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Dare (2009)

Emmy Rossum , Zach Gilford , Adam Salky  |  R |  DVD
4.1 out of 5 stars  See all reviews (14 customer reviews)

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Product Details

  • Actors: Emmy Rossum, Zach Gilford, Alan Cumming
  • Directors: Adam Salky
  • Format: AC-3, Color, Dolby, DVD, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: IMAGE ENTERTAINMENT
  • DVD Release Date: February 9, 2010
  • Run Time: 91 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (14 customer reviews)
  • ASIN: B002XUBDRO
  • Amazon Best Sellers Rank: #37,904 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Dare" visit the Internet Movie Database (IMDb)

Editorial Reviews

DARE - DVD Movie

 

Customer Reviews

14 Reviews
5 star:
 (5)
4 star:
 (6)
3 star:
 (2)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (14 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

11 of 12 people found the following review helpful:
4.0 out of 5 stars The Truth About Dare, February 27, 2010
By 
Bob Drake "BobDrake" (Bronx, NY United States) - See all my reviews
(VINE VOICE)   
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This review is from: Dare [Blu-ray] (Blu-ray)
Not since Threesome (1994), which born-again Stephen Baldwin has since disowned, has there been such a daring coupling of two men and one woman on screen. The tagline of that earlier film, "One girl. Two guys. Three possibilities," might have been adopted for Dare as well. The elephant in the room is the excellent Dare (2005) short included on the Blu-ray disc. While the swimming pool "dare" scene that is most of the short also appears in the new film, it has been truncated for no obvious reason, and it is not one of the deleted scenes. The new film also suffers by comparison because the chemistry between Johnny and Ben seems stronger in the short.

The new film is really not a gay film anymore. Alexa, who is peripheral to the short, drives the new film from the opening frames. Johnny's backstory of a distant father and a youthful stepmother certainly explains his vulnerability, but his friends are not privy to the same personal details the audience sees, and that sets up the somewhat unsatisfactory, though perhaps realistic, ending. Threesome, based on the college experiences of the director, was shot with an alternative ending that appeared on the 2001 release (unlike some male-male scenes that were cut and never seen) which also had problems. How do you resolve any threesome satisfactorily? We never learn how Johnny vanquished his personal demons except to see the sign on the door he enters in the last frames.

Threesome has about the same rating as this film overall, but has more five-star votes than otherwise. I would recommend Threesome over Dare, but the Dare short is a keeper and film comes very close as well.
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16 of 20 people found the following review helpful:
4.0 out of 5 stars A must see - becomes a must own, December 11, 2009
This review is from: Dare (DVD)
There is an accepted lie that is told by Hollywood teen films: That everyone falls into types. The Geeky guy, the Jock, the hanger on, the bookish girl, the slutty girl, etc. as reliable as the characters tropes in a WWII men on a mission film. You know what you are getting, and everyone fulfills their roles in the formula. And its a winning formula every time From "Fast Times at Ridgemont High", to "The Breakfast Club", even lesser fare like "Bring it On" make this work. And its a fun fantasy.

DARE exists in the Twilight Zone of those films. We start in the very familiar teen film world Soccer Star; Stage Crew nerd; Star Student, and act by act, character by character deconstruct it all until we are left with three very real and very vulnerable teens who are in over their heads. It doesn't matter if you were like the one of the characters (and chances are you were) someone you know was.

Emmy Rossum shrugs off her Hollywood training and digs deep for all that is good and ugly about her character Alexa. No one who sees her here will forget her transformation from blushing wall flower to would be seductress. Nor will they forget her face in the final scene when she realizes she isn't really either of those things.

Ashley Springer takes a difficult role and humanizes it - taking the "gay best friend" out of the glib pigeon hole that Sex and the City put him in, and makes him real. He will make you wonder about Ducky.

Zach Gilford as the Jock will surprise anyone who hasn't been watching Friday Night Lights. He turns in an eye opening performance and by the end you will be feeling every last moment with him. I saw this film at Sundance and the crowd there fell for him. Will make you wonder about Emilio Estevez's character in "The Breakfast Club", or maybe your self a little.

When DARE ends, the teen genre is on its head and all the better for it. Buy this film. If you were ever a teenager this movie will thrill you.

Its a first feature for Director Adam Salky and writer David Brind. Its a stunning debut. If you didn't get the chance to see the film in its all too brief theatrical run see it on DVD. Show that their is support for independent movies with independent thinking.

We all know the indie film world is falling apart - one way to reverse that is going to see films in theaters. Next best is seeing them on DVD. Films like this deserve and audience now matter where they find it. My recommendation is to watch with friends. You are going to want to discuss it once you have seen it. At the very least make sure you have the numbers of your high school friends with you. This movie is going make you want to talk to them.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars theater as metaphor, January 24, 2011
By 
This review is from: Dare (DVD)
In "Dare," Alexa (played by the winning Emmy Rossum) is an inexperienced, socially inept teenaged actress who decides to become a "bad girl" so she'll be more in touch with the characters she`s playing (her current role is that of the world-weary Blanche Dubois in a high school production of "A Streetcar Named Desire"). Not only does this open up a whole new realm of experiences for the young lady herself, but it leads to a chain reaction for the two most important people in her life: her geeky best friend, Ben (Ashley Springer), who becomes seemingly jealous when Alexi takes up with the school's brooding, arrogant jock, Johnny (Zach Gilford); and Johnny himself who reveals some surprising truths about himself before the story's over. "Dare" is all about the roles we take on at various points in our lives, and how different we can appear to the world once the masks we are wearing are stripped off - thereby making the theatrical context the story uses a metaphor for real life.

Writer David Brind has divided his story into three parts, each focused on a different main character (Alexi comes first, followed by Ben, then Johnny). Since this has been largely conceived and constructed as a parable, the narrative lacks credibility on occasion and the storytelling does become a bit heavy-handed at times, but some genuinely unexpected plot twists, a blunt and honest approach towards sex and sexuality, an intriguing look at the boundaries of friendship, and an overall complexity of character make the film difficult to dismiss out of hand. In fact, its strangeness is probably its most compelling feature. Brind and director Adam Salky are obviously going for something offbeat and unusual here, and it is all to the movie's advantage ("Dare" is actually a fleshed-out version of a short film Salky made a few years earlier).

Fans of "Friday Night Lights" will be intrigued at seeing Gilford in a role that appears at first blush to be diametrically opposed to the sweet and likable Matt Saracen he plays on the series, though, as the story progresses and more layers are peeled off the character, we discover that Matt and Johnny actually have quite a bit in common with one another - mainly their feeling that they are largely unloved and alone in the world (Matt just deals with it better).

In addition to the three striking leads, Alan Cumming and Sandra Bernhard lend their support to the project in small but significant roles.

Despite its imperfections, this tale of youthful self-discovery emerges as a thoughtful and insightful look at the often painful, confusing, fumbling - yet wholly necessary - efforts teenagers must go through to find their place in the world.
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