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A Dangerous Method [Blu-ray]


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Product Details

  • Actors: Keira Knightley, Viggo Mortensen, Michael Fassbender, Vincent Cassel, Sarah Gadon
  • Directors: David Cronenberg
  • Writers: Christopher Hampton, John Kerr
  • Producers: Jeremy Thomas
  • Format: AC-3, Blu-ray, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: Spanish, English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: March 27, 2012
  • Run Time: 99 minutes
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (188 customer reviews)
  • ASIN: B006PTL1GC
  • Amazon Best Sellers Rank: #34,490 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A Dangerous Method [Blu-ray]" on IMDb

Special Features

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Editorial Reviews

Product Description

From acclaimed director David Cronenberg (A History of Violence) comes a dark tale of sexual and intellectual discovery, featuring two of the greatest minds of the 20th century. Carl Jung (Michael Fassbender, Shame) has just begun his psychiatric career, having been inspired by the great Sigmund Freud (Viggo Mortensen, The Lord of the Rings trilogy). When a mysterious and beautiful woman (Keira Knightley, Atonement) goes under Jung’s care, Jung finds himself crossing the line of the doctor/patient relationship, causing great conflict with his mentor and making Jung question his own morality in the process.

Amazon.com

With a lucid analyst's eye, director David Cronenberg turns his steady gaze toward a trio of brilliant people in the early, and somehow defining, years of the 20th century. In Zurich, a young psychoanalyst named Carl Jung (Michael Fassbender) takes on an intellectually gifted but deeply neurotic young woman, Sabina Spielrein (Keira Knightley), as a patient. Through the course of a lengthy analysis, their relationship takes a turn for intimacy, despite professional policy against such encounters. Meanwhile, Jung is entwined in another important relationship, with psychoanalysis founder Sigmund Freud (Viggo Mortensen), whose enthusiasm about Jung being the golden boy of the science will eventually dim. What's bracing in Cronenberg's keen reading of this situation, based on Christopher Hampton's script, is that no aspect of this situation is more important than any other; the sexual tumbling between Jung and Spielrein might provide a few hotsy moments, but the careful lines traced between Freud's pragmatic wisdom and Jung's idealistic ventures into the mystic are equally significant. The tenor of the acting is similarly well judged; Fassbender and Mortensen are finely drawn, while Knightley's explosions are necessary for uncomfortable contrast. (Vincent Cassel contributes a few memorable scenes as the rule-breaking Otto Gross, a talented but unbalanced analyst himself.) If you go to movies to turn your brain off, go somewhere else; there are enough ideas loose in this superb film to keep you up at night, in a good way. --Robert Horton

Customer Reviews

I rented this movie to pass a rainy afternoon.
D. Diamond
I feel like this movie was trying really hard to be interesting but kind of goes nowhere.
Christine
This film is not in Cronenberg's most common style but it is well done.
Jacques COULARDEAU

Most Helpful Customer Reviews

203 of 228 people found the following review helpful By Dr. James Gardner VINE VOICE on January 24, 2012
Format: DVD
Putting aside some minor historical and biographical inaccuracies, "A Dangerous Method" is a marvelous film, with a bravura performance by Keira Knightly. The focus of the film is the relationship between two of the great founders of modern psychological theory, Sigmund Freud and Carl Jung.

Freud (1856-1939) was an Austrian Jew who developed the Psychoanalytic method as a result of his work in neurology and his experiments with Mesmerism (hypnosis). He published the first of many books in 1899 and this attracted the attention of dozens of intellectuals, including Carl Jung (1875-1961), a Swiss Psychiatrist.

Jung approached Freud in 1906 and their relationship lasted for approximately 7 years.

When they met, Freud was 50 and Jung was 31. Freud was a Jew and Jung was a Swiss Reformed Evangelical. Freud was 5'7", Jung was 6'1". Jung's experience was largely based in institutions and Freud was primarily a private physician. Freud lived comfortably but was never well off. Jung had been poor as a child but married one of the wealthiest women in Switzerland. Freud was known for being faithful to his wife and Jung was well known for his affairs, one of which is the focus of the film.

