Customer Reviews

Dare

5 star:		(26)
4 star:		(5)
3 star:		(0)
2 star:		(3)
1 star:		(2)

 

 

Back in 1982, "Don't you want me" was inescapable. The song was basically an update of A star is born for the 80s, with one of the best videos made at the time. Forget the fact that none of the two female singers can carry a tune. This song is an all time classic. Today, it can be played along any new electronica release and it will sound as fresh as it sounded almost 20 years ago. It is a combination of Disco/pop/electronica that few have managed to match, and many tried to copy. The rest of the album is just as good! This is definetely not a case of a one hit wonder.

The entire album is an electronic attempt to match ABBA. Phil Oakey and his gang succeded in completing an infectious album full of catchy pop tunes all set to electronic beats. There is not a single bad tune in here. The haunting "Seconds" (about the assassination of JFK), creeps right through your skin with its hard hitting beat. "Open your heart" (listen carefully to see where the title of the album comes from) is a masterpiece in itself, far superior to "Don't you want me". The middle part has to be heard to be believed.

"Do or die" is another great dance anthem that should have been released as a single. Play that at a party today and see if people can recognise that it was recorded in 1981!!!! Same goes for the UK hit "Love action". The hooks are incredible.

The cover (made to look like the cover of "Vogue" magazine), is hilarious, with Phil Oakey giving a new meaning to the term supermodel (6 years before Cindy).

If you are a serious collector, this album is essential. It captures the spirit of the early 80s perfectly and it is a blueprint for countless other artists that followed (Pet Shop Boys, Erasure, New Order).

This album was just so right for its time. Kraftwerk, Bowie, Donna Summer, Giorgio Moroder and Gary Numan had been paving the way in using the synthesizer in popular music, so the tuneful synth-pop of Human League's third album was received with open arms. The fashion magazine cover perfectly captures the atmosphere of rock's early 80s 'new romanticism'. After all these years, the synth & drum machine novelty has worn off, but this album remains a masterpiece on account of the quality of the songs. Phil Oakey's voice is perfectly framed by the female vocals and the arrangements are great. My favorites include the soaring Open Your Heart, the solemn lament Seconds, plus The Sound Of The Crowd, Do Or Die, Love Action and Don't You Want Me. This classic is definitely their best album and the recommended entry point for those wishing to investigate the band.

The Best of OMD

Sweet Dreams (Are Made of This)

The Pleasure Principle

Upstairs at Eric's

People who say this album is no good obviously know nothing about New Wave.

Although a bit dated in parts, this album was amazing in 1981, and with the current Electroclash thing, this album has become popular once again along with their debut album, Reproduction.

If all you know is "Dont You Want Me Baby" you may be in for a surprise, although still wonderful thats one of the worst tracks on the album. The music and vocals arew a bit mechanical at times too but I actually like that, hopefully you will too.

But this album is a must have for anyone who claims to like New Wave or 80's music.

By far one of the most highy regarded synth based recordings in UK history. The Virgin/A&M release that opened the flood-gates for a myriad of sound alikes from both sides of the Atlantic, is a must for any synthpop, techno, electronica, or industrial fan. Tracks like "Seconds" and "Things That Dreams Are Made Of" show the stark beauty of the machine against provocative and emotional vocals. "Don't You Want Me", the universal #1 hit (a toe tapping ditty accompanied with what must be one of the 80's hottest and classiest music videos), shows this band's undeniable pop sense. A successful 1998 tour and numerous "Best Of" collections are a constant reminder of this band's importance in the alternative/electronica genre. A complete piece of work, Dare, no doubt, will be revered as one of the most influential LPs of the 20th century. Recently re-released by Caroline (ironically, a Virgin subsidiary), it has been rightfully praised by digi-pop guru Trent Reznor (Nine Inch Nails) and industrial dance trailblazer Jack Dangers (Meat Beat Manifesto).

I was working as a waiter in a cocktail bar when I heard this album. It picked me out, it shook me up, it turned me around, it turned me into someone new. Now 20 years later on I've got the world at my feet; success has been so easy for me. But I won't forget it's this album that put me where I am now and it can put me back down, too. Don't you want this album, baby?

The Human League have had many member changes over the years and after all this time are still together and performing with only Philip Oakey as the original recognised band member left along with Joanne Cathrall and Susan Ann Sulley to make the current group line-up.

The Human League has sold over 20 million records worldwide and as such have influenced many other electro-syntho-pop acts like Moby. The group has released nine studio albums since 1979, but there was one album above all the others that made their career, the one album they will always be remembered for, the one album that became the hallmark for all others to follow in regards to sound, influence and development, the one album that changed your perception of music forever.

Dare!

