Customer Reviews

Dark Figures in the Desired Country: Blake's Illustrations to The Pilgrim's Progress

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Some time ago I reread Northrop Frye's Fearful Symmetry before having another read through of the poems of William Blake including the longer poems The Four Zoas, Milton and Jerusalem. Despite my appreciation of Frye's book I was struck by the disconnect between many of Frye's well-expressed and coherent ideas and the poems themselves. I noticed also that Frye barely quoted from any of the poems or analyzed any passage specifically. At that point I started to look around for other texts which offered a different viewpoint from Frye to see if my dissatisfaction was justified or not. The more I read the alternative views the more convinced I became that Frye's account was seriously deficient. I do not think he is entirely wrong or that there is nothing of value in his book. However, I strongly recommend that readers interested in Blake's poetry read alternative views.

The ones I have found most useful and interesting include the current book listed here as well as the following: The Four Zoas (Photographic Facsimile (Magno & Erdman), Narrative Unbound (Donald Ault), The Dialectic of Vision (Fred Dortort), Dark Figures in the Desired Country (Gerda Norvig), The Traveler in the Evening (Morton Paley), Rethinking Blake's Textuality (Molly Rothenberg),Blake's Critique of Transcendence (Peter Otto) and some of the articles in Blake's Sublime Allegory (Curran & Wittreich Eds.)

It should also be noted that this book has excellent production values. The illustrations are clear and crisply rendered. This is also a well written book.

This is the book that prompted one reviewer to gush, "After Dr. Norvig's vigorous analysis, Blake will never be the same again."

Regardless of the humor or accuracy of that statement, this book is an absolute steal. Stunning color reproductions accompany the erudite scholarly explanation of how Blake used the visual medium to interpret Bunyan's work.