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Daughters of Darkness [Blu-ray]


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Daughters of Darkness [Blu-ray] + Vampyres [Blu-ray] + The Vampire Lovers [Blu-ray]
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Product Details

  • Actors: Delphine Seyrig, John Karlen, Danielle Ouimet, Andrea Rau
  • Directors: Harry Kumel
  • Format: Multiple Formats, Blu-ray, Color, Widescreen, Digital Sound, Mono, Subtitled
  • Language: English
  • Subtitles: French, Spanish, English
  • Region: All Regions
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Blue Underground
  • DVD Release Date: March 1, 2011
  • Run Time: 100 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (64 customer reviews)
  • ASIN: B0041ONFEY
  • Amazon Best Sellers Rank: #19,829 in Movies & TV (See Top 100 in Movies & TV)

Special Features

None.

Editorial Reviews

Product Description

International screen icon Delphine Seyrig stars as Elizabeth Bathory, an ageless Countess with a beautiful young 'companion' (Goth goddess Andrea Rau) and a legendary legacy of perversion. But when the two women seduce a troubled newlywed couple (French beauty Danielle Ouimet and John Karlen), they unleash a frenzy of sudden violence and depraved desire that shocked both art house audiences and grindhouse crowds worldwide. Co-written and directed by Harry Kumel, DAUGHTERS OF DARKNESS remains one of the most exquisitely mesmerizing adult horror films ever made. Blue Underground is proud to present the uncensored Director’s Cut of this classic psychosexual shocker in luscious High Definition and packed with revealing Extras!

Review

"A Stylish Adult Vampire Movie!" -- Roger Ebert, Chicago Sun-Times

"Erotic And Unusual... One Of The Finest Vampire Films Ever Produced!" -- All Movie Guide

"Far And Away The Most Artistic Vampire Shocker In 10 Years!" -- The New York Times

"Harry Kumel Is One Of The Great Unsung Directors Of The Genre!" -- The Science Fiction, Horror and Fantasy Film Review

"The Most Entertaining Eurotrash Lesbian Vampire Movie Ever Made!" -- DVD Verdict

Customer Reviews

This is not to say that I hated this film, hence my 3-star rating.
James T
Every set piece seems to telegraph a sense of impending doom for the film's participants.
Jeffrey Leach
The visual beauty of this film will make you forget all about silly things like plots!
Ellen Vieira

Most Helpful Customer Reviews

66 of 68 people found the following review helpful By Jeffrey Leach HALL OF FAME on November 7, 2004
Format: DVD
Since I've been watching a ton of Eurohorror classics lately, now is as good as a time as any to say a few words about "Daughters of Darkness." I made a vow some time ago to ignore vampire films as a general rule. It's not that I strongly dislike all vampire films, mind you, but I just feel like the genre has been done to death over the years. How many versions of Dracula can you watch before your eyes start rolling over the predictability of it all? The plots are all essentially the same, right? You've got the obligatory virgin, the dashing young lad, the wizened vampire hunter, and good old Drac himself ambling around in the dark tormenting the others. A bunch of people fall prey to the vampire, the hunter teams up with the young man in an effort to save the young girl, and a stake through the old ticker pretty much wraps the whole thing up. Well, a bit of experience reveals quite a few films that play around with this tried and true formula. One way to accomplish something different, if these European flicks are any indication, is to punch up the proceedings with a generous helping of bare flesh. There's nothing like a bunch of gals trooping around in revealing outfits, or no outfits at all, to perk up the dreary old Stoker legend. And if you can make the head vampire a woman, that certainly can't hurt either. Welcome to "Daughters of Darkness."

Something weird and wonderful is going on in this movie, but you have to wait awhile to see it. The picture starts out by showing us two freshly wedded lovebirds, Valerie (Danielle Ouimet) and Stefan (John Karlen), heading to the European coast on a train. Ostensibly, the two married in secret and are now going to head over to England to meet Stefan's domineering mother. Valerie worries whether the woman (ha!
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44 of 47 people found the following review helpful By Timothy Ramzyk on April 10, 2005
Format: DVD Verified Purchase
The notion of "vampirism" has always had ties to dark and forbidden sides of human sexuality, and has served as metaphor for homosexuality, nymphomania, and maochism. The sexual revolution of late 60's and early 70's produced a bevy of erotic, "lesbian" vampire films, in which their creators were able to graphically exploit all manner of sexual taboos that had only been hinted at previously. DVDs have given us a wonderful cross-section of these forbidden fruits from Jess Franco's psychedelic Vampiros Lesbos to the surreal-dreamy trappings of Jean Rollin's Shiver Of The Vampires, but Daughter's of Darkness is for many (myself included) is the cream of the crop.

