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Dangerous Laughter: Thirteen Stories
 
 
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Dangerous Laughter: Thirteen Stories [Deckle Edge] [Hardcover]

Steven Millhauser (Author)
3.6 out of 5 stars  See all reviews (19 customer reviews)


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Book Description

February 12, 2008
From the Pulitzer Prize–winning author hailed by The New Yorker as “a virtuoso of waking dreams” comes a dazzling new collection of darkly comic stories united by their obsession with obsession. In Dangerous Laughter, Steven Millhauser transports us to unknown universes that uncannily resemble our own.

The collection is divided into three parts that fit seamlessly together as a whole. It opens with a bang, as “Cat ’n’ Mouse” reimagines the deadly ritual between cartoon rivals in a comedy of dynamite and anvils—a masterly prologue that sets the stage for the alluring, very grown-up twists that follow.

Part one, “Vanishing Acts,” features stories of risk and escape: a lonely woman disappears without a trace; a high school boy becomes entangled with his best friend’s troubled sister; and a group of teenagers play a treacherous game that pushes them deep into “the kingdom of forbidden things.”

Excess reigns in the vivid, haunting places of Part two’s “Impossible Architectures,” where domes enclose whole cities, and a king’s master miniaturist creates objects so tiny that soon his entire world is invisible.

Finally, “Heretical Histories” presents startling alternatives to the remembered past. “A Precursor of the Cinema” proposes a new, enigmatic form of illusion. And in the astonishing “The Wizard of West Orange” a famous inventor sets out to simulate the sense of touch—but success brings disturbing consequences.

Sensual, mysterious, Dangerous Laughter is a mesmerizing journey through brilliantly realized labyrinths of mortal pleasures that stretch the boundaries of the ordinary world to their limits—and occasionally beyond.

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Editorial Reviews

From Publishers Weekly

Starred Review. Phenomenal clarity and rapacious movement are only two of the virtues of Millhauser's new collection, which focuses on the misery wrought by misdirected human desire and ambition. The citizens who build insulated domes over their houses in The Dome escalate their ambitions to great literal and figurative heights, but the accomplishment becomes bittersweet. The uncontrollably amused adolescents in the book's title story, who gather together for laughing sessions, find something ultimately joyless in their mirth. As in earlier works like The Barnum Museum, Millhauser's tales evolve more like lyrical essays than like stories; the most breathlessly paced sound the most like essays. The painter at the center of A Precursor of the Cinema develops from entirely conventional works to paintings that blend photographic realism with inexplicable movement, to—something entirely new. Similarly, haute couture dresses grow in A Change in Fashion until the people beneath them disappear, and the socioeconomic tension Millhauser induces is as tight as a corset. Though his exaggerated outlook on contemporary life might seem to be at once uncomfortably clinical and fantastical, Millhauser's stories draw us in all the more powerfully, extending his peculiar domain further than ever. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Pulitzer Prizeâ€"winner Steven Millhauser (Martin Dressler: The Tale of an American Dreamer) has focused his attention in recent years on the novella and short fiction. The author culls his latest collection from stories published in The New Yorker, Harper’s, and other venues over the last decade. Any collection drawn from such diverse sources and compiled over a period of time will strike some readers as disconnected. All critics welcome Millhauser’s return and compare the best of these stories (“Here at the Historical Society,” for example) to the work of Italo Calvino and Jorge Luis Borges. Less popular are “The Tower,” about a literal Tower of Babel that struggles to rise, and other stories that embrace Big Ideas. Overall, Dangerous Laughter is a strong effortâ€"“not just brilliant but prescient” (New York Times Book Review)â€"and reading these stories is like picking up the “best of” collection of your favorite band: good memories, catchy hooks, and always something new in the familiar.
Copyright © 2004 Phillips & Nelson Media, Inc.

Product Details

  • Hardcover: 244 pages
  • Publisher: Alfred A. Knopf; 1 edition (February 12, 2008)
  • Language: English
  • ISBN-10: 0307267563
  • ISBN-13: 978-0307267566
  • Product Dimensions: 5.8 x 1.1 x 8.7 inches
  • Shipping Weight: 14.9 ounces
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #491,337 in Books (See Top 100 in Books)

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Customer Reviews

19 Reviews
5 star:
 (6)
4 star:
 (7)
3 star:
 (1)
2 star:
 (3)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (19 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

5 of 6 people found the following review helpful:
4.0 out of 5 stars Strange Love, April 15, 2008
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This review is from: Dangerous Laughter: Thirteen Stories (Hardcover)
If you got this far, you should get the book. I don't think there is anything quite like Millhauser except, of course, for strange machines where you can put a quarter in and find yourself shrunk ala Tom Hanks.

This is a most enjoyable read even when you get weary of the current story only to go on to the next, better one.
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3 of 4 people found the following review helpful:
4.0 out of 5 stars WOW!, April 27, 2008
This review is from: Dangerous Laughter: Thirteen Stories (Hardcover)
I'm not going to synopsize the stories since that has been well done by the other reviews. This book has actually been a thrill for me, someone who is not a fan of short stories, because I have never been exposed to so many great stories with this particular slant. One story that really drew me to it was the man who stopped speaking; I don't know why, but I must have read that 8 times while reading the entire book. One reviewer said that s/he had to read all the stories at one sitting, but I was just the reverse. I loved these so much that I only allowed myself 3 stories and a re-read of the man who stopped talking at each sitting.

After reading the first 2 stories I logged onto Amazon and ordered everything by this author.

I suggest you buy this book. I feel certain that you won't be bored.
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5 of 7 people found the following review helpful:
4.0 out of 5 stars Left of Center, March 28, 2008
By 
K. L. Cotugno (San Francisco, CA USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: Dangerous Laughter: Thirteen Stories (Hardcover)
As in all of his work, Steven Millhauser creates worlds that are just to the left of the center of reality. Each story has a haunting quality that is impossible to quantify, and each keeps you wanting to know more about the inhabitants of his world. Some are thinly veiled allegories, some not so obtuse metaphors, but every one of these 13 stories makes the reader think more about his own world and his perception of it.
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