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Dancing in the Streets: A History of Collective Joy [Paperback]

Barbara Ehrenreich
3.5 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

December 26, 2007
"Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."--Terry Eagleton, The Nation
 
Widely praised as "impressive" (The Washington Post Book World), "ambitious" (The Wall Street Journal), and "alluring" (The Los Angeles Times), Dancing in the Streets explores a human impulse that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in revels of feasting, costuming, and dancing.
 
Drawing on a wealth of history and anthropology, Barbara Ehrenreich uncovers the origins of communal celebration in human biology and culture. From the earliest orgiastic Mesopotamian rites to the medieval practice of Christianity as a "danced religion" and the transgressive freedoms of carnival, she demonstrates that mass festivities have long been central to the Western tradition. In recent centuries, this festive tradition has been repressed, cruelly and often bloodily. But as Ehrenreich argues in this original, exhilarating, and ultimately optimistic book, the celebratory impulse is too deeply ingrained in human nature ever to be completely extinguished.

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Editorial Reviews

From Publishers Weekly

Ehrenreich's social history of collective joy, ranging from pagan ritual to rock concerts, comes off as an extended, rambling lecture, taking in a varied array of subjects along the way. Taking the hint, Ward reads Ehrenreich's book with a touch of the lecturer's oratorical savvy, and some of that same figure's dry deliberation. Ehrenreich argues that communal ecstasy has been too often misunderstood as an excuse for booze-fueled sexual bacchanalias, ignoring its political and social components. Ward is neither overly joyous in her reading, owing too much to the nature of her material, nor overly serious, her voice tinged with the slightest hint of charmed pleasure at the prospect of declaiming on Ehrenreich's chosen subject. The unabridged audio is not overlong as audiobooks go, but there are moments where Ward's reading drags ever so slightly, pulled down by a sameness of approach that threatens to inspire the opposite of the ecstatic moments Ehrenreich's book describes. The solid quality of Ehrenreich's prose papers over the gaps and gives Ward's reading the pleasurable (if not quite monumentally joyous) sensation it possesses.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

Review

* 'Ehrenreich is the kind of reporter who could be put down just about anywhere and always come up with revelations of the society around her, its people, their hopes and fears' Guardian --This text refers to the Hardcover edition.

Product Details

  • Paperback: 336 pages
  • Publisher: Holt Paperbacks; 1st edition (December 26, 2007)
  • Language: English
  • ISBN-10: 0805057242
  • ISBN-13: 978-0805057249
  • Product Dimensions: 8 x 5.2 x 1.1 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #351,653 in Books (See Top 100 in Books)

Customer Reviews

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Most Helpful Customer Reviews
11 of 11 people found the following review helpful
4.0 out of 5 stars A Good and Informative Read July 8, 2008
Format:Paperback
Good research comes from good questions. Barbara Ehrenreich's book is the result of two excellent questions that she writes are prompted by a sense of loss: "if ecstatic rituals and festivities were once so widespread, why is so little left of them today? If the `techniques' of ecstasy represent an important part of the human cultural heritage, why have we forgotten them, if indeed we have?"
Going chronologically from the stone age cave drawings where the collective experience of dancing and feasting was felt so important as to record it, Ehrenreich sweeps through to present times, to what she calls an age of spectacle and sports. Along the way, Ehrenreich tells you about anthropologists who in the beginning neglected dance altogether and psychologists who are still too busy studying only the depressed individual to take any notice of those of us who experience joy. She takes a long hard look at Calvinism through the immensely troubled life of John Bunyan and tracks the dance mania in the 13-15th century Europe that ended in a crackdown on bodily movement from both Church and State in the 16th century. Ehrenreich cleverly posits this crackdown could very well be linked to the European Depression in the 17th century and she cites evidence in the novels, poetry, and autobiographies of the times. She finds only sporadic outbreaks of collective joy in present times, one such episode emanating from the sixties culture.
Coming to this book as a dancer and knowing the joy of dance I interpret Ehrenreich's work as demonstrating the struggle that exists in the physical body when you dance. In other words, to move or not to move.
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8 of 8 people found the following review helpful
5.0 out of 5 stars Social repression explained August 25, 2008
By Ladybug
Format:Paperback
This book explains how and why our western European culture (among others) systematically represses our natural human inclination to cut loose and enjoy ourselves, and why it is so important for our emotional and political well-being that we continue to do so! Very thorough in explanations and examples. I now see acts of community celebration, music and dance to be highly important demonstrations of our personal freedom and political rights.
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7 of 7 people found the following review helpful
4.0 out of 5 stars Excellent book, Well Researched November 22, 2009
Format:Audio CD
I listened to the audio version of this book.

I found this book to be fascinating and stimulating. As a life-long Roman Catholic, I thought the earlier reviews that decry the author for her 'church bashing' and 'Stalin'-like approaches were rather unfair and unnecessarily ad hominem. The author clearly put a great deal of time and effort into this book (either that, or she has an amazing team of researchers working for her! ;-D). It was fascinating for me to listen as she wove disparate pieces of information into a beautiful tapestry about the history of collective ecstatic dance in the Western world. (These kinds of books are very difficult to write. If you haven't tried to write a book such as this, I would strongly invite you to do so ... you'll gain a new appreciation for authors such as Ehrenreich who make it look so easy.)

I picked this book up because I very appreciated the author's Nickel and Dimed: On (Not) Getting By in America and Bait and Switch: The (Futile) Pursuit of the American Dream. I appreciate the author because she is focusing on issues that, in my opinion, should deeply concern today's Christians, such as the rich becoming richer and the poor becoming poorer.

As a mental health professional, I also found her discussion on depression and mental health issues to be very insightful.

The person who read the audio book did a wonderful job. I found her voice very easy to listen to.
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3 of 35 people found the following review helpful
1.0 out of 5 stars Stalin Anyone? September 3, 2009
Format:Paperback
As a purported book on joy, this is an incredibly joyless book for anyone but the truly biased atheist who is looking for only one thing: to blame every bit of misery in the history of the world on Christians.

We have a chapter on Jesus and Dionysus--Bacchus to those more Roman--and for some weird reason the author decides to compare the two. Well, the reason isn't that weird, for they represent two sides of the coin. Jesus being holy and calling all to follow him and his example, Dionysus being the god of wine and the party, calling the world to follow that example. Or, to bottom line it, the comparison of good and evil. Using a route of convoluted logic to diminish Jesus and anything good that could possibly come from his teachings, the author tries desperately to convince the reader that Jesus never existed, or if he did his disciples used the unreported details of Dioynsus as basis for Jesus. The fact that the gospels are eye-witness accounts of Jesus and his life must never have been considered by someone who read none of them and is striving for a world without Jesus. She is not the only atheist to do so.

Other chapters attempt to blame "the church" for a lack of fun, and go so far as to suggest the outcroppings of fascism were simply people trying to replace the pageantry of Catholicism. I guess we all need someone to blame.

The author fails in many ways, but two stand out above the rest. The first is the origin of joy, or humor, in the first place. She would argue, if depth of intellect led her that far, that it was an evolutionary device which we willed into existence to get through the bad times. But she doesn't.
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