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1
In My Blood
“Stop that racket!” my older sister Ava commanded in the sharp, deep, stinging loud whisper only she could produce, after she had poked her head inside my bedroom door. Her words reverberated just under my breasts and shook my spine as if they had originated inside me and not inside her. Whenever she spoke to me like this, it sent a chill through my chest and into my heart. It was as if I had just gulped and swallowed a cup of ice water. Even my lips felt numb.
Minutes ago, our housekeeper and nanny, Mrs. Fennel, had ordered our thirteen-year-old sister, Marla, out of my room to go clean up her own. Cleanliness and neatness were as important in our house as they were supposed to be in a hospital. There was always a demand for tidiness and freshness that gave every home we lived in the appearance of being just created.
For us, time froze. We had new things, but we were taught that nothing became worn or out of style if it was cared for well. I grew up to understand that for the Patio family, days, months, years weren’t locked up in some old chest and left to be forgotten. Nothing fell back or away or died in our world. It was as though everything Daddy touched became immortal. Memories swirled about us with the dazzle of colorful butterflies caught in rays of sunshine. Every one was precious and special. One of Daddy’s favorite expressions was, “It’s so old that it’s new.” That was because so many of the things we possessed people hadn’t seen for some time, whether they were windup clocks and oil lamps or Victrolas and quill fountain pens.
We didn’t relegate the antiques to some attic cemetery, either. Nothing was put away to sleep under a blanket of dust. A hundred-year-old music box sat side-by-side with an MP3 player. Daddy still had his Gibson and Davis piano, built in 1818.
“The piano’s old, but the notes are new,” he would say when I played it. “Life,” Daddy told me, “simply means reinventing yourself every day. Every day is your birthday, Lorelei.” He told that to Marla and Ava and our older sister, Brianna. He said it was something he constantly told himself.
We held on to the past, cherished it, but we certainly didn’t dwell in it. The here and now and the future were always paramount. Maybe that was why, unlike other families, we had no family albums. There was little or no nostalgia. There were especially no early pictures of Daddy or Mrs. Fennel anywhere in our home and, of course, no videos of family events. Daddy never looked back at a time in history and said, “It was better then” or “I’d rather be alive then.” There were individual things that were better, perhaps, but “Every generation, every age, has something to offer us, something to cherish,” he said. “When you stop looking forward to the future, you begin to dig your own grave.”
Although we were given new clothing and shoes regularly, we never threw anything out or gave anything away. That certainly wasn’t because we were poor. We were far from it. The fact was, there was always a younger Patio daughter to assume some of what had belonged to the younger daughter before her.
And so my younger sister, Marla, had inherited many of my old things, some of which I had inherited from Ava. Most of them were barely worn. I grew out of them quickly, almost overnight. I took good care of everything I had, but Marla could be very sloppy, leaving a blouse on a chair, a skirt on the floor, or shoes in the doorway, which was the thing Mrs. Fennel hated the most.
Most of the time, Mrs. Fennel moved through the house as if she were on radar. No one could travel more confidently through the darkness. She seemed very proud of that, proud of all the things she could do and did efficiently, effectively, and gracefully, so stumbling over something one of us carelessly left in her way infuriated her.
Mrs. Fennel didn’t have to raise her voice above a whisper to indicate her displeasure, either, and that indication was enough to move a herd of elephants. It was as if the air were filled with static and your ears were drowning in heartbeats that resembled the sound of thundering wild beasts.
Marla didn’t dare protest or even appear upset when Mrs. Fennel came looking for her in my room. She avoided Mrs. Fennel’s eyes just the way any of us would and hurried to her room, chanting, “I’m sorry. I’m sorry.” It was as if she were trying to memorize it.
Mrs. Fennel hated that word. “Don’t tell me you’re sorry,” she would say. “Sorry doesn’t mend fences well. Something broken, something ruined, can’t be restored to what it was with an ‘I’m sorry.’”
