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Special Features
Filmmaker Commentary
Journey to Dark Country
Journey to Dark Country
Editorial Reviews
In his feature film directorial debut, Thomas Jane (HBO's Hung, The Punisher) stars in this suspenseful horror thriller. Also starring Lauren German (Hostel: Part II) and Ron Perlman (Hellboy II: The Golden Army).
Two honeymooners rescue a mysterious car crash survivor in the Las Vegas desert. But their decision to save the man becomes increasingly regrettable when he turns on them, forcing the newlyweds to do the unthinkable. In a blur of paranormal chaos, the couple must take drastic measures to cover up their actions from the local police, ultimately leading each character to an inescapable fate.
Two honeymooners rescue a mysterious car crash survivor in the Las Vegas desert. But their decision to save the man becomes increasingly regrettable when he turns on them, forcing the newlyweds to do the unthinkable. In a blur of paranormal chaos, the couple must take drastic measures to cover up their actions from the local police, ultimately leading each character to an inescapable fate.
Customer Reviews
Most Helpful Customer Reviews
24 of 24 people found the following review helpful
By Mark Turner
Format:DVD
Some movies smack you square in the face, presenting everything up front and knocking the wind out of you with the scares they have to offer. Others offer a slow boil, brewing away, giving you information one piece at a time. The clues are there but for some reason they never seem to show themselves clearly until the end. DARK COUNTRY is one such film.
Thomas Jane (who also directed) is Richard, a man we know little about other than that he just met the love of his life in Vegas named Gina (Lauren German) and the pair have united in holy matrimony. Waking the next morning, they prepare to move on down the road by driving at night to avoid the heat of the desert.
In true film noir fashion, Richard narrates the film and gives his perspective now and then as to what is going on. The night time drive is one filled with discovery as the pair find out more about each other, something most people do prior to rather than after the wedding. During their discussion, the heat rises not only from the desert but from a tease Gina offers Richard that results in some erotic yet not non-nude goings on.
As they drive, Richard comments about the sky being so clear in the desert you can drive without your lights on. But when they click them back on the first thing they see is a man stumbling across the road in front of them. They swerve, barely avoiding him but enough to end up off the road. Going back to see if he is okay, they find him alive but banged up beyond recognition.
Further up the road they see his car overturned and realize he's been injured severely, most of his face a bloody pulp. They gather him up, place him in the back seat and head out to find help.
But as with all good episodes of the classic TV series TWILIGHT ZONE, everything is not what it seems. The victim wakes, at first screaming, then laughing and finally talking to his rescuers. His appearance makes Gina uncomfortable, understandably so. And as the trip progresses, he turns from thankful victim to attacker, resulting in a fight with Richard and his apparent death.
Deciding the best way to handle the situation is to simply bury him in the desert to avoid the police, the pair does so. It's not until later down the road that Richard realizes he buried his watch along with him. Returning to the burial site, they find the grave open and the victim gone.
It is here things turn even more strange with a roadside rest area, a major argument between the two leads and the culmination of posters seeking missing people that all come together. Add to the mix a state trooper played by Ron Perlman and the strangeness gets twisted and turned enough to hold your interest until the last reel unfolds.
The film plays to many of the classic film noir modes, offering the narration I mentioned earlier as well as looking at a seedier side of life that can not result in Disney type glory. These are battered people whose past lives make no difference but who breathe that lifestyle in all they say and do.
The film was shot in a special 3-D system (that doesn't transfer on DVD) that gives it a sort of SIN CITY look that bodes well for the tone of the film. The desert here feels hot, emitting an onscreen heat that you can feel while watching. The night feels strange as shot here. Both become not just scenes but characters in this story.
Jane and German do a great job in their roles. Jane as the love struck sap willing to do anything for the woman he thinks he loves. German as the seductive woman who sees the chance at a new life with a man who loves here. As I said before, these are not character traits that are explained but ones that develop from the characters we watch on screen.
The ending is something most viewers won't see coming. It caught me off guard, not startlingly so but in the surprise of it. Jane as director does a good job of letting this story come at you not in a rush but as a slow burn.
