From Publishers Weekly
From her earliest poems Hagedorn, whose first novel ( Dog eaters ) was nominated for a National Book Award, has concerned herself with music, pop culture, drugs and sex. But these themes cut across barriers--rich and poor, rock and jazz, straight and kinky, all viewed with a delightful humor. The most consistent aspect is the outsider's point of view. Her speakers are forever away from home; they never quite fit in: "in new york / they ask me if i'm puerto rican / and do i live in queens?" Hagedorn writes in an early poem, using lower-case letters as if to accent the speaker's sense of insignificance. This volume, in which the early poems and stories are reprinted from limited editions, offers readers fuller insights into the Filipino writer's vibrancy. But a handful of new pieces written during the past decade are some of her strongest work. "Formalized / by middle age / we avoid crowds / but still / love music," she begins a poem that goes on to juxtapose the speaker's infant daughter's "pink and luscious flesh" with friends in El Salvador whose relatives are disappearing. The fun-loving persona of 20 years ago has developed a mature, distinctive vision.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
Filipino American writer and performance artist Hagedorn, who was nominated for the National Book Award for her first novel, Dogeaters ( LJ 4/1/90), here offers early poems (1968-72); poetry and a short story from her first published work, Dangerous Music (Momos, 1975); poetry and prose originally published in 1981 as Pet Food & Tropical Apparitions; and new, previously unpublished material written between 1982 and 1992, including several "performance texts." Hagedorn's major theme is the disillusionment of the immigrant, who is seduced by a superficial and violent American society. Laden with allusions to 1960s popular culture, Hagedorn's early work evokes that era, but her themes of isolation, exile, the drug-ridden violence of city life, and the emptiness of the American dream remain relevant. Her newer work is less penetrable, and the performance texts (such as "Vulva Operetta") do not resonate in written form as they may when presented orally. Although only about 35 pages are new, the other material is no longer in print. Recommended for contemporary literature collections. --Ellen Finnie Duranceau, MIT Lib.
Copyright 1993 Reed Business Information, Inc.