I certainly wasn’t going to say “I’m sorry” to Ava. I had just inserted my iPod into the player, speaker, and charger, and it had barely begun to play. I had it so low I didn’t think I needed to listen on my earphones, so I was genuinely surprised when she burst in on me. She frightened me, but as soon as I settled down, I was more annoyed than afraid. She looked half-asleep, even though it was nearly noon. Of course, I knew why.
Almost always, whenever Ava slept this late or took naps, so did Daddy. My recollections of my oldest sister, Brianna, were the same. Anyone would wonder how she could have heard anything through our walls when she fell into that comalike sleep, but what amazed me about both my sisters and my father was the sensitivity of their hearing. I really believed my father and my sisters when they were older could hear a pin drop, even when they slept deeply. It was as if they had a sixth sense, especially for danger. Would I inherit the same power? I hadn’t yet.
In movies and on television, when someone’s dog suddenly growls or barks, the person pauses to listen and doesn’t hear anything but always in a dire whisper asks the dog, “What is it, boy? What’s out there?” Usually, it turns out to be something evil.
I had seen Daddy do that many times. He would suddenly stop reading or looking at something and listen harder. His ears didn’t go up, and he didn’t growl, but his face changed into a dark, concerned expression. His eyes grew beady, and he moved his nostrils as though he were sniffing for some threatening scent. It was not fear, exactly. I had never seen him afraid of anything. I suppose it was more like suddenly being extra cautious.
Once, even though none of us was saying anything, he held up his hand and said, “Quiet.” It was as if we were thinking too loudly.
My heart began to pound. Brianna’s face mimicked his, and everyone froze. After a moment or so, Daddy nodded, relieved and satisfied, and returned to what he was reading. Brianna looked relieved and satisfied, too. I looked at Ava to see if she wanted an explanation as much as I did, but she didn’t, or if she did, she was too frightened to ask. Ava was seven then, and I was four. Marla had not yet been born and brought to live with us.
If I asked what was wrong, why everyone looked so worried, Ava and Brianna would glance at me and then look to Daddy, who would simply shake his head and return to what he was reading.
Even at that young age, being so in the dark at times when it concerned my family made me feel like a total outsider, a visitor rather than another daughter. Eventually, I realized that something or someone was always pursuing us. I didn’t know what or who it was yet, but, like all the information I was given, it would come when Daddy thought I was ready for it to come.
There were secrets sleeping in every shadow, secrets cloaked in whispers, and secrets implied in glances. Sometimes I thought they were like mold in the walls. Not that we celebrated it, but I dreamed of a Christmas with packages of secrets under the tree, all addressed to me. All I had to do was open each one, and I’d learn the answers.
“Creepers, Ava,” I said now in a mild protest, “I can barely hear the music.”
“Stop thinking of only yourself,” she snapped. Her eyes suddenly came alive, lost their sleepiness, and were luminous. It was as if matches had ignited behind them. Even her cheeks turned crimson. Ava could never be ugly, but more and more lately, I saw movements and incremental changes in her features that made them harder whenever she was upset.
“I’m not.”
“Yes, you are. I don’t know why no one else sees how selfish you can be. I was never that selfish when I was your age. You don’t think of our family first. You think of yourself first.”
I shook my head. Tears filled my eyes. In this house, there was no greater sin than selfishness. “That’s not true!” I protested loudly.
Her eyes widened again. “Quiet, you fool. If you wake Daddy…”
“Okay, okay,” I said, and shut off the iPod. I never had woken Daddy. None of us had, but the threat of his and Mrs. Fennel’s anger should I do so was quite enough to make me tremble.
Daddy would have to sleep nearly the entire day at least once a month. Most of the time on those days, he didn’t even come to dinner. When I was much younger and asked Mrs. Fennel about it, my nanny cryptically replied, “Digestion.” She would say nothing more, and one look from her told me not to ask any more questions about it. She hated my questions anyway.
One time, she snapped at me and said, “Your questions buzz around my ears like annoying flies.” She waved her hand near her head as if they were really there.