Not directly a title for Halloween, but perhaps one that would be good leading up to that mysterious holiday. DARK COUNTRY, while not a perfect film, offers what few movies these days will do. It's a slowly unfolding tale that directs the viewer down the paths it chooses as opposed to what they want. And that disturbing journey is one worth taking for a night's rental.
Thomas Jane (who also directed) is Richard, a man we know little about other than that he just met the love of his life in Vegas named Gina (Lauren German) and the pair have united in holy matrimony. Waking the next morning, they prepare to move on down the road by driving at night to avoid the heat of the desert.
In true film noir fashion, Richard narrates the film and gives his perspective now and then as to what is going on. The night time drive is one filled with discovery as the pair find out more about each other, something most people do prior to rather than after the wedding. During their discussion, the heat rises not only from the desert but from a tease Gina offers Richard that results in some erotic yet not non-nude goings on.
As they drive, Richard comments about the sky being so clear in the desert you can drive without your lights on. But when they click them back on the first thing they see is a man stumbling across the road in front of them. They swerve, barely avoiding him but enough to end up off the road. Going back to see if he is okay, they find him alive but banged up beyond recognition.
Further up the road they see his car overturned and realize he's been injured severely, most of his face a bloody pulp. They gather him up, place him in the back seat and head out to find help.
But as with all good episodes of the classic TV series TWILIGHT ZONE, everything is not what it seems. The victim wakes, at first screaming, then laughing and finally talking to his rescuers. His appearance makes Gina uncomfortable, understandably so. And as the trip progresses, he turns from thankful victim to attacker, resulting in a fight with Richard and his apparent death.
Deciding the best way to handle the situation is to simply bury him in the desert to avoid the police, the pair does so. It's not until later down the road that Richard realizes he buried his watch along with him. Returning to the burial site, they find the grave open and the victim gone.
It is here things turn even more strange with a roadside rest area, a major argument between the two leads and the culmination of posters seeking missing people that all come together. Add to the mix a state trooper played by Ron Perlman and the strangeness gets twisted and turned enough to hold your interest until the last reel unfolds.
The film plays to many of the classic film noir modes, offering the narration I mentioned earlier as well as looking at a seedier side of life that can not result in Disney type glory. These are battered people whose past lives make no difference but who breathe that lifestyle in all they say and do.
The film was shot in a special 3-D system (that doesn't transfer on DVD) that gives it a sort of SIN CITY look that bodes well for the tone of the film. The desert here feels hot, emitting an onscreen heat that you can feel while watching. The night feels strange as shot here. Both become not just scenes but characters in this story.
Jane and German do a great job in their roles. Jane as the love struck sap willing to do anything for the woman he thinks he loves. German as the seductive woman who sees the chance at a new life with a man who loves here. As I said before, these are not character traits that are explained but ones that develop from the characters we watch on screen.
The ending is something most viewers won't see coming. It caught me off guard, not startlingly so but in the surprise of it. Jane as director does a good job of letting this story come at you not in a rush but as a slow burn.
Not directly a title for Halloween, but perhaps one that would be good leading up to that mysterious holiday. DARK COUNTRY, while not a perfect film, offers what few movies these days will do. It's a slowly unfolding tale that directs the viewer down the paths it chooses as opposed to what they want. And that disturbing journey is one worth taking for a night's rental.
23 of 24 people found the following review helpful
By DanD
VINE™ VOICE
Format:DVD
Two newlyweds from Vegas are making a night drive through the desert. They come across a bloody, disfigured man who's been in a car wreck. And everything goes downhill from there...
They don't make them like this anymore. DARK COUNTRY is low-budget noir/horror at its finest, a crass, violent, remorseless film whose script (kudus to Tab Murphy) owes quite a bit to Mickey Spillane's hard-hitting noir novels and Richard Matheson's tripping "Twilight Zone" episodes. It is dark and twisted, somewhat of a character study revolving around a couple (Thomas Jane and Lauren German, who manage to carry damn near the whole movie) who don't really know each other, and begin to find out things they aren't comfortable with. Jane's directing is solid; he knows what he wants--a low budget movie that LOOKS low budget--and manages to pull it off with only a few minor hitches (it slows down a bit near the end, becomes a bit too convoluted to follow closely). However, it looks cool and feels trippy. Throw in a few possible supernatural twists, an appearance by Ron Perlman (whose character isn't necessary at all, but it's still nice to see his ugly mug), and an ending Rod Serling would be proud of, and you have one hell of a film.
