The artist . . . will always be a special, isolated, solitary agent with an innate sense of organising matter. --Odilon Redon. Disturbing, hallucinatory words that evoke pathology rather than history have long framed our understanding of Odilon Redon (1840-1916), a French artist admired by the Surrealists as a precursor in their exploration of the irrational. In this book, Barbara Larson takes a radically different view of Redon, one that does not attempt to deny him melancholia but does go a long way toward dismantling the paradigm that treats the cult of the irrational as the essential condition of his work. Larson instead contends that Redon should be seen as a gifted mediator of a context in which new scientific ideas mingled with the fears of social and racial decadence widespread in France after the debacle of the Franco-Prussian War. Larson begins by investigating Redon s early years in the Bordeaux region, where he met Armand Clavaud, a botanist who encouraged his interest in the mixture of botany, geology, zoology, and landscape studies then called Naturalism. Subsequent chapters integrate Redon's concentration upon black-and-white graphic media and his absorption of Darwin s teachings and new trends in physiology, psychology, and microbiology. All this enables Larson to offer insightful readings of Redon's predilection for bizarre, polymorphous forms. The Dark Side of Nature demonstrates that at least insofar as Redon is concerned, late-nineteenth-century science meant not positivistic engagement with a stable material world, but rather the exploration of vast invisible realms, from microbes to electricity. With its clear exposition of scientific thought, Larson s book will undoubtedly make a significant contribution not only to Redon studies but also to the interdisciplinary study of art and science.
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Larson's book is a scholarly, in-depth but highly readable study of the pictorial works of the artist Odlion Redon as they relate to political, scientific, and philosophical developments in France after the Franco-Prussian War. --James P. Gilroy, French Review
All of the artists whom Redon admired were distinguished by their craftsmanship, a quality that he emphasized in living nature as well as in art. Accordingly, the craftsmanship of the images Larson has assembled demands a book formatted to bring them to life. This desideratum has been realized splendidly in the very high production values of The Dark Side of Nature. In its look and feel it bears the mark of a devoted collaboration between a knowing author and a publisher committed to producing a book of very high quality. --Robert M. Brain, ISIS
Elle s'intéresse non seulement aux savants et aux travaux qui établissent les nouveaux paradigmes scientifiques, mais aussi aux médiateurs et aux instruments de vulgarisation qui en permettent l appropriation et en font une matière d'invention poétique. Barbara Larson se montre ici remarquablement informée et fait preuve de qualités de synthèse qui font de son livre un ouvrage utile bien au-delà de l étude de Redon.
I1 faur saluer enfin la densité de texte et d'imagcs d'un ouvrage érudit qui s'ajoute aux études des publiées récemment sur 1'artiste. --Dario Gamboni, Revue de l art, v.157 (2007)
All of the artists whom Redon admired were distinguished by their craftsmanship, a quality that he emphasized in living nature as well as in art. Accordingly, the craftsmanship of the images Larson has assembled demands a book formatted to bring them to life. This desideratum has been realized splendidly in the very high production values of The Dark Side of Nature. In its look and feel it bears the mark of a devoted collaboration between a knowing author and a publisher committed to producing a book of very high quality. --Robert M. Brain, ISIS
Elle s'intéresse non seulement aux savants et aux travaux qui établissent les nouveaux paradigmes scientifiques, mais aussi aux médiateurs et aux instruments de vulgarisation qui en permettent l appropriation et en font une matière d'invention poétique. Barbara Larson se montre ici remarquablement informée et fait preuve de qualités de synthèse qui font de son livre un ouvrage utile bien au-delà de l étude de Redon.
I1 faur saluer enfin la densité de texte et d'imagcs d'un ouvrage érudit qui s'ajoute aux études des publiées récemment sur 1'artiste. --Dario Gamboni, Revue de l art, v.157 (2007)
About the Author
Barbara Larson is an Associate Professor at the University of West Florida.
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5 of 10 people found the following review helpful:
5.0 out of 5 stars
Artist DAL LAZLO loves dis book!!!,
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This review is from: The Dark Side Of Nature: Science, Society, And The Fantastic In The Work Of Odilon Redon (Refiguring Modernism) (Refiguring Modernism) (Paperback)
my only complaint with this otherwise excellant book is that it should have been a hardcover, it is sure to be regular referance and inspiration to any artist, or normal person in possession of it, and $55.00 for a softie is a little stiff! after grappling with that, get dis thing...it is super to see his actual inspirational clippins from mags and papers of his time...this is so much like Francis Bacon's routine it's scary, he relied on arcane flotsam much like dis guy, it really is beautiful and extensively illustrated and ,as a collector myself, I assure you, once out of print it is sure to become a valuable item, fettching way over it's cover price...so dont bend the covers, while you pour over Redons world , a definite must have.
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