own weakness she is drawn into an emotionally and physically abusive relationship, but is powerless to escape. Even under the wing of a man who truly loves her, she throws his devotion aside in a reckless and indeed masochistic spiral. In Richardson's potrayal Ruth Ellis seems almost to crave the violence and mercurial passion, watch her eyes and face as Blakely hits her. The movie drips ambience, wonderfully creating the London nightclub scene in the early 50's. Costumes and makeup are impeccable. Superlative performances from Ian Holm and Rupert Everett, and indeed all members of the cast. Mike Newell has taken a wonderful slice of an evocative era and portrayed a tragedy that we must hope, could never have reached such an awful conclusion today. Breathtaking.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Oscar Worthy Performance By Miranda Richardson, October 19, 2003

By A Customer

This review is from: Dance with a Stranger (DVD)

This is as good a cinimatic achievement of a factual homocide as I've seen since In Cold Blood, the infamous Truman Capote nonfiction novel. Miranda Richardson is rivoting, her performance superlative, as she plunges deep into the depths of depair and self pity. Her portrayal of the attention starved and insecure Ruth Ellis is deeply inspired. How? I ask myself with each repeated viewing of this movie, could such a finely crafted flim be overlooked , almost ignored.

Noteworthy as well is the steeley performance delivered by Rupert Everett, as David Blakley. He is Ellis's part-time lover and object of obsession. In addition the brilliant direction of Mike Newell creates perfection in a Hitchcockian way. He creates the tention and edgeiness, the underlying danger and the oh so real atmosphere. This sense of detail is flawless. I found myself utterly sucked into the dark seedy, lustful world of a dejected and scorned woman. Admittly, Dance With A Stranger is not for everyone. Watching someone drowning in a sea of obsessive desire, and ultimatly rendered helpless by it's grasp, is not exactly light-fare.

No, Ruth's world at the hostess club is nothing like The Kit-Kat Club of Caberet fame. She's no Sally Bowles and there are few, if any, light moments to relieve the tention. I'll defey anyone to sit through Dance With A Stranger and not feel unmittigating despair and pity for Ruth Ellis. Miranda Richardson turns in a performace of unparralled depth and integrity. Miranda Richardson was truely Oscar-Worthy.... Too bad she and the film have been largely forgotten.