Brianna would be just as disturbed with my questions and either ignore me or say, “Stop pestering me. You’ll know when you know. Try to be more like Ava. Be patient.”
Despite how much Brianna watched over me when I was very young, I never had a close relationship with her. I thoug...
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Most Helpful Customer Reviews
36 of 39 people found the following review helpful:
1.0 out of 5 stars
Sigh...,
By M "CultOfStrawberry" (I wait behind the wall, gnawing away at your reality) - See all my reviews (TOP 500 REVIEWER)
This review is from: Daughter of Darkness (Mass Market Paperback)
Poor, sweet, beloved V.C. Andrews, who worked so hard to bring us the enticing Flowers in the Attic, My Sweet Audrina, and the Heaven books despite all sorts of physical difficulties (including breast cancer and arthritis and a really bad back that had been a problem for her since youth) does not deserve to have her name dragged through the mud (or something far more vile) with books such as this.
The author description from the book is as follows... "One of the most popular authors of all time, V.C. Andrews has been a bestselling phenomenon since the publication of her spellbinding classic Flowers in the Attic. That blockbuster novel began her renowned Dollanganger family saga, which includes Petals on the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Since then, readers have been captivated by more than fifty novels in V.C. Andrews' bestselling series..." I can agree that FitA was spellbinding. However, VCA only was able to finish seven books and start four more. She certainly didn't write fifty books. Makes you wonder why even 25 years after her death, the ghostwriter continues to churn these books out. V.C. Andrews did leave some notes and outlines after her death and I can definitely see her soul and ideas in the Dawn and Ruby books. However, these notes ran out at the last Logan book (which would explain why 'Olivia' wasn't quite as good) so for over ten years now, there has been no VCA in the books printed under her name, not even a trace. And sadly apparent, it shows. Apparently Neiderman decided to hop onto the vampire bandwagon (Twilight, Evermore, The Vampire Diaries, True Blood, and so on and so forth) with this... this... I'm not even sure what to call it. On the cover (at the bottom) it says 'The Vampire Novel Fans Have Been Craving Since Flowers in the Attic' Waitaminute, WHAT? After reading the Dollanganger series, vampires was the furthest thing from my mind. After finishing FITA, all I wanted to do was go on to 'Petals on the Wind'. So anyway, the main character's name is Lorelei Patio. It literally sounds like Neiderman drew first and last names at random from a hat. Personally, I liked Lorelei as a name, but now Neiderman has soured me for that name. and Patio. PATIO. I keep thinking of lawn and patio furniture now. For all we know, her name could have been something like Razzberry Microwave or something like that. In one of the ghostwriter's novels (penned under his own name as 'Bloodchild') a character with the name of Patio is in it... and it's also a vampire novel and Patio's a vampire. I don't know if this is intentional or not. The characters are almost a caricature of the people they're supposed to be. Sergio Patio is unlikeable - not because he is evil, but because he is so bland. Foxy is one of the weakest characters, namely due to his weak dialogue and willingness to ignore the obvious. The sisters are competitive, vying for Daddy, and it's so petty it's ridiculous. Lorelei's boyfriend is a sugar-sweet guy that kinda made me gag. This book isn't much different from the stuff Neiderman has been writing since the Orphans miniseries (though Orphans was actually better than this) but every flaw has been magnified. The cliches are worse, the lines more cheesy, the characters more cardboard, and the ending... oh wow. Seriously, dude. And the names are recycled as well. In Heavenstone Secrets, Semantha's first baby was supposed to be called Asa. Here, one of Lorelei's sisters is named Ava. SPOILER ALERT! Yes, they really are vampires. I was wondering if Neiderman would just tease and make them SEEM like vampires, but the ending reveals that they really are vampires. And there's incest. Apparently, Sergio Patio (Daddy Vampire) likes to have sex with his own daughters, and Lorelei learns that she really IS his daughter, and not adopted. Now, this (sorta) worked for Willow because her father HAD to lie to her for two things - his jealous wife, and his professional