It was 1981 (a good year); this was the year where four albums were to help influence my musical tastes (there were others of course later on, but these four were a strong starting point) in the 1980's and beyond: 1] Duran Duran, 2] Time, 3] Dare! and 4] Tonwelle, Tonwelle is one of my personal top 10 albums of all-time. There are other albums and groups which I will not go into here; needless to say by 1981 my musical journey was well underway.

Let's continue, 1981-82, this was the Human League's most successful period in their musical history when they released their third album Dare! Under a new direction from veteran producer Martin Rushent the first single from the album was `The Sound of the Crowd', and reached number 12 in the UK charts. But that was just a taste of better things to come. The next single `Love Action (I Believe in Love)' went to number 3 in the UK charts, the first and second singles were released before the album Dare! and it was because of their success that the album was commissioned by Virgin at the time, to this end once the album was completed a third single was released `Open Your Heart' and did just as well.

Dare! was released in October of 1981 and headed to the top spot-number one in the United Kingdom, and stayed there for four weeks and remained in the charts for 77 weeks between 1981-82 giving the band their triple platinum status. Due to the success of the album a fourth (controversial*) single was released `Don't You Want Me' in December 1981 and went straight to number one; the single became the Human League's biggest hit with over 2 million copies sold worldwide. Dare! was also released in the US and the single `Don't You Want Me' also hit the number one spot in 1982.

* Virgin executive Simon Draper, wanted `Don't You Want Me' to be released as a fourth single but Philip Oakey was against it believing that the song was weak and it could damage the band's success of Dare! but Phil was overruled, and the rest as they say is history.

In 1982 the Human League received the Best British Newcomer award at the annual British Music awards and producer Martin Rushent also gained the Best Producer award for his involvement on Dare!

Now having said all that, let's look at the other songs on the album:

`Things That Dreams Are Made Of'

The electro-drum beat is unmistakable in this song (the band became notorious because they did not use a human drummer, but a computer (tape machine) to record and play synthesizer drum beats) as well as being a slow tempo tune; again we hear the classic almost sterile sound of the early electronic music which became part of the `Romantic Movement' sound (directly or indirectly in various forms according the individual band tastes) in the early 80s.

`Darkness'

An ambient almost Gregorian sound at the beginning of this song with Phil's voice giving an added surreal chant; this song is probable the darkest of all the songs on the album, again we can see how versatile this album is in sound and composition.

`Do Or Die'

This song seems to reflect an anti-government/society, anti-social/system type of awareness on a personal level as an individual, I maybe wrong but that's the impression I get when listening to it. Good musical mid-break within the song which could have developed as an added instrumental to the album all on its own.

`Get Carter'

A simple electro-introduction instrumental to the next song. (Could the title be a reference to the movie and to Michael Cain's character?)

`I Am the Law'

A slow song with Phil's unmistakable voice sounding on occasion lower to reflect a deeper meaning about authority's darker (seedy) side (cover-ups), which is appropriate as this song blends into the next.

`Seconds'

As with the above explanation we see how the law (authority) deals with world events such as the assassination of President John F. Kennedy as this song implies. On a subconscious level the distinctive singular repetitive electro-drum beat throughout the song reflecting the bullet sound as it is fired over and over again to enforce the gun shot (or shots) taken on that day in 1963.

All in all this album was ahead of its time, perhaps that's why it was unique and bold in concept, so totally different which is why, Dare! was a hit for the Human League. The album may seem dated now in regards to its music, but one must remember in 1981-82 it was avant-garde in its musical presentation and innovation; that is why, Dare! is considered a classic album, and why the serious collector has a copy in their collection.

The album itself seems to be a mix of many emotions I feel, and one needs to peel back the layers to understand the true meaning the group are trying to express, in events and or situations, possibly about themselves, their experiences or their thoughts of the moment.

On reflection the Human League were to never again have success with any of their future albums of the magnitude of Dare! Over the years they have had a flourishing musical career, but never to the scale during 1981-82, their best period in music as a group. That said the Human League is still around and performing if not for themselves but for the benefit of their fans-who wish to remember a better time when things in the world were so uncomplicated.

Special thanks to Wikipedia for additional information for compiling this review.