Daughter's is kind of a hybrid between Sheridan Fornau's often-filmed vampire story, Carmilla, and the many legends and exploits of real-life "vampire" Elizabeth Bathory. Brought into the present, the film begins with the arrival of two newlyweds, Stephan & Valerie (John Karlen & Danielle Quimet), to a gloomy and mostly deserted beachfront hotel in Belgium. From the onset we observe all is not right with this union, Stephan refuses to tell his "mother" of their marriage and is revealing an aloof and sadistic temperament, which Valerie mournfully tolerates. Out of the night arrives the Countess Elizabeth Bathory (Delphine Seyrig) and her sultry companion/accomplice Ilona (Andrea Rau). The Countess takes an immediate, carnal interest in the young newlyweds, and especially in Valerie. Meanwhile there seems to be a rash of murders in the nearby villages in which the young female victims have been drained of all their blood. Before long the countess and her reluctant companion have seduced the troubled newlyweds, and this is where the fun begins.
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19 of 20 people found the following review helpful By Dean Sliger on September 3, 2005
Format: DVD Verified Purchase
This is one of those movies from the days when local stations ran horror movies on Saturday afternoons, stations that -- alas! -- have since aligned with upstart networks and now run infomercials all day. Mostly they'd run the great films from Hammer Studios, the Japanese monster movies like "Godzilla," and, of course, the '50s B-movies like "Them." Every now and then, though, they'd show this truly creepy little gem. Now, of course, as an adult I recognize this as an 'Art Film' but then it was just eerie, creepy, and totally different -- especially when compared to the typical vampire and other monster movies where the hero gets the girl and the monster gets killed/destroyed. A horror movie done as an art film, there's a lot going on that the viewer either has to guess, assume, or be left wondering about. In that sense, "Daughters of Darkness" foreshadows the modern Japanese horror films like "Ringu" or "Uzumaki" where you're left with unanswered questions, the kind that make you check to make sure the doors are locked. Blue Underground did a fantastic job with this DVD transfer, and it's great to be able to see this movie in its entirety instead of edited for TV. The only thing missing is Delphine Seyrig singing the title theme at the beginning of the movie ("...Don't let the sunlight find you, or you may fade and die."). Where'd that go?
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11 of 11 people found the following review helpful By Shaun Anderson on December 26, 2006
Format: DVD
"Daughters of Darkness" crackles with repressed sexual energy and barely suppressed libidinous desire in a way uncommon for an early 1970's horror film. Eschewing the somewhat vulgar and obvious treatment of the same story by Hammer, made as "Countess Dracula", Belgian director Harry Kumel opts for an overly symbolic aesthetic that self consciously emulates European art cinema. The similarities to Alain Resnais' "Last Years in Marienbad" are notable in relation to casting, but also in the strangely isolated and ethereal hotel setting. Kumel also experiments with time and space in a non linear way. This is not to say that his film makes no narrative sense, in fact it easy to follow, but symbolic representations of time signified by the countess herself makes one question not only the films reality but also its temporality. Kumel also makes use of an intriguing colour scheme which privileges reds and greens as symbols of death, decay, but also regeneration. Perhaps the films most impressive aspect though is its almost total rejection of the iconography of the horror genre. For example we see no fangs, we so no drinking of blood, no familiars, in fact by the films conclusion we are not even 100% sure there has been any vampirism. This is a great film because Kumel takes exploitation material (lesbianism and vampirism) and places them in the background, preferring to privilege mood, ambience and an artistic formal strategy.

Blue Underground's DVD presents the film fully restored and uncut and in a sumptuous transfer. Also included in this edition is another treatment of the Countess Bathory story, the rather more exploitative "Blood Spattered Bride", this is a perfectly acceptable effort, but with a stronger emphasis on nudity and violence...But there is nothing wrong with that.
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