reputation. But here there is no real reason to lie to the girls. They are raised away from their mothers, which is also really odd. So Lorelei learns that she really is her father's daughter. YET she is also expected to have sex with him and bear him daughters who will then become sister-wives. The boys feed, the girls breed. Lorelei and her sisters are all supposed to become brides of Sergio and breed more vampire babies. Apparently the girls don't start out as full vampires, and it isn't until they are properly initiated that they do become full vampires. I've never heard of anything so ridiculous. Lorelei also meets her real mother, but it's lame. Any seasoned VCA reader is no stranger to incest. But in the FitA, Heaven, Dawn, and Ruby books, it had a believable premise behind it, whether it was consensual or not. I felt especially bad for Paul and Ruby,. But here, it feels slapped in, almost as if someone reminded Neiderman to put in some so it would make it feel more like a 'real' VCA book. Fortunately, Lorelei is disgusted by this notion of 'keeping it in the family' and wants none of it, so she runs away with her boyfriend, Buddy (seriously, that's his name) despite threats that she might become one of the hunted rather than a hunter. And then at the very ending, she just abandons Buddy and hops into a truck with a complete stranger, not even knowing where he is going. For all we know, he could end up raping or killing her, but Lorelei just trusts him completely - which shows how much of an idiot she is. After escaping a vampire coven, I'd be especially alert to the surroundings. And she abandoned Buddy after he told her he loves her and she told him she loved him too. So why would she run away? Not only is Lorelei a stupid character, this whole book is nonsensical and makes no sense whatsoever. Yet, poor Miss V.C. Andrews is credited (or more appropriately, blamed) for this. This book also comes with a preview for the next title, 'Family Storms' (thank goodness DoD doesn't have a sequel) and one of the characters is Jordan March. BUUUUUUUUUUUUUUUUUUUUT...apparently it's NOT the same Jordan March from the Early Spring series! So not only are titles and ideas recycled, now names are being copied and pasted. Fortunately, 'Family Storms' seems to be a normal family story, with no supernatural (which is good, because the Gemini and Heaqvenstone books showed that it was not Neiderman's strong suit) and the idea seems more promising. V.C. Andrews, your true and honest fans love and miss you. Interesting bit of trivia - After her death, VCA left notes and outlines for more books indeed - only up to the last book in the Logan family series. After that, nothing is even 'inspired' by VCA, since Neiderman ran out of her notes, which would explain the Orphans miniseries and everything afterward. This book has NOTHING to do with VCA, and was not even inspired by her, so these books REALLY need to stop now.
6 of 6 people found the following review helpful:
1.0 out of 5 stars
Couldn't find the Vampyres I thought were the point.,
By
This review is from: Daughter of Darkness (Mass Market Paperback)
Wow - so I tried to read another of the new VCA books... and it was painful. I've had this book for a month and a half and finally finished it! I would rather have a "formula" series book after this horrible excuse for a "thriller."
I found the vampire plot dull. I was mildly interested in Fannie - I mean the older sister. But even she couldn't have me enjoying this book. I think I may be really done this time.
6 of 6 people found the following review helpful:
1.0 out of 5 stars
Disappointed,
This review is from: Daughter of Darkness (Mass Market Paperback)
Okay, so I saw this book at Wal-Mart - bought it without even reading the description on the back - because I loved the Flowers in the Attic series and My Sweet Audrina from my high school years. I read it all in one lazy Sunday. However, I kept waiting for something really exciting to happen, and it just never did. Reading the other reviews, I also wanted to hear more about these Renegade vampires. I wanted to know more about "Daddy" and where he came from. I felt bad for Buddy in the end, because she just leaves him. In the end, you don't know if Lorelei got in the truck and "vamped" out on the driver. Or, did they fall in love and have many little kind of half-vampire babies? Or, like someone else said, did the truck driver rape and kill her leaving her to rot in a dumpster? Ughh, please - what a waste of a good Sunday!
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