They don't make them like this anymore. DARK COUNTRY is low-budget noir/horror at its finest, a crass, violent, remorseless film whose script (kudus to Tab Murphy) owes quite a bit to Mickey Spillane's hard-hitting noir novels and Richard Matheson's tripping "Twilight Zone" episodes. It is dark and twisted, somewhat of a character study revolving around a couple (Thomas Jane and Lauren German, who manage to carry damn near the whole movie) who don't really know each other, and begin to find out things they aren't comfortable with. Jane's directing is solid; he knows what he wants--a low budget movie that LOOKS low budget--and manages to pull it off with only a few minor hitches (it slows down a bit near the end, becomes a bit too convoluted to follow closely). However, it looks cool and feels trippy. Throw in a few possible supernatural twists, an appearance by Ron Perlman (whose character isn't necessary at all, but it's still nice to see his ugly mug), and an ending Rod Serling would be proud of, and you have one hell of a film.
8 of 9 people found the following review helpful
Format:DVD
A direct to DVD release that is better than some movies I have seen with a $50 million dollar budget.
The other review hit it dead on. If you like the Twilight Zone, then you'll love this.
Don't expect a fancy product - what you get is just good story telling with plenty of tension.
The other review hit it dead on. If you like the Twilight Zone, then you'll love this.
Don't expect a fancy product - what you get is just good story telling with plenty of tension.
Most Recent Customer Reviews
4.0 out of 5 stars
A true "sleeper"
This is a surprisingly suspenseful, creepy film which I'd never even heard of. I discovered the title when I was reading a book about film noir. Read more
Published 1 month ago by Robin
4.0 out of 5 stars
Dark Country
I was looking for more and think it was ok for a C movie. I need more, but I won't send it back.
Published 1 month ago by John W. Stephens Jr
1.0 out of 5 stars
Nice idea, horrible acting and pathetic plot execution spoil this...
"Dark Country" is about a recently married couple (married in Vegas-spur of the moment) who decide to embark on a trip into the desert at night to avoid the heat. Read more
Published 4 months ago by HorrorMan
1.0 out of 5 stars
in the dark, bluntly [spoilers]
This muddled mess is all over the place. I've read that people compare this to a good "Twilight Zone" episode, but that's too-much praise. Read more
Published 8 months ago by GratedTopping
1.0 out of 5 stars
Horrible Movie, don't waste your $$$$$
I loved Thomas Jane in the Punisher but this film was so disappointing. It looked so fake (poor computer generated background). The plot was stupid and the acting poor. Read more
Published 9 months ago by Jenny M.
3.0 out of 5 stars
A fun and stylized thriller
Like many Twilight Zone episodes, Dark Country plays like an urban legend story you recite around a campfire. Read more
Published 10 months ago by Jay S
3.0 out of 5 stars
an interesting concept that suffers in the execution...
Following a newly wedded couple travelling at night through the desert, Dark Country (2009) takes you on a strange journey that features a huge twist that makes it hard to say much... Read more
Published 16 months ago by trebe
1.0 out of 5 stars
Dumb country!
Rarely do I see a movie SOOOOOO Bad I must warn my fellow movie lovers.
Do not waste your time, money, or brain on this one.
Do not waste your time, money, or brain on this one.
Published 23 months ago by JB
5.0 out of 5 stars
The title says it all...
Riveting, mesmerizing, fascinating and other words that end in 'ing'! This was fantastic! It is a dark movie of the type that either grabs one or not. It did me! Read more
Published on February 16, 2011 by Eclectically Inclined
3.0 out of 5 stars
Predictable but worth a watch...
Though predictable, "Dark Country" is well cast and edited for a paced thriller for novice chiller fans. Read more
Published on December 18, 2010 by P. B Rubalcaba
