"In Dancing Revelations: Alvin Ailey's embodiment of African American culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement
"Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine
"DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice
"Alvin Ailey was a warm and generous mentor and friend. He was also an artistic genius of the dance. Dancing Revelations is a valuable resource for everyone who has enjoyed a performance by the Alvin Ailey Aemerican Dance Theater."--Sylvia Waters, Artistic Director, Ailey II
"Alvin Ailey founded America's most famous dance company and created in Revelations its best known dance composition. Our wish for an appraisal of Ailey the artist and for a probing analysis of his choreography has been brilliantly answered by Thomas DeFrantz in this richly textured exploration of the Ailey legacy. The scholarship is impeccable, the analysis profound. Dancing Revelations is superb. Bravo!"--Richard A. Long, author, The Black Tradition in American Dance
"Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny. Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and their meaning. An important volume for anyone interested in the history of dance, African American culture, and how modern dance is viewed around the world today."--Donald Byrd, choreographer and Artistic Director, Spectrum Dance Theater
About the Author
Thomas DeFrantz earned degrees from Yale, the City University of New York, and the Performance Studies Department of New York University. He organized the dance history program at the Ailey School, and is editor of Dancing Many Drums: Excavations in African American Dance. His writings have appeared in the Encyclopedia of African American Culture and History, and the Village Voice. Also a performer and choreographer, DeFrantz has taught at NYU and Stanford University. He is currently Associate Professor of Theater Arts at the Massachusetts Institute of Technology.