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  • Dangerous Liaisons 1960 [VHS]
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Dangerous Liaisons 1960 [VHS]


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Product Details

  • Actors: Jeanne Moreau, Gérard Philipe, Annette Stroyberg, Madeleine Lambert, Jeanne Valérie
  • Directors: Roger Vadim
  • Writers: Roger Vadim, Choderlos de Laclos, Claude Brulé, Roger Vailland
  • Format: Black & White, NTSC, Full Screen
  • Language: French
  • Subtitles: English
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: Kino International
  • VHS Release Date: November 13, 1990
  • Run Time: 106 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: 6301910338
  • Amazon Best Sellers Rank: #264,627 in Movies & TV (See Top 100 in Movies & TV)

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Most Helpful Customer Reviews

26 of 28 people found the following review helpful By TUCO H. on November 6, 2001
Format: VHS Tape
This one is up there with Stephen Frears' version starring Glen Close and John Malkovich and is in some ways even better. Most of Vadim's films are laughed at today and people tend to throw this one in with the rest, which is a mistake. Chaderlos de Laclos' sensibility is very close to what Vadim imagined himself to be at the time, or at least was striving for, before he sold-out and became a completely insignificant director. This film was his last try at something approaching integrity and he seems to have given it his all, because the results are more than a little magnificent.
First of all, the fabulous Jeanne Moreau is at the peak of her career in this film, and she just absolutely OWNS her role, even more so than Glen Close did in the Frears version, radiating a mixture of evil and sensuality and whimsical decadence that's hard to describe but easy to be completely fascinated by on the screen. Also, Gerard Phillipe, the 'James Dean of France' who was known as one of the most wooden actors of his generation (for proof of this woodenness in a GREAT film that transcends Phillipe's acting limitations, check out Jacques Becker's MODIGLIANI, MONTPARNASSE 19), finally comes into his own on this film (his last before he died), and gives a magnificent nuanced performance, full of decadent amorality. The influence of the New-Wave is all over the film, as it was enjoying the only commercial successes it was to have at the time in films like "The 400 Blows," and "Breathless." Phillipe would've adjusted himself to these types of films had he lived just fine, if his performance here is any indication, and Moreau is a complete natural in the freer more neo-realist inspired mise-en-scenes of all the younger directors.
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