Henri Michaux defies common critical definition. Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux "genius," and Jorge Luis Borges wrote that Michaux's work "is without equal in the literature of our time." This anthology contains substantial selections from almost all of Michaux's major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.
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Editorial Reviews
From Library Journal
French painter Michaux (1899-1984) explored the subconscious mind and the effects of such hallucinogens as mescalin not only in pigment but in poetry. Here, poet Ball offers a generous and delightful selection from Michaux's published works; his translation skills bring Michaux's words to life in English, giving them the same energy and nimbleness they have in their original French. Many of the works in this anthology are prose poems, but this is essentially a collection of verse, one that requires continual reading the way a bag of peanuts requires continual eating. Observations on human interactions, as well as the life of the mind, abound. Highly recommended for most public and academic libraries; this poetry should have wide appeal. (Photos not seen.)-Francisca Goldsmith, Berkeley P.L., Cal.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
"David Ball has assembled and translated a stunning selection of Michaux's works. . . . We feel the fears, hysteria, and humor, and respond to the beauty and awe."--Elizabeth T. Gray, "Harvard Review
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22 of 23 people found the following review helpful
Format:Hardcover
Even if you speak French, this book is an indispensible source on the great, 20th. century poet Henri Michaux. One of the important things that David Ball establishes is the chronology of Michaux's publishings. Michaux often published a string of small books between major collections - the major books overlapping, partially containing and redacting the earlier books in a highly complex and confusing way. In some cases, the larger work even duplicates the title of a smaller work. Ball untangles this gnarly time-line once and for all.
This is the most extensive selection in English from all phases of Michaux's long poetic career. It includes excerpts from his prose works - the travel writings and the mescalin writings, although nothing was taken from A Barbarian in Asia and Miserable Miracle. There are some plates that provide a view of Michaux's often superb graphic art.
The translations stand up pretty well against Richard Ellman's in Selected Writings (also highly recommended); however, this is a much larger work. Ball is perhaps on the literal side as a translator, a respectable choice. Probably, the only way to translate a poet impeccably, is to have a team of accomplished poets working in direct collaboration with the living poet who also speaks the second language well. And, of course, that's not the case, here. As far as I know, among major 20th. century poets translated into English, only Jorge Luis Borges was tranlated in this arcadian manner. That said, there's nothing wrong with these translations, except that David Ball, though possessed of a good ear, is not himself a poet, or trying to use a translation of a poem as an occasion to write another poem. Again, this is a respectable choice. In a sense Michaux is easy to translate. His language, though highly individual, is clear and direct (except when he's creating his bombastic new words). It's this language and conscience (John Ashberry's critical insight) in service in service to a deep and powerful visionary faculty, that makes Michaux one of the truly great poets of the 20th. century.
9 of 11 people found the following review helpful
Format:Paperback
This early 20th century psychonaut is the latest embodiment of the Poet Maudit, intuitively following the program set out by Baudelaire and brilliantly brought to fruition by Rimbaud and Lautreamont and added to substantially by the surrealists. It is, however, Michaux's connection to the author of Maldoror that draws me to him, and as in Ducassean texts, Michaux's writings reveal numinous monsters aplenty, strange landscapes, psychic flora and fauna that are noted, illuminated from all sides, catalogued in precise detail. A selection of the art is given as well. These are good to excellent translations, as noted in the previous review. The selection and chronology makes this book stand out over the New Directions standard that we've long depended on for our picture of Michaux.
2 of 5 people found the following review helpful
Format:Paperback
Michaux is a genius. He should be read many times. His language and images are haunting and thrilling. His work is very inspirational and insightful.
The translation is also excellent.
I can highly recommend him.
The translation is also excellent.
I can highly recommend him.
Inside This Book
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First Sentence:
The title of his first book of poems notwithstanding, Henri Michaux is fully Henri Michaux in these two little collections. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Courtesy of the Solomon, Guggenheim Museum, New York, Paul Klee, Henri Michaux, Space of the Shadows, Zao Wou-ki New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
The title of his first book of poems notwithstanding, Henri Michaux is fully Henri Michaux in these two little collections. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Courtesy of the Solomon, Guggenheim Museum, New York, Paul Klee, Henri Michaux, Space of the Shadows, Zao Wou-ki New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 5
books:
- Miserable Miracle (New York Review Books Classics) by Henri Michaux on 4 pages
- A Barbarian in Asia by Henri Michaux in Front Matter, and page 73
- Henri Michaux and the Poetics of Movement (Stanford French and Italian Studies) by Laurie Edson in Front Matter
- By Surprise by Henri Michaux in Front Matter
- Fata Morgana by Andre Breton in Front Matter
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