Keira Knightly plays Sabrina Spielrein (1885-1942), a former patient of Jung with whom he had an affair. Knightgly is the Natalie Portman look-alike who played the decoy Queen in Star Wars (1999). From this humble beginning she went on to earn an Oscar and a Golden Globe nomination for "Pride and Prejudice" (2005) and has been in such box office hits as the "Pirates of the Caribbean" franchise and "King Arthur" (2004). As the conflicted and vulnerable Russian Jewess, this is by far her best performance and one of the best performances by anyone.
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71 of 78 people found the following review helpful By Doug Anderson VINE VOICE on January 21, 2012
Format: DVD
This is really a story of Victorian restraints versus early 20th century liberationist impulses and tendencies (or of ego versus id). Viggo Mortensen plays Freud as a man who is brave enough to suggest that sex is the key to unlocking virtually every human secret but who is so thoroughly ensconced in Victorian respectablity that he is uncertain what to do with this discovery. Initially, he places his hopes in Jung but, as Michael Fassbender plays him, Jung is too confused by his own personal truths and desires to see a clear way forward. Neither men seem to understand psychoanalysis as Sabina (Keira Knightly) understands it: as a personally and politically liberating art & science. Cronenberg's film (based on a book and stage play) suggests that we still haven't resolved the age-old dispute between Freud's patriarchal rationalism that preserves the social order and a more anti-patriarchal & anti-authoritarian version of psychoanalysis that transforms the social order. Keira Knightly's character seems to be the one nearest realizing some form of compromise between or some sort of synthesis of these two competing branches of the art/science but alas the film ends and we never learn what that way forward might have been. One thing is certain: this is my idea of cinema, a cinema of ideas.
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120 of 144 people found the following review helpful By Louis Breger on March 6, 2012
Format: DVD
Film makers, like novelists, have artistic license when dealing with historical characters and events. Still, when their portrayal is severely distorted, they may be doing a disservice to the audience, who comes to accept what they see or read as the truth. This is the case with A Dangerous Method, which has so many biographical facts wrong that it makes the film hard to follow or understand. The movie purports to be about the relationship between Carl Jung at the beginning of his career, Freud, and one of Jung's first psychoanalytic patients, a young Russian-Jewish woman named Sabina Spielrein. What is wrong? Jung is portrayed as a clean-cut, serious and soft-spoken young man. In fact, the real Jung was a ferociously ambitious doctor, with a booming voice, energetic, and someone who felt, from late childhood on, that he had two personalities. He was, in other words, somewhat of a wild man; in his youth his friends called him "barrel" both because of his robust physique and his capacity for alcohol. In short, the portrayal of Jung is a most serious distortion of the real man.

Eugen Bleuler, the head of the Burghölzli where Sabina is hospitalized is, again, mistakenly portrayed as an authoritarian man who has little sympathy for her. Not true: both he and Jung granted her wish to become a medical student and not a mental patient and it was this, along with Jung's love, care, and taking her on as his research assistant, that enabled her to overcome the crazed state she was in when she first came to the hospital.

And what of the real Sabina? The movie shows her engaged in various bizarre body distortions but gives no sense of why she is in such a state.
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50 of 58 people found the following review helpful By carol irvin TOP 500 REVIEWERVINE VOICE on January 30, 2012
Format: DVD
first let's give acting credit where it is due. yes, the two male actors do a wonderful job. but the jump out of your seat and yell bravo performance certainly goes to keira knightly as first jung's patient and then freud's. she opens the movie as a psychiatric patient being forcibly conveyed to jung's clinic. she covers the gamut of range of emotion because she starts out as patient and ends up as therapist.

fassbender and mortenson do the more restrained jobs that playing jung and freud would require. there are strong emotions running between the two men but as analysts this must be conveyed in their typical observational and subdued style. for example, freud has a number of problems with jung and they aren't sexual! first and foremost, he envies him that he is married to one of the wealthiest women in europe. next, freud suffers from all the coming thunder of being a Jew in a Germany which will erupt against Jews. Jung has no such religious or ethnic background to constantly battle.

they only knew one another for seven years and then parted over divisive beliefs in where psychoanalytic practice should develop. they knew one another before the world wars broke out in europe. both are regarded as giants in the psychiatric field. few people, at least in america, receive either straight jungian or freudian therapy today. the major factor is that the cost of rendering such treatment does not fit within our health care system. however, all branches of treatment used today feature the basic precepts established by these two men.

i am not surprised that david cronenberg directed. this subject matter needed a very visionary old hand. i think he succeeded very well in bringing a potentially difficult subject to the screen.
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