It's quite amazing to think that Joanne Catherall and Susan Solley were both 18 years old at the time of this album's release. Hearing about how they had to get out of class so they could perform "Sound of the Crowd" on "Top of the Pops" is a very unusual story in the world of pop stardom. It's even more unusual when Susan sings "the five years we have had have been such good times" on "Don't You Want Me", thinking for a bit that Ms. Solley would have only been 13 at the time of the fictional relationship. But let's ignore all that. The music is delightful; a bit dated at times, but very lush in its synthesizer arrangements. "The Things that Dreams are Made Of", "Sound of the Crowd", "Love Action", and "Don't You Want Me" are all energetic synthesized highlights of this very good album. "Darkness" is sweet, "Do or Die" is cheesy disco fun, "Get Carter" is a very Japan-ish instrumental, and "Seconds" is a rather slow track that conjures up images of Depeche Mode (perhaps it was an early influence on the band's sound... ?). The first track is addictive and the lyrics are smart, calling to mind a treasured British comedian named Norman Wisdom and a treasured American punk rock group named The Ramones, among other "favourite" things. And if you don't think that Phil Oakey's "don't, don't you want me..." dirgey bit in "Don't You Want Me" is one of the finest hooks in New Romantica, you should have your ears cleaned out immediately. Points deducted for the unspectacular "Open Your Heart" (the most aged song on the album), but the rest dazzles and impresses. It's definitely one that any New Romantic fan should have in his/her collection, and one that anyone interested in the New Romantic scene should get.

I also remember buying this LP in high school and was immediately taken by the energy this music had. Although "Don't you want me" is a good song. The songs " Sound of the Crowd" and " Open your heart" were top 10 in the UK for weeks before this album hit the U.S. For those of you synth enthusiasts, I would recommend another band with similar styles such as Heaven 17 with their self titled album. They had a monster dance hit called " Let me Go". In fact two of the members from Heaven 17 used to be in the Human League prior to "Dare" and wrote the songs" Things Dreams are made of" and "Love Action". This music is pleasurable and is what dreams are made of!

This was one of the very first albums that I'd ever heard and was one that deeply affected me and my interest in pop music and especially the New Wave movement at the time. The tracks in this album sounded really different and new at that time and have since spawned many wannabes and imitators that new listeners might say what's the big deal but the big deal is that these guys started the trend of synth-electro pop way back when.

Human League was heavily influenced by Kraftwerk of course but subsequent bands like Depeche Mode, Heaven 17, Erasure, Visage, Blancmange, et al all owe a great deal to this band for starting the ball rolling and proving that techno-pop can appeal to the masses.

This album is definitely one of the best ever techno-pop/new wave albums and also represents the Human League's best effort. All albums after this fall way short of what they were able to accomplish here. Everyone loves "Don't You Want Me" but that's not even the strongest track here. My favourite is "Darkness" which is a truly beautiful track which still gives me goose-bumps of pleasure when I listen to it today.

The sound quality although this is not remastered is very, very good and one wonders how much better a remastered version could possibly sound when this already sounds so good. "Seconds" is a techno classic and so is "Sound of the Crowd" and "The Things That Dreams Are Made Of" are all essential listening. I love this album so much I still remember all the lyrics by heart. The only really weak track here is "Do Or Die" and perhaps the 2 bonus tracks which really don't enhance the album but are nice-haves for fans nonetheless.

If you are looking for a good representative of early pioneering techno-pop/new wave, this is the album to get; the one that inspired a whole bunch of others and literally pushed forward the genre that Kraftwerk created.

This version is also highly recommended as the sound quality is already very good and so you don't really need the remastered version. Other essential listens after you get this are Soft Cell's first album, Peter Gabriel's first solo album which contains the quintessential new wave track "Games Without Frontiers", any/all of Kraftwerk's albums and the first few Depeche Mode albums up to but before "Black Celebration."

The Human League's Dare is one of the most brilliant examples of the synth New Wave music of the early 1980s. In fact, two of the album's singles ("Open Your Heart" and "Love Action") are the weakest tracks on the album and give no indication of the musical depth this record provides. Besides the classic "Don't You Want Me" (one of the greatest songs written--as you might have noticed below, even Dare's harshest critics have nothing but praise for this number), Dare contains the dark, eerie tracks "I Am The Law" and "Seconds." The latter is perhaps the darkest electronic song I have ever heard (about the assassination of President Kennedy). The lyrics are brief but reveal so much. "Sound of the Crowd" is an electrifying electropop anthem. "Darkness" is one of my favorites on the album. It is so beautiful and melodic. "Do or Die" is an upbeat track with that cool retro sound!

One area of frequent praise for the Human League with which I disagree pertains to their lyrics. I often hear how intelligent their lyrics were. On certain tracks that is true (i.e. "Seconds" and "Darkness"). The lyrics to some of their tracks, however, seem to me to be rather silly and almost adolescent (i.e. Love Action). All that aside, it is the music that is important and few early '80s synth bands are in the same league.

I strongly disagree with the charge that Phil Oakey's vocals sound mechanical. His voice is deep, beautiful with passion and feeling. If one wants to hear a mechanical voice, one should pick up the latest Britney Spears album.